{"id":16488,"date":"2021-05-11T13:01:29","date_gmt":"2021-05-11T08:01:29","guid":{"rendered":"http:\/\/kultur.az\/?p=16488"},"modified":"2021-05-11T13:01:29","modified_gmt":"2021-05-11T08:01:29","slug":"kamal-abdulla-yaradiciliginda-hekay%c9%99-mif-janri-k%c9%99mal%c9%99-h%c9%99s%c9%99nova-yazir","status":"publish","type":"post","link":"https:\/\/kultur.az\/?p=16488","title":{"rendered":"Kamal Abdulla yarad\u0131c\u0131l\u0131\u011f\u0131nda hekay\u0259-mif janr\u0131 – K\u0259mal\u0259 H\u0259s\u0259nova yaz\u0131r…"},"content":{"rendered":"

\"IMG_3889<\/a>Postmodernist yaz\u0131\u00e7\u0131 olan Kamal Abdullan\u0131n romanlar\u0131 il\u0259 yana\u015f\u0131 q\u0259l\u0259m\u0259 ald\u0131\u011f\u0131 hekay\u0259l\u0259rind\u0259 d\u0259 janr polifoniyas\u0131na rast g\u0259lirik. B\u0259z\u0259n \u015f\u0259rq mifologiyas\u0131na (\u201cSon g\u0259li\u015f\u201d), b\u0259z\u0259n is\u0259 yunan mifologiyas\u0131na (\u201cParisin se\u00e7imi\u201d, \u201cXaron, m\u0259rh\u0259m\u0259tli Xaron\u201d) toxunan yaz\u0131\u00e7\u0131 postmodernizmin b\u0259zi texnikalar\u0131ndan istifad\u0259 etm\u0259kl\u0259 m\u0259tn \u00fcz\u0259rind\u0259 oynayaraq hadis\u0259l\u0259r\u0259 \u00f6z m\u00fcnasib\u0259tini bildirmi\u015fdir.<\/p>\n

Postmodernizmin \u0259sas\u0131n\u0131 t\u0259\u015fkil ed\u0259n dekonstruksiya Kamal Abdullan\u0131n hekay\u0259l\u0259rind\u0259 d\u0259 \u00f6z \u0259ksini tapm\u0131\u015fd\u0131r. X\u00fcsusil\u0259 d\u0259, \u201cParisin se\u00e7imi\u201d silsil\u0259sind\u0259 yer alan hekay\u0259l\u0259rind\u0259 bunu daha rahat m\u00fc\u015fahid\u0259 ed\u0259 bilirik.<\/p>\n

Silsil\u0259d\u0259 veril\u0259n \u0259s\u0259rl\u0259rd\u0259n biri olan \u201cParisin se\u00e7imi\u201d hekay\u0259sind\u0259 Troya m\u00fcharib\u0259sinin yaranmas\u0131na g\u0259tirib \u00e7\u0131xardan se\u00e7imd\u0259n b\u0259hs olunur. Nifaq ilah\u0259sinin intiqam\u0131 olan \u201cq\u0131z\u0131l alma\u201d yunan mifologiyas\u0131nda g\u00f6z\u0259lliyin simvoludur. Troyan\u0131n ba\u015f\u0131na g\u0259l\u0259n m\u00fcsib\u0259tin s\u0259b\u0259bi d\u0259 insan o\u011flunun g\u00f6z\u0259lliyi, e\u015fqi var-d\u00f6vl\u0259t v\u0259 m\u00fcdriklikd\u0259n \u00fcst\u00fcn tutmas\u0131 il\u0259 ba\u015f vermi\u015fdir. Postmodernizmin intertekstuall\u0131q texnikas\u0131ndan istifad\u0259 edil\u0259r\u0259k q\u0259l\u0259m\u0259 al\u0131nan \u0259s\u0259rd\u0259 Parisin se\u00e7imi dekonstruksiyaya u\u011fram\u0131\u015f v\u0259 mifd\u0259n f\u0259rqli olaraq o, Afroditan\u0131 deyil, Heran\u0131 se\u00e7mi\u015fdir. Bununla da, art\u0131q \u201cq\u0131z\u0131l alma\u201d hakimiyy\u0259tin simvoluna \u00e7evrilir.<\/p>\n

\u201cSabah!.. Sabah Hera Parisi tapacaqd\u0131. Sabah qoca Priam Aidin s\u0259lt\u0259n\u0259tin\u0259 yollanacaq, q\u0259hr\u0259man Hektor vaxtil\u0259 Prometeyin z\u0259ncir\u0259 \u00e7\u0259kildiyi Qaf da\u011f\u0131na qa\u00e7\u0131b can\u0131n\u0131 bu c\u00fcr qurtaracaq, Paris is\u0259 \u00f6z arzusuna \u2013 Troyaya h\u00f6kmran olmaq arzusuna, n\u0259hay\u0259t ki, \u00e7atacaqd\u0131.\u201d<\/em> [2, s.112] Hekay\u0259nin sonunda veril\u0259n bu hiss\u0259 onu g\u00f6st\u0259rir ki, Parisin se\u00e7imind\u0259ki f\u0259rqlilik yaln\u0131z q\u0131z\u0131l alman\u0131n \u0259srl\u0259rl\u0259 davam ed\u0259n tarixi simvolikas\u0131n\u0131 d\u0259yi\u015fmir, h\u0259m d\u0259 Troyan\u0131n taleyini \u00a0d\u0259yi\u015fir.<\/p>\n

