{"id":10071,"date":"2015-12-16T17:23:46","date_gmt":"2015-12-16T13:23:46","guid":{"rendered":"http:\/\/kultur.az\/?p=10071"},"modified":"2015-12-16T17:23:46","modified_gmt":"2015-12-16T13:23:46","slug":"salid%c9%99-s%c9%99rifova-yagmur-qoxulu-seirl%c9%99rin-izi-il%c9%99","status":"publish","type":"post","link":"https:\/\/kultur.az\/?p=10071","title":{"rendered":"Salid\u0259 \u015e\u018fR\u0130FOVA –YA\u011eMUR QOXULU \u015eE\u0130RL\u018fR\u0130N \u0130Z\u0130 \u0130L\u018f"},"content":{"rendered":"

M\u0259h\u0259rr\u0259m Qas\u0131ml\u0131n\u0131n “Ya\u011fmur qoxusu” \u015feirl\u0259r kitab\u0131 haqq\u0131nda<\/span>\"salid\u0259\"<\/a><\/p>\n


Orxan Pa\u015fa t\u0259x\u0259ll\u00fcs\u00fc il\u0259 \u015feirl\u0259r yazan M\u0259h\u0259rr\u0259m Qas\u0131ml\u0131n\u0131n 2015-ci ild\u0259 “Ya\u011fmur qoxusu” kitab\u0131 n\u0259\u015fr edilib. \u018fd\u0259biyyat dair\u0259l\u0259rind\u0259 M\u0259h\u0259rr\u0259m Qas\u0131ml\u0131 \u0259sas\u0259n sanball\u0131 \u0259d\u0259biyyat\u015f\u00fcnas v\u0259 folklor\u00e7u kimi tan\u0131n\u0131r.\u00a0<\/span>

M\u00fc\u0259llifin professional \u015f\u0259kild\u0259 elmi f\u0259aliyy\u0259tl\u0259 m\u0259\u015f\u011ful olmas\u0131 “Ya\u011fmur qoxusu” kitab\u0131ndak\u0131 b\u0259dii \u0259s\u0259rl\u0259r\u0259 x\u00fcsusi t\u0259sir g\u00f6st\u0259rib.<\/span>

Orxan Pa\u015fan\u0131n \u0259s\u0259rl\u0259rind\u0259ki b\u0259dii fikrin tam anlanmas\u0131 \u00fc\u00e7\u00fcn oxucu tarix, dil\u00e7ilik, din v\u0259 sair sosial elml\u0259rd\u0259n x\u0259b\u0259rdar olmal\u0131d\u0131r. Kitab\u0131n “Taleyimd\u0259n v\u0259 \u00fcr\u0259yimd\u0259n ke\u00e7\u0259nl\u0259r” b\u00f6lm\u0259sind\u0259 n\u0259srl\u0259 q\u0259l\u0259m\u0259 al\u0131nm\u0131\u015f q\u0131sa h\u0259cmli v\u0259 ibr\u0259tamiz xarakter da\u015f\u0131yan b\u0259dii \u0259s\u0259rl\u0259rd\u0259n birin\u0259 m\u00fcraci\u0259t ed\u0259k. M\u00fc\u0259llifin “yov\u015fan \u0259tri… Min ill\u0259rdi damar\u0131m\u0131zda da\u015f\u0131d\u0131\u011f\u0131m\u0131z bitib-t\u00fck\u0259nm\u0259y\u0259n, ucsuz-bucaqs\u0131z \u00e7\u00f6l qoxusu. Hans\u0131 \u0259trin bel\u0259 d\u0259lisov qoxusuyla at belind\u0259 \u015f\u0131\u011f\u0131y\u0131b getm\u0259k, yax\u0131n, uzaq do\u011fmalar\u0131n nisgilini ovutmaq olar?!” s\u0259tirl\u0259ri m\u00fcasirl\u0259rimizin diqq\u0259tini ulu babalar\u0131m\u0131z\u0131n b\u00f6y\u00fck tarix yaratmas\u0131na c\u0259lb edir. Yov\u015fan q\u0259dim t\u00fcrk tayfalar\u0131n\u0131n q\u0259l\u0259b\u0259l\u0259rinin v\u0259 u\u011furlar\u0131n\u0131n r\u0259mzidir. Eyni zamanda m\u00fc\u0259llif m\u00fcasir d\u00f6vrd\u0259 g\u00fcc\u00fcn v\u0259 q\u00fcdr\u0259tin \u0259ld\u0259 etm\u0259sind\u0259 tarixi irsin v\u0259 tarixi yadda\u015f\u0131n qorunub saxlan\u0131lmas\u0131n\u0131n vacibliyini vur\u011fulay\u0131r. Q\u0259dim yunan dilind\u0259 yov\u015fan “Artemisia” adland\u0131r\u0131l\u0131r. Bu s\u00f6z\u00fcn k\u00f6k\u00fc is\u0259 yunanca “sa\u011flam”, “g\u00fccl\u00fc” m\u0259nas\u0131n\u0131 da\u015f\u0131y\u0131r.<\/span>

