{"id":10126,"date":"2015-12-28T18:03:36","date_gmt":"2015-12-28T14:03:36","guid":{"rendered":"http:\/\/kultur.az\/?p=10126"},"modified":"2015-12-28T18:03:36","modified_gmt":"2015-12-28T14:03:36","slug":"gunel-natiq-agri-kecirgoz%c9%99llik-is%c9%99-%c9%99b%c9%99di-qalir","status":"publish","type":"post","link":"https:\/\/kultur.az\/?p=10126","title":{"rendered":"G\u00fcnel Natiq — A\u011fr\u0131 ke\u00e7ir,g\u00f6z\u0259llik is\u0259 \u0259b\u0259di qal\u0131r"},"content":{"rendered":"

\"g\u00fcnel-natiq-ghjmn-300x228\"<\/a>\u00a0\u00d6z\u00fcn\u00fc dal\u011falar\u0131n qoynuna at\u0131lm\u0131\u015f t\u0131xacla m\u00fcqayis\u0259 edirdi; \u00fcz\u00fcr, burul\u011fana d\u00fc\u015f\u00fcr, sulara dal\u0131r, yenid\u0259n \u00fcz\u0259 \u00e7\u0131x\u0131r, yosunlara ili\u015fir, qar\u0131\u015f\u0131r, \u00fcmidsiz c\u0259hdl\u0259r edir v\u0259 yenid\u0259n dal\u011falar\u0131n qoynunda g\u00f6zd\u0259n itirdi… H\u0259r d\u0259f\u0259 i\u015f\u0259 ba\u015flayanda eyni hissl\u0259ri ke\u00e7irirdi. Amma \u0259s\u0259rl\u0259ri t\u0259la\u015fs\u0131z, nikbin ovqatda do\u011fulurdu,bu tablolar \u00a0tama\u015fa\u00e7\u0131n\u0131n fikirl\u0259rini dara \u00e7\u0259kmirdi, \u0259ksin\u0259 seyr ed\u0259nl\u0259ri sevinc \u00e7ul\u011fay\u0131rd\u0131. Onun fikrinc\u0259, s\u0259n\u0259t \u0259s\u0259ri i\u015f\u0131ql\u0131, \u00a0xo\u015fag\u0259l\u0259n v\u0259 g\u00f6z\u0259l olmal\u0131 idi. \u201cOnsuz da h\u0259yatda cans\u0131x\u0131c\u0131 \u015feyl\u0259r \u00e7oxdur, yenil\u0259rini \u201cistehsal etm\u0259y\u0259\u201d n\u0259 l\u00fczum var\u201d,-deyirdi. R\u0259ssam \u0259min idi ki, \u201ca\u011fr\u0131 ke\u00e7ir, g\u00f6z\u0259llik is\u0259 \u0259b\u0259di qal\u0131r\u201d.\u00a0 …Dahi frans\u0131z r\u0259ssam\u0131 Pyer-Og\u00fcst Renuar 1841-ci ilin fevral\u0131nda Limoj \u015f\u0259h\u0259rind\u0259do\u011fulub. O, ail\u0259nin d\u00f6rd\u00fcnc\u00fc \u00f6vlad\u0131yd\u0131. Bel\u0259 \u015fayi\u0259 g\u0259zirdi ki, guya Renuar \u0259slind\u0259 zad\u0259gan n\u0259slind\u0259ndir v\u0259 lap k\u00f6rp\u0259 ik\u0259n hans\u0131sa s\u0259b\u0259bd\u0259n onu d\u0259rzi Leonar Renuara \u00f6vladl\u0131\u011fa veribl\u0259r… 1844-c\u00fc ild\u0259 ail\u0259 Paris\u0259 yerl\u0259\u015fir. Yoxsul ya\u015fasalar da, xo\u015fb\u0259xt idil\u0259r. Leonar sakit t\u0259bi\u0259tli adam idi, yegan\u0259 ist\u0259yi \u00f6vladlar\u0131n\u0131 t\u0259hsilli g\u00f6rm\u0259k idi. H\u0259yatsev\u0259r v\u0259 nikbin olan Og\u00fcst m\u0259kt\u0259bd\u0259 ciddiliyi il\u0259 se\u00e7ilirdi. O\u011flan\u0131n bariton s\u0259si v\u0259 \u0259la musiqi duyumu vard\u0131, musiqi m\u00fc\u0259llimi \u0259min idi ki, o m\u00fctl\u0259q m\u00fc\u011f\u0259nni olacaq. \u00a0Renuar \u00f6z\u00fc d\u0259 d\u00fc\u015f\u00fcn\u00fcrd\u00fc ki, \"\"h\u0259yatda h\u0259r k\u0259s \u00f6z n\u0259\u011fm\u0259sini oxumal\u0131d\u0131r. Onun n\u0259\u011fm\u0259si- r\u0259ssaml\u0131q idi. 13 ya\u015f\u0131ndan Renuar