\u0130nsan o\u011flunun g\u00f6z\u0259lliyi, e\u015fqi se\u00e7m\u0259si bir xalq\u0131n f\u0259lak\u0259tin\u0259 s\u0259b\u0259b olmu\u015fdursa, var-d\u00f6vl\u0259t, g\u00fcc\u00fc se\u00e7m\u0259si is\u0259 bir ail\u0259nin m\u0259hvin\u0259 s\u0259b\u0259b olmu\u015fdur. Paris Yelenan\u0131 se\u00e7\u0259nd\u0259 onun e\u015fqi, sevgisi u\u011frunda d\u00f6y\u00fc\u015fd\u0259 h\u0259lak olan Hektor qarda\u015f\u0131 g\u00fcc\u00fc, hakimiyy\u0259ti se\u00e7\u0259nd\u0259 is\u0259 onun q\u0259ddarl\u0131\u011f\u0131ndan xilas olmaq \u00fc\u00e7\u00fcn Qaf da\u011f\u0131na qa\u00e7\u0131r. Parisin bu iki se\u00e7imi aras\u0131ndak\u0131 f\u0259rqi g\u00f6rd\u00fckd\u0259 bel\u0259 bir sual ortaya \u00e7\u0131x\u0131r \u2013 Paris Afinan\u0131 se\u00e7s\u0259 idi n\u0259 ba\u015f ver\u0259rdi? Kentavr Xirondan da m\u00fcdrik olmaq Paris\u0259 he\u00e7 bir f\u0259lak\u0259t ba\u015f verm\u0259d\u0259n eyni zamanda h\u0259m d\u00fcnya g\u00f6z\u0259li Yelenan\u0131, h\u0259m d\u0259 Troya h\u00f6kmdar\u0131 olmaq arzusunu realla\u015fd\u0131ra bil\u0259rdi, yoxsa g\u00f6z\u0259llik v\u0259 var-d\u00f6vl\u0259tin bo\u015f v\u0259 ke\u00e7ici bir \u015fey oldu\u011funu d\u0259rk etdirib bu arzusundan imtinam\u0131 etdir\u0259rdi?<\/p>\n

Dekonstruksiya texnikas\u0131ndan istifad\u0259 olunmu\u015f bir dig\u0259r hekay\u0259 \u201cXaron, m\u0259rh\u0259m\u0259tli Xaron\u201d \u0259s\u0259ridir. \u201cParisin se\u00e7imi\u201d hekay\u0259sind\u0259 oldu\u011fu kimi m\u00fc\u0259llifin bu \u0259s\u0259ri d\u0259 yunan mifologiyas\u0131na \u0259saslanm\u0131\u015fd\u0131r. \u201cXaron, m\u0259rh\u0259m\u0259tli Xaron\u201d \u0259s\u0259rind\u0259 dekonstruksiya bir ba\u015fa \u0259s\u0259rin ad\u0131nda \u00f6z\u00fcn\u00fc g\u00f6st\u0259rir. \u00c7\u00fcnki Xaron obraz\u0131n\u0131n yunan mifologiyas\u0131ndak\u0131 t\u0259sviri \u201cAxerontun z\u00fclm\u0259t sular\u0131ndan he\u00e7 bir ruhu geri qay\u0131tma\u011f\u0131na icaz\u0259 verm\u0259y\u0259n amans\u0131z Xaron\u201d [4, s.38-41] \u015f\u0259klind\u0259dir.<\/p>\n