Kitab\u0131n “Taleyimd\u0259n v\u0259 \u00fcr\u0259yimd\u0259n ke\u00e7\u0259nl\u0259r” b\u00f6lm\u0259sind\u0259 Orxan Pa\u015fa \u0259dal\u0259t, \u00f6l\u00fcm, sevgi v\u0259 sair bu kimi m\u0259s\u0259l\u0259l\u0259r \u00fczr\u0259 d\u00fc\u015f\u00fcnc\u0259l\u0259rini oxuculara \u00e7atd\u0131r\u0131r. Orxan Pa\u015fan\u0131n h\u0259yat\u0131n m\u0259nas\u0131n\u0131n sevgi il\u0259 ba\u011flamas\u0131 fikri d\u0259 diqq\u0259t c\u0259lb edir: “\u0130nsan \u00f6vlad\u0131 d\u00fcnyaya sevgiyl\u0259 g\u0259lir, sevgiyl\u0259 ya\u015fay\u0131r, sevgiyl\u0259 d\u0259 gedir. Bu anlamda h\u0259r k\u0259sin sevginin \u00fc\u00e7 m\u0259rh\u0259l\u0259sind\u0259n ke\u00e7m\u0259si \u015f\u0259rtdir.\u00a0<\/span>

Birinci m\u0259rh\u0259l\u0259 ana-bala sevgisidir. \u0130lk b\u00f6y\u00fck sevgi ana-bala aras\u0131nda ya\u015fan\u0131r. Anan\u0131n \u00f6z k\u00f6rp\u0259 balas\u0131na, balan\u0131n da anas\u0131na sevgisi \u0259fsan\u0259vi bir duy\u011fudur, onun sirri \u0130lahinin d\u0259rgah\u0131na ba\u011fl\u0131d\u0131r.<\/span>

\u0130kinci m\u0259rh\u0259l\u0259 yeniyetm\u0259lik v\u0259 ya g\u0259nclik ill\u0259rini \u00e7evr\u0259l\u0259yir. Bu, o\u011flanla q\u0131z\u0131n aras\u0131nda yaranan sevgidir. Onun da sirr bilinm\u0259y\u0259n t\u0259r\u0259fl\u0259ri \u00e7oxdur.<\/span>

Birinci v\u0259 ikinci m\u0259rh\u0259l\u0259d\u0259n sonra sevginin \u00fc\u00e7\u00fcnc\u00fc-sonuncu m\u0259rh\u0259l\u0259si g\u0259lir. Bu, ilahi m\u0259h\u0259bb\u0259tdir, uca Tanr\u0131ya – Yaradana olan sevgidir. \u0130nsan o\u011flu birinci v\u0259 ikinci sevgid\u0259n qazand\u0131\u011f\u0131 \u00fclvi duy\u011fular\u0131n\u0131 m\u0259hz uca\u00a0<\/span>

Tanr\u0131ya – \u0130lahiy\u0259 olan m\u0259h\u0259bb\u0259tl\u0259 kamala \u00e7atd\u0131r\u0131r.<\/span>

M\u0259n indi \u00fc\u00e7\u00fcnc\u00fc sevginin sehri v\u0259 cazib\u0259si i\u00e7ind\u0259y\u0259m”.<\/span>

Orxan Pa\u015fa sevgini \u0259n b\u00f6y\u00fck nem\u0259tl\u0259rd\u0259n biri kimi d\u0259y\u0259rl\u0259ndirir. Sevgil\u0259rin \u0259n alisi v\u0259 qayna\u011f\u0131 olan Allaha olan sevgid\u0259 is\u0259 Orxan Pa\u015fa sevgisinin l\u00f6vb\u0259r sald\u0131\u011f\u0131n\u0131 g\u00f6r\u00fcr\u00fck. Allah\u0131n r\u0259hm\u0259ti say\u0259sind\u0259 can sahibi olmu\u015f insanlar Allaha olan sevgil\u0259ri il\u0259 onun yaratd\u0131qlar\u0131na qar\u015f\u0131 da \u015f\u0259fq\u0259tli v\u0259 m\u0259rh\u0259m\u0259tli olurlar.<\/span>

“Ya\u011fmur qoxusu” kitab\u0131nda toplanan \u015feirl\u0259rin b\u0259dii x\u00fcsusiyy\u0259tl\u0259ri \u00e7e\u015fidli y\u00f6nl\u0259rd\u0259n diqq\u0259ti \u00e7\u0259kir, o c\u00fcml\u0259d\u0259n, istifad\u0259 edil\u0259n v\u0259znl\u0259r\u0259 v\u0259 qafiy\u0259 n\u00f6vl\u0259rin\u0259, b\u0259dii dil\u0259, b\u0259dii ifad\u0259 vasit\u0259l\u0259rin\u0259 g\u00f6r\u0259.<\/span>

Orxan Pa\u015fa daha \u00e7ox s\u0259rb\u0259st \u015feir v\u0259 heca v\u0259znind\u0259n istifad\u0259 edib. \u015eair a\u015f\u0131q yarad\u0131c\u0131l\u0131\u011f\u0131na m\u0259xsus v\u0259zn\u00a0<\/span>
bi\u00e7iml\u0259rind\u0259n d\u0259 tez-tez istifad\u0259 edir. M\u00fc\u0259llifin “O kimdir?” poetik n\u00fcmun\u0259si s\u0259rb\u0259st \u015feir maneras\u0131nda q\u0259l\u0259m\u0259 al\u0131n\u0131b:<\/span>