Sevr fabrikind\u0259 r\u0259ssam kimi i\u015f\u0259 ba\u015flay\u0131r. O, qab-qaca\u011fa \u00e7i\u00e7\u0259k t\u0259svirl\u0259ri \u00e7\u0259kirdi. Bir m\u00fcdd\u0259td\u0259n sonra g\u0259nc r\u0259ssam \u00f6z\u00fcnd\u0259 c\u0259sar\u0259t tap\u0131b \u00e7i\u00e7\u0259k t\u0259svirl\u0259rini fiqurlarla \u0259v\u0259z edr. Og\u00fcst\u00fcn i\u015fl\u0259ri ustalara xo\u015f g\u0259lir, onu \u201cRubens\u201d l\u0259q\u0259biyl\u0259 m\u00fckafatland\u0131r\u0131rlar. Renuar emalatxanada 4 il i\u015fl\u0259yir. Amma o, ki\u00e7ik u\u011furlarla kifay\u0259tl\u0259nmir, fasil\u0259l\u0259rd\u0259 Luvra qa\u00e7\u0131b antik \u0259s\u0259rl\u0259r\u0259 tama\u015fa edir, ustadlar\u0131n texnikalar\u0131n\u0131 \u00f6yr\u0259nirdi. 17 ya\u015f\u0131nda Renuar i\u015find\u0259n m\u0259hrum olur. Bel\u0259 ki, o d\u00f6vrd\u0259 art\u0131q x\u00fcsusi m\u00f6h\u00fcr al\u0259tl\u0259ri \u00a0ortaya \u00e7\u0131x\u0131r, onlar is\u0259 \u0259l i\u015find\u0259n tez v\u0259 ucuz ba\u015fa g\u0259lirdi. Renuar \u00a0bel\u0259 bir \u00e7\u0131x\u0131\u015f yolu tap\u0131r; yelpikl\u0259rin \u00fcst\u00fcn\u0259 t\u0259svir \u00e7\u0259km\u0259y\u0259 ba\u015flay\u0131r. Sonra is\u0259 p\u0259rd\u0259 istehsal ed\u0259n fabrikd\u0259 \u00e7al\u0131\u015f\u0131r.\u00a0 1862-ci ild\u0259 Renuar Qleyrin atelyesind\u0259 Sisley, Bazil, Pissarro v\u0259 Sezan kimi g\u0259nc \u00a0r\u0259ssamlarla tan\u0131\u015f olur. Onlar t\u0259sviri s\u0259n\u0259td\u0259 eksperimentl\u0259r edirdil\u0259r. Halbuki \u00f6zl\u0259ri d\u0259 bilirdi ki, publikan\u0131n al\u0131\u015fd\u0131\u011f\u0131 maneradan imtina etm\u0259k h\u0259mi\u015f\u0259 anla\u015f\u0131lmamazl\u0131q do\u011furur. Yenilik\u00e7i g\u0259ncl\u0259r a\u00e7\u0131q havada i\u015fl\u0259yir v\u0259 t\u0259bi\u0259t d\u0259yi\u015fm\u0259sind\u0259n as\u0131l\u0131 olaraq, \u00f6z t\u0259\u0259ss\u00fcratlar\u0131n\u0131 anbaan tabloya k\u00f6\u00e7\u00fcr\u00fcrd\u00fcl\u0259r. Tama\u015fa\u00e7\u0131ya qar\u0131\u015f\u0131q r\u0259ngl\u0259r pallitras\u0131 qeyri-adi g\u00f6r\u00fcn\u00fcrd\u00fc; normal r\u0259ngl\u0259rd\u0259n istifad\u0259 imkan\u0131 var ik\u0259n, bel\u0259 \u201cqatmaqar\u0131\u015f\u0131q \u00a0r\u0259ngl\u0259r xaosu\u201d n\u0259y\u0259 g\u0259r\u0259k idi ki? H\u0259tta onlara a\u011f\u0131ldan k\u0259m kimi baxanlar bel\u0259 vard\u0131. Amma Renuar\u0131n i\u015fl\u0259ri dig\u0259r impressionistl\u0259r\u0259 nisb\u0259t\u0259n daha xo\u015f qar\u015f\u0131lan\u0131rd\u0131.\u00a0 \u201c\u018fslind\u0259 biz he\u00e7 n\u0259y\u0259 \u0259min deyilik\u201d T\u0259\u0259ss\u00fcrat\u00e7\u0131 g\u0259ncl\u0259rin s\u0259rgisind\u0259 Renuar\u0131n \u0259s\u0259ri t\u0259nqid\u00e7il\u0259rin diqq\u0259tini c\u0259lb edir. Yegan\u0259 n\u00f6qsan tablonun g\u00f6zd\u0259n uzaq bir yerd\u0259n as\u0131lmas\u0131 idi. \u0130mpressionistl\u0259rin himay\u0259dar\u0131 Pol Dyurant yaz\u0131rd\u0131: \u201cDo\u011frudanm\u0131 siz el\u0259 d\u00fc\u015f\u00fcn\u00fcrs\u00fcn\u00fcz ki, Renuar bu t\u0259hqiri siz\u0259 ba\u011f\u0131\u015flayacaq? O, c\u0259sar\u0259tli add\u0131m at\u0131b, eksperiment edib. \u018flb\u0259tt\u0259, tablo m\u00fck\u0259mm\u0259l olmasa da, h\u0259r halda maraq do\u011furur. O, bel\u0259 bir yer\u0259 layiq deyildi\u201d.