Hekay\u0259d\u0259 Xarona \u201cm\u0259rh\u0259m\u0259tli\u201d ifad\u0259sil\u0259 m\u00fcraci\u0259t edilm\u0259si, yaz\u0131\u00e7\u0131n\u0131n f\u0259rqli prizmadan hadis\u0259y\u0259 yana\u015fmas\u0131d\u0131r. Mifd\u0259 Aidin yeralt\u0131 s\u0259lt\u0259n\u0259tin\u0259 ged\u0259n k\u00f6lg\u0259l\u0259ri Stiks \u00e7ay\u0131n\u0131n bir sahilind\u0259n dig\u0259r sahilin\u0259 ke\u00e7ir\u0259n Xaron onlar\u0131n b\u00fct\u00fcn xatir\u0259l\u0259rini yadda\u015fdan silir v\u0259 bel\u0259likl\u0259, ruhlar\u0131n d\u00fcnya il\u0259 ba\u011flar\u0131 k\u0259silir. M\u00fc\u0259llifin Xaron obraz\u0131na bu prizmadan yana\u015fmas\u0131n\u0131n s\u0259b\u0259bi bir insana \u0259zab ver\u0259n onun ke\u00e7mi\u015fi, xatir\u0259l\u0259ri olmas\u0131 d\u00fc\u015f\u00fcnc\u0259sidir. Xaron k\u00f6lg\u0259l\u0259rin yadda\u015f\u0131n\u0131 silm\u0259kl\u0259 onlar\u0131 \u0259zabdan xilas edir. H\u0259m d\u0259 \u0259s\u0259rin sonunda m\u00fc\u0259llif bir anan\u0131n xatir\u0259l\u0259ri il\u0259 \u00e7ay\u0131n dig\u0259r sahilin\u0259 ke\u00e7m\u0259k arzusunu v\u0259 Xaronun bunu q\u0259bul etm\u0259sinin t\u0259svirini verm\u0259kl\u0259 analar\u0131n f\u0259dakarl\u0131\u011f\u0131n\u0131 oxucular\u0131n diqq\u0259tin\u0259 \u00e7atd\u0131rmaq ist\u0259mi\u015fdir.<\/p>\n

Yunan mifologiyas\u0131na \u0259saslanan \u201ck\u00f6lg\u0259l\u0259rin yadda\u015f\u0131n\u0131n silinm\u0259si\u201d d\u00fc\u015f\u00fcnc\u0259 arxetipi m\u00fc\u0259llifin yaln\u0131z \u201cXaron, m\u0259rh\u0259m\u0259tli Xaron\u201d hekay\u0259sind\u0259 yer alm\u0131r, h\u0259m d\u0259 \u201cSehrbazlar d\u0259r\u0259si\u201d roman\u0131nda da \u00f6z \u0259ksini tapm\u0131\u015fd\u0131r. Sehrbaz A\u011f d\u0259rvi\u015fin vasit\u0259sil\u0259 \u00f6z atas\u0131n\u0131n ruhunu \u00e7a\u011f\u0131rtd\u0131ran karvanba\u015f\u0131 Allahverdinin atas\u0131na \u201c…S\u00f6yl\u0259, s\u00f6yl\u0259 m\u0259n\u0259 he\u00e7 a\u011fab\u0259yimi g\u00f6rm\u00fcs\u0259n orada?…\u201d<\/em> [2, s.173] veridiyi suala M\u0259mmm\u0259dqulunun \u201c Orada m\u0259n burda olub-ke\u00e7\u0259ni unuduram. Bizim yadda\u015f\u0131m\u0131z bura qay\u0131danda oyan\u0131r\u201d<\/em> [2, s.173] cavab\u0131 yunan mifin\u0259 \u0259saslanm\u0131\u015fd\u0131r.<\/p>\n

\u015e\u0259rq mifologiyas\u0131na, Z\u0259rd\u00fc\u015ftl\u00fck dini il\u0259 ba\u011fl\u0131 \u0259hvalatlara \u0259saslanan \u201cSon g\u0259li\u015f\u201d hekay\u0259sind\u0259 gizlinl\u0259r-i\u015far\u0259l\u0259r \u00fcst\u00fcnl\u00fck t\u0259\u015fkil etmi\u015fdir. \u018fs\u0259rd\u0259 Z\u0259rd\u00fc\u015ftl\u0259 s\u00f6hb\u0259tl\u0259\u015f\u0259n k\u0259ndlinin cavablar\u0131nda m\u00fc\u0259llif s\u00f6z oyunu texnikas\u0131ndan istifad\u0259 etmi\u015fdir.<\/p>\n

\u2013\u2026\u00d6l\u00fcm Allah\u0131n kimdir, s\u0259n onu tan\u0131y\u0131rsanm\u0131?<\/em><\/p>\n

\u2013Tan\u0131maz olurmuyam?! \u00d6l\u00fcm Allah\u0131mla m\u0259n h\u0259r \u00f6t\u0259n ild\u0259 bir d\u0259f\u0259 g\u00f6r\u00fc\u015f\u00fcr\u0259m. O g\u00fcn m\u0259nim b\u00fct\u00fcn ya\u015fad\u0131\u011f\u0131m ill\u0259rin eyni g\u00fcn\u00fcd\u00fcr.<\/em><\/p>\n

… \u2013 S\u0259n dedin ki, \u00f6l\u00fcm Allah\u0131nla ild\u0259 bir d\u0259f\u0259 eyni g\u00fcnd\u0259 g\u00f6r\u00fc\u015f\u00fcrs\u00fcn\u00fcz. S\u0259n o g\u00fcn\u00fc nec\u0259 tan\u0131y\u0131rsan? \u2013 Z\u0259rd\u00fc\u015ft k\u0259ndlid\u0259n soru\u015fur.<\/em><\/p>\n