O q\u0259d\u0259r \u00f6yr\u0259\u015fib ki<\/span>
ona-buna ba\u015f \u0259y\u0259-<\/span>
az qal\u0131r\u00a0<\/span>
k\u00fc\u00e7\u0259d\u0259 yol versin<\/span>
\u00f6n\u00fcnd\u0259ki a\u011faca, k\u00fcl\u0259y\u0259.<\/span>
\u00d6z\u00fcnd\u0259 yoxdu dey\u0259-<\/span>
h\u0259s\u0259dl\u0259,<\/span>
nifr\u0259tl\u0259 bax\u0131r<\/span>
c\u0259sar\u0259tliy\u0259.<\/span>

Bu \u015feird\u0259 misra v\u0259 hecalar\u0131n say\u0131n\u0131n m\u00fcxt\u0259lif olmas\u0131na baxmayaraq, poetik fikrin poetik-emosional t\u0259siri diqq\u0259ti c\u0259lb edir.<\/span>

Orxan Pa\u015fan\u0131n “Zooparkda bir q\u0259rib at” \u015feirind\u0259ki poetik m\u0259naland\u0131rmada orijinal yana\u015fmadan x\u0259b\u0259r verir:<\/span>

De n\u0259di g\u00f6zl\u0259rini<\/span>
\u00e7a\u011f\u0131ran il\u011f\u0131m-<\/span>
o \u015fehli talam\u0131,<\/span>
o ya\u015f\u0131l otlaqm\u0131?!\u00a0<\/span>
Uzaq ell\u0259rin igidi yor\u011fun at,<\/span>
Yeri\u015fi h\u0259v\u0259ssiz,<\/span>
duru\u015fu sol\u011fun at,<\/span>
At, buralar bel\u0259di,<\/span>
ovuc boydad\u0131 yeri,<\/span>
be\u015f add\u0131md\u0131 yolu.<\/span>

\u018fhdi-C\u0259did son kitab\u0131n\u0131n alt\u0131nc\u0131 f\u0259slind\u0259 \u0130oan Boqoslov d\u00f6rd atl\u0131 obraz\u0131 yarad\u0131b. H\u0259r bir atl\u0131 m\u00fcxt\u0259lif r\u0259ngli at \u00fcst\u00fcnd\u0259dir: F\u0259lak\u0259t (M\u00fcsib\u0259t v\u0259 Taun) a\u011f at \u00fcst\u00fcnd\u0259, M\u00fcharib\u0259 k\u00fcr\u0259n at \u00fcst\u00fcnd\u0259, Acl\u0131q qara at \u00fcst\u00fcnd\u0259, \u00d6l\u00fcm sol\u011fun at \u00fcst\u00fcnd\u0259. Orxan Pa\u015fa sol\u011fun at obraz\u0131 vasit\u0259sil\u0259 dustaql\u0131\u011f\u0131n \u00f6l\u00fcml\u0259 b\u0259dii eynil\u0259\u015fdirm\u0259sin\u0259 nail olmu\u015fdur.<\/span>

“Uzun S\u0259yal\u0131” \u015feirind\u0259 \u015fair m\u00fcharib\u0259 problemin\u0259 toxunur. Sanki Orxan Pa\u015fa Az\u0259rbaycan\u0131n qar\u015f\u0131s\u0131nda yaranacaq a\u011f\u0131r imtahanlar\u0131 \u0259vv\u0259lc\u0259d\u0259n g\u00f6r\u00fcr. \u015eeird\u0259 m\u00fcharib\u0259nin a\u011fr\u0131-ac\u0131lar\u0131n\u0131 ya\u015fam\u0131\u015f S\u0259yal\u0131 qad\u0131n\u0131n do\u011fma insanlar\u0131n\u0131n itirm\u0259sinin ac\u0131lar\u0131 h\u0259yat\u0131n a\u011f\u0131r n\u0259f\u0259si kimi verilir:<\/span>

A\u011flamaqdan<\/span>
yanaqlar\u0131 \u00f6t\u00fcb ke\u00e7s\u0259 d\u0259<\/span>
duz da\u015f\u0131n\u0131,<\/span>
o yen\u0259 g\u00f6zl\u0259yir\u00a0<\/span>
davaya ged\u0259n<\/span>
\u0259rini,<\/span>
iki o\u011flunu,<\/span>
\u00fc\u00e7 qarda\u015f\u0131n\u0131.<\/span>

\u015eairin q\u0259l\u0259m\u0259 ald\u0131\u011f\u0131 poetik n\u00fcmun\u0259l\u0259rd\u0259 poetik fikrin m\u0259rk\u0259zind\u0259 i\u015fl\u0259dilmi\u015f qafiy\u0259l\u0259rin bir-biril\u0259rini izl\u0259m\u0259si \u00f6z\u00fcn\u00fc b\u00fcruz\u0259 verir. Orxan Pa\u015fan\u0131n bu \u015feirl\u0259rind\u0259 ritmik-melodik ton yarada bil\u0259n s\u0259sl\u0259rin alliterasiyas\u0131 da \u00f6z\u00fcn\u00fc g\u00f6st\u0259rir.<\/span>