\u00a0 \u00a0 60-c\u0131 ill\u0259rin sonlar\u0131nda Renuar Klod Mone il\u0259 i\u015fl\u0259m\u0259y\u0259 ba\u015flay\u0131r. \u201cM\u0259nd\u0259 d\u00f6y\u00fc\u015f\u00e7\u00fc ruhu yoxdur\u201d dey\u0259n Renuardan f\u0259rqli olaraq, Mone g\u00fccl\u00fc xarakter\u0259 sahib idi, Renuar d\u0259f\u0259l\u0259rl\u0259 ruh d\u00fc\u015fk\u00fcnl\u00fcy\u00fcn\u0259 qap\u0131l\u0131b \u0259lin\u0259 f\u0131r\u00e7a ala bilm\u0259diyi g\u00fcnl\u0259rd\u0259 Mone ona m\u0259n\u0259vi dayaq olur, yeni \u0259s\u0259rl\u0259r yaratma\u011fa ruhland\u0131r\u0131rd\u0131. 1870-ci ild\u0259 Renuar\u0131n daha bir ne\u00e7\u0259 tablosu Paris Salonunda s\u0259rgiy\u0259 qoyulur v\u0259 t\u0259nqid\u00e7il\u0259r t\u0259r\u0259find\u0259n he\u00e7 d\"\"\u0259 pis qar\u015f\u0131lanm\u0131r. \u00a0 Dig\u0259r impressionistl\u0259rd\u0259n f\u0259rqli olaraq, Renuar k\u00f6hn\u0259l\u0259ri inkar etmirdi:\u201cK\u00f6hn\u0259 ustalar\u0131n i\u015fl\u0259rin\u0259 baxanda, \u00f6z\u00fcm\u00fcz\u00fc dahi kimi g\u00f6st\u0259rm\u0259y\u0259 g\u0259r\u0259k yoxdur. R\u0259ssaml\u0131q x\u00fclya deyil, s\u0259n\u0259tdir. S\u0259n bu s\u0259n\u0259td\u0259 h\u0259r \u015feyd\u0259n \u0259vv\u0259l vicdanl\u0131 i\u015f\u00e7i olmal\u0131san. B\u0259zi r\u0259ssamlar is\u0259 \u00f6z i\u015fl\u0259rinin ustas\u0131 olmaq \u0259v\u0259zin\u0259, h\u0259r \u015feyi alt-\u00fcst edibl\u0259r; \u00f6zl\u0259rini da\u011f ba\u015f\u0131na qoyublar v\u0259 el\u0259 bilirl\u0259r ki, \u0259g\u0259r g\u00f6y r\u0259ngin yerin\u0259 qara r\u0259ngi qoysalar d\u00fcnyan\u0131n simas\u0131n\u0131 d\u0259yi\u015f\u0259c\u0259kl\u0259r. H\u0259qiq\u0259td\u0259 is\u0259 biz he\u00e7 n\u0259y\u0259 tam \u0259min deyilik, \u0259slind\u0259 biz he\u00e7 n\u0259 bilmirik. H\u0259r bir ustaddan n\u0259yis\u0259 \u0259xz etm\u0259k olar. M\u0259s\u0259l\u0259n, Pussenin m\u00fcdrikliyi m\u0259ni kifay\u0259t q\u0259d\u0259r t\u0259min edir, m\u0259n ondan n\u0259 Tisian\u0131n h\u0259rar\u0259tini, n\u0259 d\u0259 Veronezin m\u00f6ht\u0259\u015f\u0259mliyini g\u00f6zl\u0259yir\u0259m. M\u0259n o t\u0259nqid\u00e7il\u0259ri sevmir\u0259m ki, b\u0259zil\u0259rini \u00f6y\u0259r\u0259k dig\u0259rl\u0259rinin \u00fcz\u0259rin\u0259 k\u00f6lg\u0259 sal\u0131rlar\u201d. Renuar iddial\u0131 deyildi, s\u0259n\u0259td\u0259ki m\u00f6vqeyi il\u0259 lov\u011falanm\u0131rd\u0131, eyni zamanda \u00f6z \u0259s\u0259rl\u0259rinin qiym\u0259tini bilirdi. \u201cM\u0259nim etdikl\u0259rimi k\u00f6hn\u0259 r\u0259ssamlar daha yax\u015f\u0131 edibl\u0259r\u201d Renuar bir ne\u00e7\u0259 \u0259s\u0259rinin u\u011furlu sat\u0131\u015f\u0131ndan