{"id":16690,"date":"2021-07-11T23:24:36","date_gmt":"2021-07-11T18:24:36","guid":{"rendered":"http:\/\/kultur.az\/?p=16690"},"modified":"2021-07-12T00:50:30","modified_gmt":"2021-07-11T19:50:30","slug":"dr-umit-yasar-isikhan-edebiyat-bir-ulkenin-ozgurluk-bayragidir","status":"publish","type":"post","link":"https:\/\/kultur.az\/?p=16690","title":{"rendered":"EDEB\u0130YAT B\u0130R \u00dcLKEN\u0130N \u00d6ZG\u00dcRL\u00dcK BAYRA\u011eIDIR"},"content":{"rendered":"
\n
\"umit<\/span><\/dt>\n
Dr.\u00dcmit Ya\u015far I\u015f\u0131khan \u015eair-Yazar Uluslararas\u0131 Aktivist Sanat\u00e7\u0131lar Birli\u011fi Ba\u015fkan\u0131<\/span><\/strong><\/dd>\n<\/dl>\n

Esad Cihangirin yarat\u0131c\u0131l\u0131\u011f\u0131n\u0131n 30. y\u0131ld\u00f6n\u00fcm\u00fc v\u0259 55 ya\u015f\u0131na….<\/span><\/strong><\/p>\n

\u0130\u015fte o bayra\u011f\u0131 da\u00a0 \u00fclkenin edebiyat\u00e7\u0131lar\u0131; \u015fair, yazar, ele\u015ftirmen ve \u00e7evirmenler ta\u015f\u0131r. Onlar ya\u015fad\u0131klar\u0131 \u00fclkenin zengin ge\u00e7mi\u015fini ya\u015fad\u0131klar\u0131 \u00e7a\u011f\u0131n ger\u00e7ekleriyle harmanlayarak gelece\u011fe ta\u015f\u0131rlar.<\/p>\n

\u00a0 O bayra\u011f\u0131 ta\u015f\u0131yanlardan biri de karde\u015f Azerbaycan\u2019\u0131n \u00fcnl\u00fc \u015fairi, yazar, ele\u015ftirmen, \u00e7evirmen ve yay\u0131nc\u0131s\u0131 olarak edebiyatta 30. y\u0131l\u0131n\u0131 kutlayan \u00a0Esad Cihangir\u2019dir. Ayr\u0131ca do\u011fumunun 55.y\u0131l\u0131n\u0131 da kutlayan de\u011ferli bir yazar\u0131m\u0131z, bu kadar k\u0131sa bir zaman diliminde \u00fcst\u00fcn ba\u015far\u0131lar, ilgin\u00e7 yap\u0131tlar, \u00e7eviriler ve ele\u015ftirileri ile kendi \u00e7a\u011f\u0131na damgas\u0131n\u0131 vurmay\u0131 ba\u015farm\u0131\u015ft\u0131r.<\/span><\/p>\n

\u00a0 \u00a0 \u0130nsan ya\u015fad\u0131\u011f\u0131 co\u011frafyaya benzer\u2026<\/p>\n

\u00a0 Dede Korkut\u2019tan g\u00fcn\u00fcm\u00fcze kadar zenginle\u015ferek devam eden, geleneksel yap\u0131n\u0131n modern hayattaki s\u0131k\u0131\u015f\u0131kl\u0131\u011f\u0131n\u0131 ve devrimci a\u00e7\u0131l\u0131m\u0131n\u0131 sentezleyerek gelece\u011fe aktarmak ba\u015far\u0131s\u0131n\u0131 g\u00f6steren\u00a0 Say\u0131n Cihangir, \u00a0poetik birikimi ile ulusal ve uluslararas\u0131 edebiyat d\u00fcnyas\u0131na damgas\u0131n\u0131 vurmu\u015ftur.<\/span><\/p>\n

\u00a0 S\u00f6yleyecek s\u00f6z\u00fc olan, tepkilerini ve taleplerini herkesten daha \u00f6nce ve herkesten daha y\u00fcksek sesle \u00a0s\u00f6yleyerek ve sonra yazarak tarihe mal olmas\u0131n\u0131 sa\u011flayan \u00f6nemli bir edebiyat yazar\u0131 olarak, kendi \u00e7a\u011f\u0131na tan\u0131kl\u0131\u011f\u0131n\u0131 yapt\u0131\u011f\u0131 gibi gen\u00e7 edebiyat\u00e7\u0131lara sahip \u00e7\u0131karak, gelece\u011fi de in\u015fa etmi\u015ftir.<\/span><\/p>\n