Orxan Pa\u015fan\u0131n \u00f6z \u015feirl\u0259rind\u0259 m\u00fcxt\u0259lif qafiy\u0259l\u0259r\u0259 m\u00fcraci\u0259t edir. Onun \u015feirl\u0259ri t\u0259l\u0259ff\u00fczc\u0259, s\u0259s t\u0259rkibi etibar\u0131 il\u0259 bir-birin\u0259 yax\u0131n olan s\u00f6zl\u0259rin, y\u0259ni qafiy\u0259l\u0259rin i\u015fl\u0259nm\u0259 m\u0259qamlar\u0131 z\u0259nginliyi il\u0259 diqq\u0259ti c\u0259lb edir. Qafiy\u0259nin s\u0259s effektind\u0259n ustal\u0131qla istifad\u0259 ed\u0259n Orxan Pa\u015fa intonasiya kamilliyin\u0259 d\u0259 nail olur.\u00a0<\/span>

\u015eairin \u015feirl\u0259rind\u0259 istifad\u0259 etdiyi qafiy\u0259 n\u00f6vl\u0259rinin ham\u0131s\u0131 he\u00e7 d\u0259 tam qafiy\u0259l\u0259r deyildir, natamam qafiy\u0259l\u0259r\u0259, qulaq qafiy\u0259l\u0259rin\u0259, daxili qafiy\u0259l\u0259r\u0259 d\u0259 rast g\u0259linir. M\u0259s\u0259l\u0259n, “Uzaqdan g\u00f6z\u0259ldi d\u00fcnyada h\u0259r \u015fey” \u015feirind\u0259 s\u00f6zl\u0259rin anacaq bir hiss\u0259si aras\u0131nda s\u0259sl\u0259\u015fm\u0259 \u00f6z\u00fcn\u00fc g\u00f6st\u0259rir:<\/span>

Uzaqdan g\u00f6z\u0259ldi, d\u00fcnyada h\u0259r \u015fey,<\/span>
Yarpa\u011f\u0131n ya\u015f\u0131l\u0131, g\u00fcn\u00fcn \u015f\u0259f\u0259qi.<\/span>
Uzaqdanca boylan, uzaqdanca sev,<\/span>
Q\u00f6n\u00e7\u0259 olsun, \u00e7i\u00e7\u0259k olsun, n\u0259 f\u0259rqi…<\/span>

Qafiy\u0259l\u0259rin bu c\u00fcr akustik h\u0259mr\u0259yliyi yorucu monotonluqdan uzaql\u0131\u011f\u0131 \u015feirin t\u0259l\u0259ff\u00fcz\u00fcn\u0259 \u00e7eviklik verir v\u0259 yeni s\u0259sl\u0259ni\u015f t\u0259siri ba\u011f\u0131\u015flay\u0131r.<\/span>

Orxan Pa\u015fan\u0131n \u015feirl\u0259rinin sonunda qafiy\u0259d\u0259n sonra q\u0259l\u0259m\u0259 ald\u0131\u011f\u0131 v\u0259 t\u0259krarlad\u0131\u011f\u0131 s\u00f6zl\u0259rd\u0259n, y\u0259ni r\u0259difl\u0259rd\u0259n istifad\u0259 etm\u0259 maneras\u0131 da diqq\u0259ti c\u0259lb edir. \u015eairin “Bu d\u00fcnya” \u015feirind\u0259 istifad\u0259 edil\u0259n r\u0259difl\u0259r poetik-\u00fcslubi t\u0259sir g\u00fcc\u00fcn\u00fc art\u0131r\u0131r:<\/span>

Orxan Pa\u015fa, hesab\u0131n\u0131 g\u00f6t\u00fcr, get,<\/span>
Qar\u0131\u015f\u0131bd\u0131 halal-haram, k\u00fcf\u00fcr, get.<\/span>
L\u0259n\u0259t oxu, g\u0259rdi\u015fin\u0259 t\u00fcp\u00fcr get,<\/span>
Yamanlar\u0131n d\u00fcnyas\u0131d\u0131 bu d\u00fcnya.<\/span>
Nam\u0259rdl\u0259rin d\u00fcnyas\u0131d\u0131 bu d\u00fcnya.<\/span>

Bu poetik n\u00fcmun\u0259d\u0259 r\u0259dif olan “get” s\u00f6z\u00fc “g\u00f6t\u00fcr”, “k\u00fcf\u00fcr”, “t\u00fcp\u00fcr” qafiy\u0259l\u0259rini tamamlay\u0131r v\u0259 \u00fcmumi bir nizam \u00fcst\u00fcn\u0259 k\u00f6kl\u0259yir. \u015eeird\u0259 poetik ovqat\u0131n u\u011furlu al\u0131nmas\u0131nda da intonasiya q\u0259libinin m\u00fch\u00fcm amil kimi rolu dan\u0131lmazd\u0131.<\/span>

Az\u0259rbaycan dilinin akustik g\u00f6z\u0259lliyini qoruyan Orxan Pa\u015fan\u0131n b\u0259dii dili z\u0259nginliyi il\u0259 se\u00e7ilir. Bel\u0259 ki, \u015fair az s\u00f6zl\u0259 d\u0259rin m\u0259na ifad\u0259 etm\u0259y\u0259 nail olur. Onun poeziyas\u0131nda t\u0259bii ifad\u0259 \u00fcsullar\u0131ndan istifad\u0259 edilm\u0259si y\u00fcks\u0259k s\u0259n\u0259tkarl\u0131qdan x\u0259b\u0259r verir. B\u0259dii yarad\u0131c\u0131l\u0131\u011f\u0131nda b\u0259dii dilin t\u0259rkib hiss\u0259l\u0259ri olan dialektizml\u0259rd\u0259n, arxaizml\u0259rd\u0259n, neologizml\u0259rd\u0259n, vulqarizml\u0259rd\u0259n, epitetl\u0259rd\u0259n, t\u0259\u015fbehl\u0259rd\u0259n, metonimiyalardan v\u0259 s. istifad\u0259 etm\u0259si diqq\u0259td\u0259n yay\u0131nm\u0131r. Bu \u015fairin q\u0259l\u0259m\u0259 ald\u0131\u011f\u0131 poetik n\u00fcmun\u0259l\u0259rin poetik ruhunun, intonasiya z\u0259nginlikl\u0259rinin g\u00fczg\u00fcs\u00fcn\u0259 \u00e7evrilir.<\/span>