sonra \u00f6z\u00fcn\u0259 Parisd\u0259 b\u00f6y\u00fck bir emalatxana a\u00e7\u0131r. 1873-c\u00fc ild\u0259 \u201cR\u0259dd edil\u0259n \u0259s\u0259rl\u0259rin s\u0259rgisind\u0259\u201d b\u00f6y\u00fck u\u011furla \u00e7\u0131x\u0131\u015f\"\" edir. (1860-70-ci ill\u0259rd\u0259 Paris Salonunun j\u00fcrisi t\u0259r\u0259find\u0259n b\u0259y\u0259nilm\u0259y\u0259n \u0259s\u0259rl\u0259r \u201cR\u0259dd edil\u0259n \u0259s\u0259rl\u0259rin \u00a0s\u0259rgisind\u0259\u201d n\u00fcmayi\u015f edilirdi). N\u00f6vb\u0259ti ild\u0259 is\u0259 o, impressionistl\u0259rin birinci s\u0259rgisinin t\u0259\u015fkil edir. Bu s\u0259rgid\u0259 onun be\u015f tablosu n\u00fcmayi\u015f olunurdu. \u201cR\u0259qqas\u0259\u201d, \u201cParisli qad\u0131n\u201d, \u201cQad\u0131n ba\u015f\u0131\u201d v\u0259 s. Renuar dig\u0259rl\u0259rin\u0259 nisb\u0259t\u0259n daha az t\u0259nqid olunurdu. H\u0259tta ona \u201cLoja\u201d \u0259s\u0259rini 425 franka satmaq bel\u0259 m\u00fcy\u0259ss\u0259r olur. \u201cLoja\u201ddan sonra Renuar \u00f6z maneras\u0131n\u0131 d\u0259yi\u015fir v\u0259 ki\u00e7ik yaxmalarla i\u015fl\u0259m\u0259y\u0259 ba\u015flay\u0131r. Bu \u00fcslub yeni t\u0259\u0259ss\u00fcrat yarad\u0131rd\u0131. Tama\u015fa\u00e7\u0131 bu i\u015fl\u0259ri qavrama\u011fa h\u0259l\u0259 haz\u0131r deyildi, el\u0259 Renuar da \u00f6z \u201cqanunlar\u0131n\u0131\u201d inc\u0259s\u0259n\u0259t\u0259 a\u015f\u0131lamaq fikrind\u0259n uzaq idi, \u00a0amma b\u0259y\u0259nilm\u0259k ist\u0259yini d\u0259 gizl\u0259mirdi. O, \u00f6z\u00fcn\u00fc islahat\u00e7\u0131 hesab etmirdi. \u201cM\u0259n sad\u0259c\u0259 olaraq, o i\u015fl\u0259 m\u0259\u015f\u011fulam ki, m\u0259n\u0259 q\u0259d\u0259r d\u0259 onu edibl\u0259r v\u0259 m\u0259nd\u0259n d\u0259 yax\u015f\u0131 edibl\u0259r\u201d. \u00a0 70-ci ill\u0259rd\u0259 o \u00f6z\u00fcn\u00fcn \u0259n yax\u015f\u0131 \u0259s\u0259rl\u0259rini yarad\u0131r. \u201cAvar\u00e7\u0259k\u0259nl\u0259rin s\u0259h\u0259r yem\u0259yi\u201d \u0259s\u0259rind\u0259 onun modeli g\u0259nc v\u0259 g\u00f6z\u0259l Alisa \u015eariqa idi. Tezlikl\u0259 Alisa r\u0259ssam\u0131n h\u0259yat yolda\u015f\u0131na \u00e7evrilir. Onlar\u0131n \u00fc\u00e7 o\u011flu d\u00fcnyaya g\u0259lir. 1879-cu ild\u0259 \u201cMadam \u015earpantye v\u0259 \u00f6vladlar\u0131\u201d portreti Paris Salonunda n\u00fcmayi\u015f olunur. Renuar b\u00f6y\u00fck u\u011fur qazan\u0131r. Kastanyari yaz\u0131rd\u0131: \u201cMadam \u015earpantye\u201d \u0259s\u0259ri \u0259n maraql\u0131 i\u015fl\u0259rd\u0259n biridir. Palitra qeyri-adi d\u0259r\u0259c\u0259d\u0259 r\u0259ngar\u0259ngdir. Renuar \u0259la m\u00fc\u015fahid\u0259\u00e7idir, f\u00fcsunkar g\u00f6z\u0259lliyi ustal\u0131qla v\u0259sf edib. R\u0259ngl\u0259r insan\u0131n \u00fcz\u00fcn\u0259 g\u00fcl\u00fcr. R\u0259ssam\u0131n g\u0259l\u0259c\u0259k i\u015fl\u0259rini b\u00f6y\u00fck \u00fcmidl\u0259rl\u0259 g\u00f6zl\u0259yirik…\u201d\u00a0 \u201cH\u0259r k\u0259s \u00f6z