\u2013M\u0259n o g\u00fcn\u00fc indi tan\u0131m\u0131ram, m\u0259n o g\u00fcn\u00fc \u00f6l\u0259n zaman tan\u0131yaca\u011fam. \u2013 K\u0259ndli Z\u0259rd\u00fc\u015ft\u0259 bu d\u0259f\u0259 d\u0259 bel\u0259 cavab verir.<\/em><\/p>\n

\u2013O zaman s\u0259n \u00f6l\u00fcm Allah\u0131n\u0131n \u00fcz\u00fcn\u00fc bel\u0259 g\u00f6rm\u0259mis\u0259n?!<\/em><\/p>\n

\u2013Yox, g\u00f6rm\u0259mi\u015f\u0259m. M\u0259n\u0259 ondan dan\u0131\u015f.\u201d<\/em> [2, s. 52-53]\n

Hekay\u0259d\u0259 t\u00fcrk mifologiyas\u0131nda sonsuz h\u0259yat\u0131 ifad\u0259 ed\u0259n Qara\u011fac a\u011fac\u0131n\u0131n t\u0259sviri d\u0259 diqq\u0259t \u00e7\u0259kir. Z\u0259rd\u00fc\u015ft \u00f6l\u00fcm tanr\u0131s\u0131 \u018frm\u0259nl\u0259 d\u0259 son d\u0259f\u0259 qara\u011fac\u0131n alt\u0131nda g\u00f6r\u00fc\u015f\u00fcr. \u018fs\u0259rd\u0259 \u018frm\u0259nin \u201cH\u0259mi\u015f\u0259 m\u0259ni axtarm\u0131san, amma onu tapm\u0131san\u201d [2, s. 59] ifad\u0259l\u0259ri, hekay\u0259d\u0259ki \u201cQara\u011fac\u0131n yarpaqlar\u0131ndan a\u011f\u0131r-a\u011f\u0131r s\u00fcz\u00fcl\u0259n qara v\u0259 ikicanl\u0131 ya\u011f\u0131\u015f damc\u0131lar\u0131\u201d<\/em>, \u201c\u0130ta\u0259tkar camaat\u201d<\/em> kimi t\u0259svirl\u0259rd\u0259 gizlinl\u0259r-i\u015far\u0259l\u0259r vasit\u0259sil\u0259 m\u00fc\u0259yy\u0259n bir fikir \u0259ks olunmu\u015fdur.<\/p>\n

\u018fs\u0259rl\u0259rd\u0259 postmodernizm elementl\u0259ri iki \u015f\u0259kild\u0259, y\u0259ni h\u0259m \u0259s\u0259rin qurulu\u015funda, h\u0259m d\u0259 m\u0259zmununda \u00f6z\u00fcn\u00fc g\u00f6st\u0259rir. Kamal Abdullan\u0131n \u201cParisin se\u00e7imi\u201d, \u201cXaron, m\u0259rh\u0259m\u0259tli Xaron\u201d, \u201cSon g\u0259li\u015f\u201d v\u0259 s. hekay\u0259l\u0259rind\u0259 postmodernizm elementl\u0259ri \u0259s\u0259rin qurulu\u015funda \u00f6z\u00fcn\u00fc g\u00f6st\u0259rdiyi halda, \u201cLabirint\u201d hekay\u0259sind\u0259 is\u0259 m\u0259zmununda \u0259ks olunmu\u015fdur.<\/p>\n

\u201cLabirint\u201d hekay\u0259sind\u0259 yunun mifologiyas\u0131nda yer alan Teseyin Krit adas\u0131na Minotavr\u0131 \u00f6ld\u00fcrm\u0259k \u00fc\u00e7\u00fcn \u00e7\u0131xd\u0131\u011f\u0131 s\u0259f\u0259rd\u0259n b\u0259hs olunan mifl\u0259 iki sev\u0259n g\u0259ncin g\u0259l\u0259c\u0259k h\u0259yatlar\u0131nda da bir-birl\u0259rind\u0259n ayr\u0131lmamaq \u00fc\u00e7\u00fcn qurdu\u011fu plan paralel verilmi\u015fdir. Bu paralel veril\u0259n iki hadis\u0259 aras\u0131nda m\u00fc\u0259yy\u0259n bir ba\u011fl\u0131l\u0131q vard\u0131r. M\u00fc\u0259llif \u0259s\u0259rin sonunda da iki g\u0259ncin bir-biril\u0259 yenid\u0259n birl\u0259\u015f\u0259 bilm\u0259m\u0259sinin s\u0259b\u0259bini Teseyin mifind\u0259n n\u0259tic\u0259 \u00e7\u0131xarma\u011f\u0131nda g\u00f6r\u00fcr:<\/p>\n