Orxan Pa\u015fa “\u015e\u0259hid k\u00f6yn\u0259yi lal\u0259l\u0259r” mahn\u0131-elegiyas\u0131nda folklorizm\u0259, canl\u0131 dan\u0131\u015f\u0131q koloritin\u0259 h\u0259tta m\u0259h\u0259lli dialekt deyiml\u0259rin\u0259 m\u0259qs\u0259dy\u00f6nl\u00fc \u015f\u0259kild\u0259 yer verir:<\/span>

Nola balam g\u0259l\u0259ydi,<\/span>
G\u00f6zl\u0259rim dinc\u0259l\u0259ydi!..<\/span>

\u015eair ana obraz\u0131n\u0131 f\u0259rdil\u0259\u015fdirm\u0259k, aid oldu\u011fu regionun dan\u0131\u015f\u0131q t\u0259rzini g\u00f6st\u0259rm\u0259k \u00fc\u00e7\u00fcn folklor-dan\u0131\u015f\u0131q \u00fcslubuna m\u00fcraci\u0259t edir. Burada n\u0259 ola m\u0259nas\u0131n\u0131 ver\u0259n “nola” s\u00f6z\u00fc \u015fairin ifad\u0259 etdiyi fikrin b\u0259dii emosional tutumunu v\u0259 hissi idraki t\u0259sirini art\u0131r\u0131r.<\/span>

“\u00d6z\u00fcml\u0259 k\u00f6n\u00fcl s\u00f6hb\u0259ti” \u015feirind\u0259 d\u0259 maraql\u0131 deyim t\u0259rzi \u00f6z\u00fcn\u00fc b\u00fcruz\u0259 verir:<\/span>

S\u0131nay\u0131blar d\u00f6n\u0259-d\u00f6n\u0259,<\/span>
H\u0259m\u0259nkidi d\u00fcnya yen\u0259.<\/span>
Gedim, sonra g\u0259lim dem\u0259,<\/span>
Ya\u015fa ma\u011f\u0131l, Orxan Pa\u015fa.<\/span>

\u015eairin do\u011fulub boya-ba\u015fa \u00e7atd\u0131\u011f\u0131 b\u00f6lg\u0259nin folklor koloriti \u015feirin dilind\u0259 \u00f6z\u00fcn\u00fc b\u00fcruz\u0259 vermi\u015fdir. G\u00f6r\u00fcnd\u00fcy\u00fc kimi \u015feird\u0259 \u0259d\u0259bi dill\u0259 canl\u0131 nitq \u00fcns\u00fcrl\u0259rinin poetik qovu\u015fu\u011fu u\u011furlu al\u0131nm\u0131\u015fd\u0131r. \u015eeird\u0259 lirik q\u0259hr\u0259man\u0131n obraz\u0131 f\u0259rdil\u0259\u015fdirm\u0259kl\u0259 yana\u015f\u0131, f\u0259rqli \u015f\u0259kild\u0259 oxucuya t\u0259qdim edilm\u0259sin\u0259 nail olunur. \u015eeirin dilinin milli k\u00f6kl\u0259r\u0259 ba\u011flanmas\u0131 canl\u0131 \u00fcnsiyy\u0259t elementl\u0259rin\u0259 s\u0131x ba\u011fl\u0131l\u0131\u011f\u0131 Orxan Pa\u015fa poeziyas\u0131 \u00fc\u00e7\u00fcn \u00e7ox s\u0259ciyy\u0259vidir.<\/span>
“Az\u0259rbaycan \u0259sg\u0259rin\u0259” \u015feirind\u0259 is\u0259 tarixi-yadda\u015f elementl\u0259rind\u0259n, milli kimlik d\u00fc\u015f\u00fcnc\u0259sind\u0259n istifad\u0259 m\u0259har\u0259ti \u00f6z\u00fcn\u00fc g\u00f6st\u0259rmi\u015fdir:<\/span>

M\u0259rd o\u011fullar candan ke\u00e7ib,<\/span>
Haqq deyib, divandan ke\u00e7ib.<\/span>
\u018frlik s\u0259n\u0259 qandan ke\u00e7ib,<\/span>
Baban\u0131n qan\u0131na s\u00f6yk\u0259n!<\/span>

Bu \u00f6rn\u0259yin poetik leksikonu dem\u0259k olar ki, boyaboy babalar\u0131m\u0131z\u0131n h\u0259yat t\u0259rzi il\u0259 \u0259laq\u0259li olan s\u00f6zl\u0259rdir ki, m\u00fcasir dan\u0131\u015f\u0131q dilimizd\u0259 i\u015fl\u0259nilmir.<\/span>