n\u0259\u011fm\u0259sini oxuyur\u201d \u00a0Renuar \u00a0bu fikird\u0259 idi ki, r\u0259ngkarl\u0131\u011f\u0131 muzeyl\u0259rd\u0259 \u00f6yr\u0259nm\u0259k laz\u0131md\u0131r. Amma kor-koran\u0259 deyil. \u201cBu o dem\u0259k deyil ki, tablolar\u0131n \u00fcst qat\u0131n\u0131 t\u0259mizl\u0259yib v\u0259 alt\u0131ndak\u0131 \u201ctryuklara\u201d bax\u0131b \u00a0Rafaelin \u0259s\u0259rl\u0259rinin ox\u015far\u0131n\u0131 \u00e7\u0259km\u0259k laz\u0131md\u0131r. H\u0259r k\u0259s \u00f6z n\u0259\u011fm\u0259sini oxuyur. H\u0259r bir r\u0259ssam \u00f6z d\u00f6vr\u00fcn\u00fcn t\u0259sviri s\u0259n\u0259tini yaratmal\u0131d\u0131r\u201d. Renuar \u0259min idi ki, yaln\u0131z muzeyl\u0259r t\u0259bi\u0259tin ver\u0259 bilm\u0259diyini ver\u0259 bil\u0259r. \u201cBiz ax\u0131 g\u00f6z\u0259l \u00a0bir \u0259s\u0259r \u00f6n\u00fcnd\u0259 \u00f6z-\u00f6z\u00fcm\u00fcz\u0259 deyirik: M\u0259n m\u00fctl\u0259q r\u0259ssam olacam!\u201d Renuar dramatizmi, faci\u0259vi s\u00fcjetl\u0259ri sevmirdi, ax\u0131 onsuz da ger\u00e7\u0259k h\u0259yatda bunlar kifay\u0259t q\u0259d\u0259r idi. Hans\u0131sa bir s\u0259n\u0259t\u015f\u00fcnas demi\u015fdi ki, Renuar yegan\u0259 r\u0259ssamd\u0131r ki, onun birc\u0259 d\u0259n\u0259 d\u0259 olsun k\u0259d\u0259rli \u0259s\u0259ri yoxdur! Amma Renuar\u0131n fikrinc\u0259, nikbin ovqata k\u00f6kl\u0259n\u0259n r\u0259ssam\u0131n \u00f6z\u00fcn\u00fc t\u0259sdiq etm\u0259si \u00e7ox \u00e7\u0259tin idi. \u201c\u0130nsanlar el\u0259 d\u00fc\u015f\u00fcn\u00fcr ki, ciddi \u0259s\u0259rd\u0259 m\u00fctl\u0259q dramatizm olmal\u0131d\u0131r v\u0259 \u0259g\u0259r bel\u0259 s\u00fcjetl\u0259r yoxdursa, dem\u0259li o tablonu ciddi q\u0259bul etm\u0259y\u0259 d\u0259ym\u0259z. \u201cSurtuklu\u201d inc\u0259s\u0259n\u0259t, ist\u0259r musiqi olsun, ist\u0259r r\u0259ssaml\u0131q, ist\u0259rs\u0259 d\u0259 \u0259d\u0259biyyat, insanlar\u0131 h\u0259mi\u015f\u0259 heyran ed\u0259c\u0259k\u201d- t\u0259\u0259ss\u00fcfl\u0259 deyirdi Renuar. \u00a0 O, r\u0259ssaml\u0131qda el\u0259 \u201cmanevrl\u0259r\u201d edirdi ki, s\u0259b\u0259bini a\u00e7\u0131qlamaqda \u00f6z\u00fc d\u0259 aciz idi. \u201cM\u0259nd\u0259n soru\u015fmay\u0131n, r\u0259ngkarl\u0131q subyektiv, ya obyektiv olmal\u0131d\u0131r. M\u0259n\u0259 bu sual \u00e7ox g\u00fclm\u0259li g\u0259lir\u201d. G\u0259nc r\u0259ssamlar\u0131n suallar\u0131 qar\u015f\u0131s\u0131nda is\u0259 \u0259m\u0259llii-ba\u015fl\u0131 \u00f6z\u00fcn\u00fc itirirdi:\u201cC\u0259nab Renuar, t\u0259sviri s\u0259n\u0259tin missiyas\u0131 sizc\u0259 n\u0259dir?\u201d \u00a0V\u0259 yaxud \u201cTablonun m\u0259rk\u0259z hiss\u0259sind\u0259 niy\u0259 g\u00f6y deyil, q\u0131rm\u0131z\u0131 boyadan istifad\u0259 etmisiz\u201d? Renuar hesab edirdi ki, \u00a0\u0259slind\u0259 \u00e7ox da d\u0259rin\u0259 getm\u0259k laz\u0131m deyil. S\u0259n\u0259t sad\u0259, h\u0259tta daha \u00e7ox \u201csad\u0259l\u00f6hv\u201d olmal\u0131d\u0131r. \u201c\u0130nc\u0259s\u0259n\u0259tin missiyas\u0131 n\u0259dir?