\u201c…Teseyin is\u0259 \u0259hvalat\u0131 biz\u0259 b\u0259zi \u015feyl\u0259r \u00f6yr\u0259dir. Bunlar\u0131 bilm\u0259k faydal\u0131d\u0131r.<\/em><\/p>\n

Labirint\u0259 girm\u0259zd\u0259n \u0259vv\u0259l oradan \u00e7\u0131xmaq bar\u0259d\u0259 d\u00fc\u015f\u00fcnm\u0259lis\u0259n. Bu \u0259sas \u015f\u0259rtdir. Laz\u0131m olan yerd\u0259 v\u0259 laz\u0131m olan vaxt s\u0259nin yan\u0131nda s\u0259nin Ariadnan olmaya bil\u0259r . Bu bir.<\/em><\/p>\n

X\u0259yan\u0259tin \u00f6d\u0259nci var. H\u0259tta yenilm\u0259z g\u00fcc qar\u015f\u0131s\u0131nda bel\u0259 sevdiyin adama x\u0259yan\u0259t etm\u0259. \u00c7\u00fcnki x\u0259yan\u0259t s\u0259ni \u0259vv\u0259lc\u0259 unutqanl\u0131\u011fa g\u0259tir\u0259c\u0259k, sonra is\u0259 sars\u0131nt\u0131 v\u0259 faci\u0259l\u0259r\u0259 yol a\u00e7acaq. Bu iki.<\/em><\/p>\n

V\u0259 n\u0259hay\u0259t. Uca s\u0131ld\u0131r\u0131m qaya ba\u015f\u0131nda arxan\u0131 he\u00e7 k\u0259s\u0259 \u00e7evirm\u0259. Bu da \u00fc\u00e7.\u201d <\/em>[2,s.278]\n

\u018fs\u0259rd\u0259 bir-birin\u0259 qar\u0131\u015fan hadis\u0259l\u0259r, adlar oxucuya labirint t\u0259siri yarad\u0131r. Ancaq bu labirintd\u0259n \u00e7\u0131xma\u011f\u0131n yolu is\u0259 yunan mifind\u0259 oldu\u011fu kimi bir ipin ucundan tutub yol getm\u0259kdir.<\/p>\n

\u018fs\u0259r bir qad\u0131n\u0131n a\u011f\u0131r cinay\u0259t n\u0259tic\u0259sind\u0259 \u00f6z evind\u0259 \u00f6l\u00fc v\u0259ziyy\u0259tind\u0259 tap\u0131lmas\u0131 v\u0259 bununla ba\u011fl\u0131 apar\u0131lan istintaqla ba\u015flay\u0131r. Hadis\u0259l\u0259r labirintin\u0259 ilk giri\u015f c\u00fcml\u0259si bir-birini ilk d\u0259f\u0259 g\u00f6r\u0259n qad\u0131n v\u0259 ki\u015finin q\u0259lbind\u0259 s\u0259sl\u0259n\u0259n p\u0131\u00e7\u0131lt\u0131 olur \u2013 \u201cbir-biriniz\u0259 diqq\u0259tl\u0259 bax\u0131n, siz, dey\u0259s\u0259n, bir-birinizi tan\u0131y\u0131rs\u0131n\u0131z\u201d.<\/em> [2, s.230]\n

\u201cSiz dey\u0259s\u0259n bir-birinizi tan\u0131y\u0131rs\u0131n\u0131z…\u201d<\/em> c\u00fcml\u0259si il\u0259 ba\u015falayan hadis\u0259l\u0259rin ah\u0259ngind\u0259 qad\u0131n v\u0259 ki\u015finin b\u0259z\u0259n ilk d\u0259f\u0259 g\u00f6r\u00fc\u015fd\u00fcy\u00fcn\u00fc, b\u0259z\u0259n is\u0259 vaxtil\u0259 evli olub sonra bo\u015fand\u0131qlar\u0131n\u0131 m\u00fc\u015fahid\u0259 edirik. \u0130lk \u0259vv\u0259l adlar\u0131 verilm\u0259y\u0259n iki g\u0259ncin daha sonra tez-tez ad\u0131n\u0131n d\u0259yi\u015fm\u0259sil\u0259 \u2013 Nazil\u0259 v\u0259 S\u0259lim; M\u0259tan\u0259t v\u0259 Ayd\u0131n; Samir\u0259 v\u0259 Nazim; C\u0259mil\u0259 v\u0259 Nazim; \u015e\u0259fiq\u0259 v\u0259 \u018f\u015fr\u0259f; S\u0259lim\u0259 v\u0259 Vaqif; \u015e\u0259bn\u0259m v\u0259 Nadir; N\u0259rmin v\u0259 Samir; Aliy\u0259 v\u0259 B\u0259hram; C\u0259mil\u0259 v\u0259 F\u0259rhad; Tamilla v\u0259 Asif; G\u00fclnar\u0259 v\u0259 K\u0259rim; Z\u00fcmr\u00fcd v\u0259 Zaur; R\u0259hil\u0259 v\u0259 R\u0259him; Xaver v\u0259 \u018fhm\u0259d; Q\u0259tib\u0259 v\u0259 Vaqif oxuculara t\u0259qdim olunmas\u0131nda m\u00fc\u0259llif s\u00f6z oyunu etmi\u015f v\u0259 bel\u0259likl\u0259, \u0259s\u0259rd\u0259 labirint t\u0259siri yaratm\u0131\u015fd\u0131r.<\/p>\n