\u015eairin dilimizd\u0259 yaranan s\u00f6z v\u0259 terminl\u0259rd\u0259n istifad\u0259 etm\u0259 bacar\u0131\u011f\u0131 da diqq\u0259td\u0259n yay\u0131nm\u0131r. “Postmodern s\u0259rxo\u015fluq” \u015feirind\u0259 neologizmd\u0259n istifad\u0259 el\u0259 \u015feirin ba\u015fl\u0131\u011f\u0131nda \u00f6z\u00fcn\u00fc g\u00f6st\u0259rir:<\/span>

D\u0259ym\u0259, d\u0259ym\u0259,<\/span>
d\u00fcnyan\u0131n d\u00fcz\u0259nin\u0259 –<\/span>
l\u0259n\u0259t s\u0259n\u0259,\u00a0<\/span>
postmodern s\u0259rxo\u015fluq!<\/span>

“M\u0259n s\u0259ni sevm\u0259kd\u0259n qorxuram yaman” \u015feirind\u0259 epitetd\u0259n istifad\u0259 edilib v\u0259 bu vasit\u0259 y\u00fcks\u0259k poetik-\u00fcslubi ovqat\u0131n yaranmas\u0131na s\u0259b\u0259b olmu\u015fdur:<\/span>

De, hans\u0131 buluda yol als\u0131n ah\u0131m?<\/span>
S\u0259hralar, d\u0259ryalar dolans\u0131n ah\u0131m…<\/span>
Bu qara sevdan\u0131 qaytar, Allah\u0131m,<\/span>
Bu qara sevdadan aman, \u0259laman!<\/span>
M\u0259n s\u0259ni sevm\u0259kd\u0259n qorxuram yaman.<\/span>
M\u0259n s\u0259ni sevm\u0259kd\u0259n qorxuram yaman!<\/span>

Burada “qara sevda” m\u0259cazi m\u0259nada i\u015fl\u0259ndiyi \u00fc\u00e7\u00fcn epitetdir. Yerind\u0259 v\u0259 m\u0259qam\u0131nda i\u015fl\u0259n\u0259n bu manera \u015feirin b\u0259dii tutumunu g\u00fccl\u0259ndirir v\u0259 poetik qay\u0259nin \u00fcslubu t\u0259zah\u00fcr \u00fcsulu kimi \u00f6z\u00fcn\u00fc do\u011fruldur.<\/span>

Orxan Pa\u015fan\u0131n “Ya\u011fmur qoxusu” \u015feirind\u0259 d\u0259 b\u0259dii-\u00fcslubi boyalar\u0131n z\u0259nginliyi v\u0259 \u00e7oxqatl\u0131l\u0131\u011f\u0131 y\u00fcks\u0259k poetik t\u0259\u0259ss\u00fcrat yarad\u0131r:<\/span>

Ya\u011fmur qoxulu<\/span>
bulud kimi<\/span>
g\u0259lib ke\u00e7din;<\/span>
bir qanad\u0131<\/span>
ay i\u015f\u0131\u011f\u0131nda,<\/span>
bir qanad\u0131<\/span>
k\u00f6lg\u0259li ke\u00e7din…<\/span>

T\u0259\u015fbeh, m\u00fcbali\u011f\u0259, epitet v\u0259 metaforalar\u0131n poetik qovu\u015fu\u011funu \u00f6z\u00fcn\u0259m\u0259xsus v\u0259hd\u0259td\u0259 v\u0259 poetik tablo hal\u0131nda t\u0259qdim etm\u0259 Orxan Pa\u015fa q\u0259l\u0259minin t\u0259bii v\u0259 b\u0259dii g\u00fcc\u00fcd\u00fcr.<\/span>

Ustad r\u0259ssam S\u0259ttar B\u0259hlulzad\u0259y\u0259 h\u0259sr olunmu\u015f “Bir k\u00f6lg\u0259 qa\u00e7\u0131r h\u0259r g\u00fcn” \u015feirind\u0259 is\u0259 b\u0259dii portreti dol\u011funla\u015fd\u0131rmaq \u00fc\u015f\u00fcn metonimiyadan istifad\u0259 edilm\u0259si d\u00fc\u015f\u00fcnc\u0259 orijinall\u0131\u011f\u0131n\u0131n dinamiklik qazanmas\u0131n\u0131n g\u00f6st\u0259ricisidir:<\/span>

Divan\u0259 d\u0259rvi\u015f\u0259 d\u00f6nd\u0259r\u0259rdi k\u00f6nl\u00fcn\u00fc-<\/span>
ba\u011flar\u0131n x\u0259zan \u00e7a\u011f\u0131nda,<\/span>
bir d\u0259 yaz ba\u015flar\u0131nda;<\/span>
Yuyundurmaq ist\u0259yirdi h\u0259r k\u0259si<\/span>
K\u0259p\u0259zin g\u00f6z ya\u015flar\u0131nda.<\/span>

\u015eair \u015feird\u0259 b\u0259dii dild\u0259 m\u00fc\u0259yy\u0259n hadis\u0259ni, m\u0259kan\u0131 bildir\u0259n tarixizm v\u0259 toponiml\u0259rd\u0259n yeni m\u0259caz \u00f6rn\u0259kl\u0259ri yaratma\u011fa nail olur. Bu b\u0259dii keyfiyy\u0259t reall\u0131\u011f\u0131 \u0259ks etdir\u0259n poetik ekvivalent kimi \u00f6z\u00fcn\u00fc g\u00f6st\u0259rir.<\/span>