\u201d sual\u0131 qar\u015f\u0131s\u0131nda \u201caciz qalan\u201d b\u00f6y\u00fck r\u0259ssam bel\u0259 d\u00fc\u015f\u00fcn\u00fcrd\u00fc.\u00a0 Renuarla dig\u0259r impressionistl\u0259r aras\u0131nda olan f\u0259rql\u0259rd\u0259n biri d\u0259 bu idi ki, o, insan fiqurlar\u0131na daha \u00e7ox yer verirdi, amma o sad\u0259c\u0259 siluet yaratm\u0131rd\u0131. O, q\u0259hr\u0259manlar\u0131n\u0131n \u0259hval-ruhiyy\u0259sini \u0259n inc\u0259 \u015ftrixl\u0259rin\u0259 kimi qeyd edirdi. Tama\u015fa\u00e7\u0131n\u0131n g\u00f6z\u00fc \u00f6n\u00fcnd\u0259 insanla t\u0259bi\u0259tin m\u00f6ht\u0259\u015f\u0259m harmoniyas\u0131 yaran\u0131r, sanki insan bir m\u0259qamda t\u0259bi\u0259t\u0259 \u00e7evrilir, ovqat\u0131n\u0131n yaz\u0131n\u0131, yay\u0131n\u0131 ya\u015fay\u0131rd\u0131. \u00a0R\u0259ngl\u0259r is\u0259 m\u0259saf\u0259d\u0259n bir-biril\u0259 qaynay\u0131b-qar\u0131\u015f\u0131r, bir-birin\u0259 hopur, el\u0259 bil r\u0259qs edirdi…\u00a0 \u201c\u00c7oxdand\u0131r ki, Neopolitan ya\u015f\u0131l\u0131 deyil\u0259n r\u0259ngd\u0259n istifad\u0259 edir\u0259m. O, kifay\u0259t q\u0259d\u0259r s\u00f6n\u00fckd\u00fcr, amma t\u0259s\u0259vv\u00fcr edirsinizmi, m\u0259n parlaql\u0131\u011f\u0131 m\u0259hz bu r\u0259ngl\u0259 \u0259ld\u0259 edir\u0259m. Vasit\u0259 eynidir. H\u0259r \u015fey ondan as\u0131l\u0131d\u0131r ki, m\u0259n o r\u0259ngin yan\u0131na hans\u0131 r\u0259ngi qoyacam\u201d. Renuar d\u00fc\u015f\u00fcn\u00fcrd\u00fc ki, tablo il\u0259 m\u0259nz\u0259r\u0259 aras\u0131nda s\u0259rh\u0259dl\u0259ri d\u0259qiq m\u00fc\u0259yy\u0259n etm\u0259k laz\u0131md\u0131r. Y\u0259qin \u0259n \u00e7\u0259tin olan da budur. Ax\u0131 tablo t\u0259bi\u0259ti \u00a0tam olaraq t\u0259qlid etm\u0259m\u0259lidir. Amma m\u00fctl\u0259q vacibdir ki, tama\u015fa\u00e7\u0131 bu \u0259s\u0259r\u0259 baxanda t\u0259bi\u0259tin qoxusunu hiss etsin…\u00a0 \u018fn xo\u015fb\u0259xt g\u00fcn 1883-c\u00fc ild\u0259 Renuar\u0131n h\u0259yat\u0131nda d\u00f6n\u00fc\u015f ba\u015f verir. O, \"\"impressionizmin son h\u0259ddin\u0259 g\u0259lib \u00e7atd\u0131\u011f\u0131n\u0131 hiss edir. V\u0259 bu i\u015f get-ged\u0259 m\u00fcr\u0259kk\u0259bl\u0259\u015fm\u0259y\u0259 ba\u015flay\u0131r. A\u00e7\u0131q havada i\u015f\u0131qlanma t\u0259bi\u0259tin h\u00f6km\u00fcnd\u0259n as\u0131l\u0131d\u0131r. Bir d\u0259 \u00e7ox vaxt a\u00e7\u0131q havada r\u0259ssam n\u0259 \u00e7\u0259kdiyini \u00f6z\u00fc tam olaraq g\u00f6r\u0259 bilmir. Bir d\u0259f\u0259 k\u0259tanda a\u011f divar \u00e7\u0259km\u0259li olan Renuar bir-birind\u0259n i\u015f\u0131ql\u0131 r\u0259ngl\u0259ri se\u00e7ib, tabloya k\u00f6\u00e7\u00fcr\u00fcrd\u00fc, amma emalatxanaya g\u0259l\u0259nd\u0259 et\u00fcd\u00fcn zil qara r\u0259ngd\u0259 oldu\u011funu g\u00f6rd\u00fc. Bel\u0259 \u00e7\u0131x\u0131r ki, r\u0259ssam saxtakarl\u0131q etm\u0259li, t\u0259bi\u0259t\u0259 \u00f6z\u00fc d\u00fcz\u0259li\u015f etm\u0259lidir-dey\u0259 