\u00c7ayxanada qar\u015f\u0131l\u0131ql\u0131 oturan v\u0259 \u0259s\u0259rd\u0259 adlar\u0131 tez-tez d\u0259yi\u015f\u0259n bu g\u0259ncl\u0259rin aras\u0131nda ged\u0259n s\u00f6hb\u0259t hadis\u0259l\u0259ri daha \u00e7ox m\u00fc\u0259mmal\u0131 bir v\u0259ziyy\u0259t\u0259 sal\u0131r. Aralar\u0131nda ged\u0259n bir dialoqda \u2013<\/p>\n

\u201c \u2013 B\u0131\u011flar\u0131 neyl\u0259din? Cavan g\u00f6r\u00fckm\u0259k ist\u0259yirs\u0259n?<\/em><\/p>\n

\u2013 Ola bil\u0259r\u201d<\/em> [2, s. 235]\n

\u2013 ki\u015fini b\u0131\u011flar\u0131n\u0131n k\u0259sdiyini, bir dig\u0259r dialoqda is\u0259 \u2013<\/p>\n

\u00a0\u201c\u2013 T\u0259z\u0259likc\u0259 b\u0131\u011f saxlay\u0131rsan?<\/em><\/p>\n

\u2013 S\u0259ninl\u0259 yollar\u0131m\u0131z ayr\u0131lan vaxtdan b\u0259ri\u201d<\/em> [2, s.237]\n

\u2013 k\u0259silm\u0259diyi m\u00fc\u015fahid\u0259 edirik. Hekay\u0259nin bir hiss\u0259sind\u0259 g\u0259ncl\u0259rin \u0259vv\u0259lki h\u0259yatlar\u0131n\u0131 he\u00e7 xat\u0131rlamad\u0131\u011f\u0131 g\u00f6st\u0259rils\u0259 d\u0259, bir dig\u0259r hiss\u0259d\u0259 is\u0259 onlar n\u0259inki xat\u0131rlay\u0131r, b\u0259z\u0259n xat\u0131rlad\u0131qlar\u0131 xatir\u0259l\u0259r onlar\u0131n \u00fcz\u00fcnd\u0259 g\u00fcl\u00fcms\u0259m\u0259 bel\u0259 yarad\u0131r. M\u00fc\u0259llif hadis\u0259l\u0259r il\u0259 bu \u015f\u0259kild\u0259 oynamaqla oxucular\u0131n diqq\u0259tin\u0259 bir m\u0259s\u0259l\u0259ni \u00e7atd\u0131rmaq ist\u0259yir \u2013 labirintin daxilind\u0259 bir-birin\u0259 b\u0259nz\u0259y\u0259n minl\u0259rl\u0259 yol olsa da, giri\u015f v\u0259 \u00e7\u0131x\u0131\u015f ancaq bir yoldad\u0131r v\u0259 bu da n\u0259tic\u0259y\u0259 t\u0259sir etmir. \u018fs\u0259rin sonunda iki g\u0259ncin bir-birin\u0259 qovu\u015fmaq arzusu ba\u015f tutmur. \u00a0Teseyin Ariadnan\u0131 yaln\u0131z buraxd\u0131\u011f\u0131 kimi g\u0259ncl\u0259rd\u0259n biri d\u0259 dig\u0259rini yaln\u0131z burax\u0131b gedir.<\/p>\n

\u201cM\u0259n\u0259 verdiyin s\u00f6z\u00fc is\u0259 unutma. O vacib s\u00f6zd\u00fcr.\u201d <\/em>[2, s.231] Ariadnan\u0131n dediyi, ancaq Teseyin unutdu\u011fu s\u00f6z iki g\u0259ncin h\u0259yat\u0131nda da a\u00e7ar s\u00f6z kimi yer al\u0131r. Tesey \u00f6lm\u0259z tanr\u0131 Dionis\u0131n \u0259mrin\u0259 g\u00f6r\u0259 sevdiyi q\u0131z olan Ariadnaya verdiyi s\u00f6z\u00fc, ad\u0131 Vaqif, R\u0259him, Asif, Zaur v\u0259 s. \u015f\u0259kild\u0259 adlanan g\u0259nc is\u0259 bu d\u00fcnyada sevdiyi q\u0131z D\u00fcrdan\u0259 \u00fc\u00e7\u00fcn \u0259vv\u0259lki h\u0259yat\u0131nda sevib evl\u0259ndiyi, h\u0259tta g\u0259l\u0259c\u0259k h\u0259yatlar\u0131nda da yaln\u0131z bir-birl\u0259rini sev\u0259c\u0259kl\u0259rin\u0259 inand\u0131\u011f\u0131 q\u0131za verdiyi s\u00f6z\u00fc (a\u00e7ar s\u00f6z\u00fc) unudur.<\/p>\n