Orxan Pa\u015fan\u0131n poeziyas\u0131nda istifad\u0259 olunmu\u015f b\u0259dii ifad\u0259 vasit\u0259l\u0259ri d\u0259 maraq do\u011furur. \u015eairin q\u0259l\u0259m\u0259 alm\u0131\u015f oldu\u011fu poetik sintaksisl\u0259r r\u0259ngar\u0259ngliyi il\u0259 se\u00e7ilirl\u0259r. T\u0259sad\u00fcfi deyildir ki, onun \u015feir dilind\u0259 b\u0259dii suallara, t\u0259zadlara, t\u0259krirl\u0259r\u0259 v\u0259 inversiyalara tez-tez m\u00fcraci\u0259t olunur. “O yerd\u0259” \u015feirind\u0259 ritorik sualdan istifad\u0259 etm\u0259 m\u0259qam\u0131na diqq\u0259t yetir\u0259k:<\/span>

Cilv\u0259l\u0259nib g\u0259tirdiyin<\/span>
baharm\u0131, yazm\u0131?<\/span>
D\u0259li k\u00f6nl\u00fcm d\u00f6n\u00fcb bir d\u0259<\/span>
havalanmazm\u0131?!<\/span>
Aman tanr\u0131m, divan\u0259l\u0259r,<\/span>
d\u0259lil\u0259r azm\u0131?-<\/span>
M\u0259cnun kimi, K\u0259r\u0259m kimi<\/span>
g\u00f6rk olan da var…<\/span>

Orxan Pa\u015fan\u0131n bu \u015feirind\u0259 ritorik sual fikri q\u00fcvv\u0259tli \u015f\u0259kild\u0259 oxucuya \u00e7atd\u0131rma\u011fa xidm\u0259t ed\u0259n m\u00fck\u0259mm\u0259l b\u0259dii ifad\u0259 vasit\u0259sidir. \u015eair b\u0259dii sual intonasiyas\u0131 il\u0259 fikrini t\u0259sirli ifad\u0259 etm\u0259y\u0259 nail olmu\u015fdur. Poetik \u015f\u0259kild\u0259 verilmi\u015f bu suallara cavab t\u0259l\u0259b olunmur.<\/span>

\u0130ztirabl\u0131 tale sahibi olan b\u00f6y\u00fck Az\u0259rbaycan yaz\u0131\u00e7\u0131s\u0131 C\u0259lil M\u0259mm\u0259dquluzad\u0259nin 1931-ci ilin q\u0131\u015f\u0131nda evini q\u0131zd\u0131rmaq \u00fc\u00e7\u00fcn \u0259lyazmalar\u0131n\u0131 yand\u0131rmas\u0131 “Mirz\u0259 C\u0259lilin sobas\u0131 \u00f6n\u00fcnd\u0259” \u015feirind\u0259 b\u0259di t\u0259zadlar silsil\u0259si vasit\u0259si il\u0259 d\u0259rin milli-m\u0259n\u0259vi faci\u0259 kimi t\u0259svir edilir:<\/span>

N\u0259 f\u0259rqi var<\/span>
bahard\u0131, ya pay\u0131zd\u0131,<\/span>
istidi, ya ayazd\u0131-<\/span>
q\u0131\u015fd\u0131 s\u0259nin sobanda<\/span>
il boyu.<\/span>

“Getdim, g\u00f6rd\u00fcm…” \u015feirind\u0259 is\u0259 b\u0259dii sual v\u0259 t\u0259krirl\u0259r tamamlay\u0131c\u0131 \u00fcslubi manera v\u0259zif\u0259sini birg\u0259 yerin\u0259 yetirir:<\/span>

Yad\u0131ndam\u0131<\/span>
torpa\u011f\u0131na-da\u015f\u0131na<\/span>
n\u0259 tap\u015f\u0131r\u0131rd\u0131 telli saz-<\/span>
Yad\u0131ndam\u0131 X\u0259st\u0259 Qas\u0131m,<\/span>
Tufarqan Abbas?!<\/span>
Yad\u0131ndam\u0131<\/span>
\u0259r\u0259nl\u0259rin tutar\u0131,<\/span>
qalalar\u0131n tab\u0131, D\u0259rb\u0259nd?<\/span>
Yad\u0131ndam\u0131<\/span>
D\u0259d\u0259m Qorqudun<\/span>
kitab\u0131, D\u0259rb\u0259nd?<\/span>
D\u0259mir qap\u0131lar\u0131 nec\u0259?-<\/span>
Yad\u0131ndam\u0131 D\u0259mirqap\u0131 D\u0259rb\u0259nd?!<\/span>

\u015eeird\u0259ki “yad\u0131ndam\u0131” t\u0259kriri misran\u0131n \u0259vv\u0259lind\u0259 i\u015fl\u0259ndiyin\u0259 g\u00f6r\u0259 anaforad\u0131. \u0130stifad\u0259 edilmi\u015f anafora b\u0259dii suala v\u0259hd\u0259t\u0259 gir\u0259r\u0259k \u015feirin dilinin t\u0259sir g\u00fcc\u00fcn\u00fc art\u0131rm\u0131\u015fd\u0131r.<\/span>
“Tanr\u0131m” \u015feirind\u0259 inversiyadan \u00e7ox ustal\u0131qla istifad\u0259 edilmi\u015fdir:<\/span>