r\u0259ssam d\u00fc\u015f\u00fcn\u00fcrd\u00fc. Renuar bel\u0259 vaxtlarda qoca Koronu xat\u0131rlay\u0131rd\u0131. Koro a\u00e7\u0131q havada i\u015fl\u0259yirdi, amma tablo b\u00fct\u00fcnl\u00fckl\u0259 emalatxanada \u0259rs\u0259y\u0259 g\u0259lirdi. O, ist\u0259diyini edir, t\u0259bi\u0259t\u0259 d\u00fcz\u0259li\u015f edirdi. G\u0259nc impressionist\u0259r deyirdi ki, Koro haql\u0131 deyil, emalatxanada tablolara d\u00fcz\u0259li\u015f verm\u0259k tama\u015fa\u00e7\u0131ya yanl\u0131\u015f t\u0259\u0259ss\u00fcrat ya\u015fatmaqd\u0131r. \u00a0Amma Renuar ba\u015fqa fikird\u0259 idi: \u201cM\u0259n\u0259 bir d\u0259f\u0259 Koroyla s\u00f6hb\u0259t etm\u0259k s\u0259ad\u0259ti n\u0259sib olmu\u015fdu, m\u0259n ona a\u00e7\u0131q havada i\u015fl\u0259m\u0259yin \u00e7\u0259tinlikl\u0259rind\u0259n dan\u0131\u015fanda o \u00a0dedi:- Ona g\u00f6r\u0259 ki, a\u00e7\u0131q havada s\u0259n \u00f6z\u00fcn n\u0259 etdiyind\u0259n he\u00e7 vaxt \u0259min olmursan, \u00e7\u0259kdikl\u0259rin\u0259 m\u00fctl\u0259q emalatxanada d\u00fcz\u0259li\u015f verm\u0259k laz\u0131md\u0131r… Koro bunu b\u00f6y\u00fck m\u0259har\u0259tl\u0259 edirdi, tama\u015fa\u00e7\u0131 onun tablolar\u0131n\u0131 t\u0259bi\u0259tin canl\u0131 bir par\u00e7as\u0131 kimi qavray\u0131rd\u0131. Xatirimd\u0259dir, \u201c\u015eartre kils\u0259si\u201d \u0259s\u0259rini \u00e7\u0259k\u0259rk\u0259n Koro kimi ed\u0259 bilm\u0259k \u00fc\u00e7\u00fcn nec\u0259 b\u00f6y\u00fck \u0259m\u0259k s\u0259rf etmi\u015fdim!\u201d Renuar \u0259min idi ki, ya\u015fl\u0131 n\u0259slin r\u0259ssamlar\u0131 bu texnikadan- impressionizmd\u0259n x\u0259b\u0259rdar olublar, sad\u0259c\u0259 olaraq \u00f6zl\u0259ri bu yoldan imtina edibl\u0259r… Renuar ah\u0131l \u00e7a\u011flar\u0131nda x\u0259st\u0259liy\u0259 d\u00fc\u00e7ar olur, \u00f6mr\u00fcn\u00fcn son ill\u0259ri \u0259lil arabas\u0131nda ke\u00e7ir. \u201cAncaq molbertin arxas\u0131na ke\u00e7\u0259n kimi o, a\u011fr\u0131lar\u0131n\u0131 v\u0259 x\u0259st\u0259liyi unudurdu,-dey\u0259 r\u0259ssam\u0131n o\u011flu \u00a0Jak xat\u0131rlay\u0131rd\u0131,- \u0130\u015f prosesi bel\u0259 ba\u015f verirdi; model qad\u0131n \u00a0\u00e7\u0259m\u0259nlikd\u0259, \u00e7i\u00e7\u0259kl\u0259rin aras\u0131nda \u00f6z yerini al\u0131b, r\u0259ssam\u0131n i\u015f\u0259 ba\u015flamas\u0131n\u0131 g\u00f6zl\u0259yirdi. Biz atam\u0131n \u0259lil arabas\u0131ndak\u0131 yerini rahlay\u0131r, onun g\u00f6st\u0259ri\u015fl\u0259rini yerin\u0259 yetirirdik. G\u00fcn\u0259\u015f \u015f\u00fcalar\u0131 zeytun a\u011faclar\u0131n\u0131n yarpaqlar\u0131 aras\u0131ndan s\u00fcz\u00fcl\u00fcb qad\u0131n\u0131n k\u00f6yn\u0259yin\u0259 nax\u0131\u015flar sal\u0131rd\u0131… \u00a0Atam z\u0259if s\u0259sl\u0259 tap\u015f\u0131r\u0131qlar\u0131n\u0131 verirdi. Biz palitran\u0131 haz\u0131rlayark\u0259n o, h\u0259r\u0259k\u0259tsiz b\u0259d\u0259nini birt\u0259h\u0259r kresloda dik tutma\u011fa, a\u011fr\u0131lar\u0131na \u00fcst\u00fcn