\u018fs\u0259rd\u0259 maraql\u0131 bir dig\u0259r m\u0259qam is\u0259 cinay\u0259tin ba\u015f verdiyi m\u0259kan\u0131n \u00f6z\u00fc d\u0259 labirint \u015f\u0259kild\u0259 d\u00fcz\u00fcl\u0259n otaqlardan ibar\u0259t olmas\u0131d\u0131r. Bununla da, istintaqda cinay\u0259tkar\u0131n kim oldu\u011fu v\u0259 bu ev\u0259 nec\u0259 girib \u00e7\u0131xd\u0131\u011f\u0131 m\u00fc\u0259mmal\u0131 olur. \u2013 \u201c M\u0259nzil kifay\u0259t q\u0259d\u0259r b\u00f6y\u00fck idi. Qap\u0131dan i\u00e7\u0259ri gir\u0259n kimi h\u00fcnd\u00fcr p\u0259nc\u0259r\u0259l\u0259ri binan\u0131n balaca h\u0259y\u0259tind\u0259 a\u00e7\u0131lan geni\u015f aynab\u0259nd\u0259 girirdin. Aynab\u0259ndd\u0259n yol iki istiqam\u0259t\u0259 ayr\u0131l\u0131rd\u0131 \u2013 biri dar d\u0259hliz\u0259 hamam-tualet t\u0259r\u0259f\u0259, o biri is\u0259 birba\u015fa qonaq ota\u011f\u0131na. Otaqlar\u0131n qap\u0131s\u0131 h\u0259m \u015f\u00fc\u015f\u0259b\u0259nd\u0259 a\u00e7\u0131l\u0131rd\u0131, h\u0259m d\u0259 qonaq ota\u011f\u0131ndan yataq ota\u011f\u0131na qal\u0131n, t\u00fcnd \u00e7\u0259hray\u0131 r\u0259ngd\u0259 p\u0259rd\u0259 il\u0259 aras\u0131 tutulmu\u015f yol vard\u0131, o yol bir-birinin i\u00e7ind\u0259 olan o biri otaqlara apar\u0131rd\u0131. \u201cBurda azmaq olar\u201d d\u00fc\u015f\u00fcn\u00fcb s\u00fcd\u00e7\u00fc arvad qonaq ota\u011f\u0131ndan ke\u00e7\u0259r\u0259k c\u0259s\u0259di el\u0259 bu yataq ota\u011f\u0131nda tapm\u0131\u015fd\u0131. \u00d6ld\u00fcr\u00fcl\u0259n ev sahib\u0259sinin s\u0259si is\u0259 s\u00fcd\u00e7\u00fc arvad and-aman edirdi ki, \u0259vv\u0259lc\u0259 qonaq ota\u011f\u0131ndan g\u0259lirmi\u015f…\u201d<\/em> [2, s.247]\n

Hekay\u0259d\u0259 D\u00fcrdan\u0259nin metroya t\u0259r\u0259f add\u0131mlad\u0131\u011f\u0131 zaman ya\u011fan ya\u011f\u0131\u015f damc\u0131lar\u0131n\u0131 yunan mifin\u0259 b\u0259nz\u0259tm\u0259k \u00fc\u00e7\u00fcn m\u00fc\u0259llif postmodern texnikalardan biri olan metofara \u0259v\u0259zin\u0259 metonimiyadan istifad\u0259 etmi\u015fdir. \u2013 \u201c…D\u00fcrdan\u0259 redaksiyadan \u00e7\u0131xan zaman q\u0259rib\u0259 bir ya\u011f\u0131\u015f ba\u015flad\u0131. Q\u0259rib\u0259liyi onda idi ki, \u015f\u0259h\u0259rin q\u0131zmar yay g\u00fcn\u00fcnd\u0259 bel\u0259 ya\u011f\u0131\u015f\u0131n ya\u011fmas\u0131 n\u0259inki a\u011flas\u0131\u011fmaz, h\u0259tta m\u00f6c\u00fcz\u0259 q\u0259d\u0259r \u0259l\u00e7atmaz bir x\u00fclya idi. El\u0259 bil, g\u00f6yd\u0259n yer\u0259 r\u0259ngb\u0259r\u0259ng ipl\u0259r sallanm\u0131\u015fd\u0131. El\u0259 bil, g\u00f6yl\u0259rin yeddinci qat\u0131nda bu ipl\u0259rin bir k\u0259l\u0259fi vard\u0131, kims\u0259 bu k\u0259l\u0259fi s\u0259brl\u0259 a\u00e7\u0131rd\u0131…\u201d<\/em> [2, s.273]\n