Han\u0131 qulunun bir \u00fcz\u00fc?<\/span>
Han\u0131 m\u0259rd \u00fcz\u00fc, pir \u00fcz\u00fc?!<\/span>
\u015eeytanla dolub yer \u00fcz\u00fc,<\/span>
B\u0259ndini b\u0259rk el\u0259, Tanr\u0131m!<\/span>

“\u015eeytanla dolub yer \u00fcz\u00fc” dey\u0259n \u015fair bu misrada, el\u0259c\u0259 d\u0259 \u0259vv\u0259lki misralarda yaln\u0131z qrammatik norman\u0131 pozmur, bu u\u011furlu yerd\u0259yi\u015fm\u0259 fikri daha da q\u00fcvv\u0259tli ifad\u0259 etm\u0259y\u0259 y\u00f6n\u0259ldilmi\u015fdir.<\/span>

H\u0259r s\u0259hif\u0259sind\u0259 g\u00f6z\u0259l poetik t\u0259\u0259ss\u00fcrat yaradan kitab\u0131n “Taleyimd\u0259n v\u0259 \u00fcr\u0259yimd\u0259n ke\u00e7\u0259nl\u0259r” b\u00f6lm\u0259sind\u0259 oxuyuruq: “Poeziya b\u00fct\u00fcn ba\u015fqa g\u00f6st\u0259ricil\u0259ri il\u0259 yana\u015f\u0131, birinci n\u00f6vb\u0259d\u0259 istedad v\u0259 dil hadis\u0259sidir”. Orxan Pa\u015fa bu g\u00f6st\u0259ricil\u0259ri u\u011furla h\u0259yata ke\u00e7irdiyini yarad\u0131c\u0131l\u0131\u011f\u0131 il\u0259 bir daha t\u0259sdiql\u0259di. “\u015e\u00f6hr\u0259t Tanr\u0131n\u0131n el\u0259 bir sirli i\u015fidir ki, o s\u0259n\u0259 qism\u0259tdirs\u0259, hara qa\u00e7san da yen\u0259 dal\u0131nca g\u0259l\u0259c\u0259k. Yoxsa, \u015f\u00f6hr\u0259t\u0259 do\u011fru ha d\u0131rmanmaq ist\u0259s\u0259n d\u0259, n\u0259rdivan\u0131n dibind\u0259 qalacaqsan” dey\u0259n Orxan Pa\u015fa h\u0259m b\u0259dii yarad\u0131c\u0131l\u0131\u011f\u0131nda, h\u0259m d\u0259 elmi f\u0259aliyy\u0259tind\u0259 l\u0259yaq\u0259tli y\u00fcks\u0259kliyi tutma\u011fa nail olub.<\/span><\/p>\n

Yaz\u0131ya 855 d\u0259f\u0259 bax\u0131l\u0131b<\/p>\n","protected":false},"excerpt":{"rendered":"

M\u0259h\u0259rr\u0259m Qas\u0131ml\u0131n\u0131n “Ya\u011fmur qoxusu” \u015feirl\u0259r kitab\u0131 haqq\u0131nda Orxan Pa\u015fa t\u0259x\u0259ll\u00fcs\u00fc il\u0259 \u015feirl\u0259r yazan M\u0259h\u0259rr\u0259m Qas\u0131ml\u0131n\u0131n 2015-ci ild\u0259 “Ya\u011fmur qoxusu” kitab\u0131 n\u0259\u015fr edilib. \u018fd\u0259biyyat dair\u0259l\u0259rind\u0259 M\u0259h\u0259rr\u0259m Qas\u0131ml\u0131 \u0259sas\u0259n sanball\u0131 \u0259d\u0259biyyat\u015f\u00fcnas v\u0259 folklor\u00e7u kimi tan\u0131n\u0131r.\u00a0M\u00fc\u0259llifin professional \u015f\u0259kild\u0259 elmi f\u0259aliyy\u0259tl\u0259 m\u0259\u015f\u011ful olmas\u0131 “Ya\u011fmur qoxusu” kitab\u0131ndak\u0131 b\u0259dii \u0259s\u0259rl\u0259r\u0259 x\u00fcsusi t\u0259sir g\u00f6st\u0259rib.Orxan Pa\u015fan\u0131n \u0259s\u0259rl\u0259rind\u0259ki b\u0259dii fikrin tam anlanmas\u0131 \u00fc\u00e7\u00fcn oxucu […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[17,3],"tags":[],"_links":{"self":[{"href":"https:\/\/kultur.az\/index.php?rest_route=\/wp\/v2\/posts\/10071"}],"collection":[{"href":"https:\/\/kultur.az\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kultur.az\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kultur.az\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kultur.az\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=10071"}],"version-history":[{"count":1,"href":"https:\/\/kultur.az\/index.php?rest_route=\/wp\/v2\/posts\/10071\/revisions"}],"predecessor-version":[{"id":10073,"href":"https:\/\/kultur.az\/index.php?rest_route=\/wp\/v2\/posts\/10071\/revisions\/10073"}],"wp:attachment":[{"href":"https:\/\/kultur.az\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=10071"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kultur.az\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=10071"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kultur.az\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=10071"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}