g\u0259lm\u0259y\u0259 \u00e7al\u0131\u015f\u0131rd\u0131. Bir ne\u00e7\u0259 d\u0259qiq\u0259d\u0259n sonra ona f\u0131r\u00e7a uzadan \u0259lim havadan as\u0131l\u0131 qal\u0131rd\u0131; Renuar peyzaj\u0131 seyr edir, v\u0259cd\u0259 g\u0259l\u0259r\u0259k \u201cbu ki, ilahi bir m\u0259nz\u0259r\u0259dir\u201d,- deyirdi. Sonra biz\u0259 g\u00f6z vurub g\u00fcl\u00fcms\u0259yir, sanki bizi t\u0259bi\u0259tl\u0259 onun aras\u0131nda olan hissl\u0259rin \u015fahidi se\u00e7irdi… Bir ne\u00e7\u0259 d\u0259qiq\u0259d\u0259n sonra is\u0259 o, hans\u0131sa n\u0259\u011fm\u0259ni z\u00fcmz\u00fcm\u0259 ed\u0259-ed\u0259 n\u00f6vb\u0259ti \u015fedevrini yarad\u0131rd\u0131…
\nV\u0259 Renuar \u00fc\u00e7\u00fcn xo\u015fb\u0259xt bir g\u00fcn ba\u015flay\u0131rd\u0131…<\/p>\n

M\u0259nb\u0259:teleqraf.com<\/span><\/p>\n

Yaz\u0131ya 893 d\u0259f\u0259 bax\u0131l\u0131b<\/p>\n","protected":false},"excerpt":{"rendered":"

\u00a0\u00d6z\u00fcn\u00fc dal\u011falar\u0131n qoynuna at\u0131lm\u0131\u015f t\u0131xacla m\u00fcqayis\u0259 edirdi; \u00fcz\u00fcr, burul\u011fana d\u00fc\u015f\u00fcr, sulara dal\u0131r, yenid\u0259n \u00fcz\u0259 \u00e7\u0131x\u0131r, yosunlara ili\u015fir, qar\u0131\u015f\u0131r, \u00fcmidsiz c\u0259hdl\u0259r edir v\u0259 yenid\u0259n dal\u011falar\u0131n qoynunda g\u00f6zd\u0259n itirdi… H\u0259r d\u0259f\u0259 i\u015f\u0259 ba\u015flayanda eyni hissl\u0259ri ke\u00e7irirdi. Amma \u0259s\u0259rl\u0259ri t\u0259la\u015fs\u0131z, nikbin ovqatda do\u011fulurdu,bu tablolar \u00a0tama\u015fa\u00e7\u0131n\u0131n fikirl\u0259rini dara \u00e7\u0259kmirdi, \u0259ksin\u0259 seyr ed\u0259nl\u0259ri sevinc \u00e7ul\u011fay\u0131rd\u0131. Onun fikrinc\u0259, s\u0259n\u0259t \u0259s\u0259ri i\u015f\u0131ql\u0131, […]<\/p>\n","protected":false},"author":1,"featured_media":7667,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/kultur.az\/index.php?rest_route=\/wp\/v2\/posts\/10126"}],"collection":[{"href":"https:\/\/kultur.az\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kultur.az\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kultur.az\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kultur.az\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=10126"}],"version-history":[{"count":1,"href":"https:\/\/kultur.az\/index.php?rest_route=\/wp\/v2\/posts\/10126\/revisions"}],"predecessor-version":[{"id":10127,"href":"https:\/\/kultur.az\/index.php?rest_route=\/wp\/v2\/posts\/10126\/revisions\/10127"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kultur.az\/index.php?rest_route=\/wp\/v2\/media\/7667"}],"wp:attachment":[{"href":"https:\/\/kultur.az\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=10126"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kultur.az\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=10126"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kultur.az\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=10126"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}