K.Abdullan\u0131n yarad\u0131c\u0131l\u0131\u011f\u0131ndan n\u00fcmun\u0259 olaraq g\u0259tirdiyimiz h\u0259r bir hekay\u0259d\u0259 janr polifoniyas\u0131n\u0131n bir n\u00f6v\u00fc olan hekay\u0259-mif janr\u0131n\u0131n x\u00fcsusiyy\u0259tl\u0259ri \u00f6z\u00fcn\u00fc g\u00f6st\u0259rmi\u015fdir. M\u00fc\u0259llif iki f\u0259rqli janr\u0131 bir ah\u0259ngd\u0259 verm\u0259sil\u0259 hadis\u0259l\u0259r\u0259 f\u0259rqli bir bax\u0131\u015f buca\u011f\u0131 g\u0259tirmi\u015f v\u0259 biz bunu postmodernizmin texnikalar\u0131ndan istifad\u0259 etm\u0259kl\u0259 daha ayd\u0131n \u015f\u0259kild\u0259 m\u00fc\u015fahid\u0259 ed\u0259 bilirik.<\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u018fd\u0259biyyat siyah\u0131s\u0131:<\/strong><\/p>\n

1)\u00a0\u00a0\u00a0 Kamal Abdulla. Sehrbazlar d\u0259r\u0259si. Bak\u0131: M\u00fct\u0259rcim, 2006, 224 s.<\/p>\n

2)\u00a0\u00a0\u00a0 Kamal Abdulla. Sirri-z\u0259man\u0259: Hekay\u0259l\u0259r. Bak\u0131: M\u00fct\u0259rcim, -2014, -496 s.<\/p>\n

3)\u00a0\u00a0\u00a0 Qorxmaz Quliyev. Postmodernizm.<\/p>\n

4)\u00a0\u00a0\u00a0 N.A.Kun. Q\u0259dim Y\u00fcnanistan\u0131n mifl\u0259ri v\u0259 \u0259fsan\u0259l\u0259ri.\u0130kinci n\u0259\u015fr. Bak\u0131: M\u00fcrt\u0259cim, 2012, 540 s.<\/p>\n

5)\u00a0\u00a0\u00a0 Yegan\u0259 Abdullayeva. M\u00fcasir \u0259d\u0259biyyatda janr polifonizmi<\/p>\n

 <\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Kamil q\u0131z\u0131<\/strong><\/p>\n

Az\u0259rbaycan Dill\u0259r Universitetinin magistrant\u0131<\/strong><\/p>\n

Yaz\u0131ya 586 d\u0259f\u0259 bax\u0131l\u0131b<\/p>\n","protected":false},"excerpt":{"rendered":"

Postmodernist yaz\u0131\u00e7\u0131 olan Kamal Abdullan\u0131n romanlar\u0131 il\u0259 yana\u015f\u0131 q\u0259l\u0259m\u0259 ald\u0131\u011f\u0131 hekay\u0259l\u0259rind\u0259 d\u0259 janr polifoniyas\u0131na rast g\u0259lirik. B\u0259z\u0259n \u015f\u0259rq mifologiyas\u0131na (\u201cSon g\u0259li\u015f\u201d), b\u0259z\u0259n is\u0259 yunan mifologiyas\u0131na (\u201cParisin se\u00e7imi\u201d, \u201cXaron, m\u0259rh\u0259m\u0259tli Xaron\u201d) toxunan yaz\u0131\u00e7\u0131 postmodernizmin b\u0259zi texnikalar\u0131ndan istifad\u0259 etm\u0259kl\u0259 m\u0259tn \u00fcz\u0259rind\u0259 oynayaraq hadis\u0259l\u0259r\u0259 \u00f6z m\u00fcnasib\u0259tini bildirmi\u015fdir. Postmodernizmin \u0259sas\u0131n\u0131 t\u0259\u015fkil ed\u0259n dekonstruksiya Kamal Abdullan\u0131n hekay\u0259l\u0259rind\u0259 d\u0259 \u00f6z \u0259ksini […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[16,17,3],"tags":[],"_links":{"self":[{"href":"https:\/\/kultur.az\/index.php?rest_route=\/wp\/v2\/posts\/16488"}],"collection":[{"href":"https:\/\/kultur.az\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kultur.az\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kultur.az\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kultur.az\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=16488"}],"version-history":[{"count":1,"href":"https:\/\/kultur.az\/index.php?rest_route=\/wp\/v2\/posts\/16488\/revisions"}],"predecessor-version":[{"id":16490,"href":"https:\/\/kultur.az\/index.php?rest_route=\/wp\/v2\/posts\/16488\/revisions\/16490"}],"wp:attachment":[{"href":"https:\/\/kultur.az\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=16488"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kultur.az\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=16488"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kultur.az\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=16488"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}