\u00a0 \u00a0Biliyoruz ki; bir \u00fclkenin ve bu hayat\u0131n belle\u011fini sanat\u00e7\u0131lar olu\u015fturur. Sanat\u00e7\u0131lar tarihe i\u015faret koyup, \u00fclkelerinin zengin ge\u00e7mi\u015fini \u00a0gelecek ku\u015faklara aktar\u0131rlar. Bar\u0131\u015f\u0131 savunan, \u00e7evre\u00a0 ve hayvan haklar\u0131 duyarl\u0131l\u0131\u011f\u0131 olan, emekten ve \u00f6zg\u00fcrl\u00fcklerden yana olan ayd\u0131nlar\u0131n yolunu onlar \u00e7izerler.<\/span><\/p>\n

\u00a0 \u00a0Bu nedenle, bir \u00fclkenin g\u00fcc\u00fc, edebiyat\u0131n\u0131n g\u00fcc\u00fcyle orant\u0131l\u0131 oldu\u011funa inan\u0131yorum.<\/span><\/p>\n

\u00a0 \u00a0G\u00fc\u00e7l\u00fc geleneksel edebiyat\u0131n\u0131, gelecek ku\u015faklara zenginle\u015ftirerek aktarmak; ancak yeti\u015fmekte olan gen\u00e7 ku\u015fa\u011fa sahip \u00e7\u0131k\u0131lmas\u0131, e\u011fitilmesi, y\u00f6nlendirilmesi ile m\u00fcmk\u00fcnd\u00fcr. Azerbaycan edebiyat\u0131n\u0131n gelece\u011fini in\u015fa etmek i\u00e7in yeti\u015fen gen\u00e7lere yol g\u00f6stermek, edebiyat ele\u015ftirmenlerinin nesnel yakla\u015f\u0131mlar\u0131 ile m\u00fcmk\u00fcnd\u00fcr. Yeni yeti\u015fmekte olan \u015fair ve yazarlar\u0131n kitaplar\u0131na \u00f6ns\u00f6z yazarak ve ele\u015ftiri, de\u011ferlendirme gibi poetik yaz\u0131lar\u0131 ile gelecek ku\u015fa\u011f\u0131n e\u011fitilmesi, y\u00f6nlendirilmesini bir g\u00f6rev bilinciyle yapan Esad Cihangir, edebiyat hayat\u0131 boyunca yapt\u0131\u011f\u0131 \u00e7al\u0131\u015fmalar\u0131yla ayr\u0131ca \u00a0bir ku\u015fa\u011fa yol feneri de olmu\u015ftur.<\/span><\/p>\n

\"203806876_2532878260192248_4620524553408757083_n<\/span><\/a><\/span><\/p>\n

\u00a0 \u00a0G\u00fcn\u00fcm\u00fczde, sanat\u0131n ve sanat\u00e7\u0131n\u0131n cam fanusu k\u0131r\u0131lm\u0131\u015ft\u0131r. Art\u0131k sanat\u00e7\u0131 \u2018kral\u0131n \u00e7\u0131plak\u2019<\/strong> oldu\u011funu s\u00f6ylemek, toplumun vicdan\u0131 ve gelece\u011fi olmak zorundad\u0131r. \u00c7evrenin ve insan\u0131n h\u0131zla kirletildi\u011fi bir zaman diliminde \u00f6nceli\u011fi bunlar al\u0131rken,\u00a0 yazar\u0131n toplumdaki yeri daha da \u00f6nem kazanmaktad\u0131r.<\/span><\/p>\n

\u00a0 Say\u0131n Cihangir, usta bir yazar, bir ayd\u0131n olarak; “Bir Ba\u015flang\u0131\u00e7 \u200b\u200bVar, Bir Son Var”, “S\u00f6z”, “Ses”, “Yeni Y\u00fczy\u0131l\u0131n Ba\u015flang\u0131c\u0131”, “Demirkafal\u0131lar”, “Biny\u0131llar\u0131n Kav\u015fa\u011f\u0131nda”, “Dionysos’un Sa\u011fl\u0131\u011f\u0131na”, “Vay, Dede, Vay”. “Bahramname”, “Yaln\u0131zca Bir Yol Var-Yenilenme”, ” Hayat-Memat “, “Nisan Tezleri”, “Ba\u015flang\u0131\u00e7”<\/strong> gibi deneme ve makaleleri ile\u00a0 \u00f6zg\u00fcrl\u00fck d\u00f6nemi Azerbaycan edebiyat\u0131n\u0131n geli\u015fimini belirleyen, d\u00fc\u015f\u00fcnsel ve estetiksel de\u011ferlendirmeleri ile \u00a0\u00f6rnek olmu\u015ftur.<\/span><\/p>\n

\u00a0 \u00a0Kendi yap\u0131tlar\u0131n\u0131 yay\u0131mlarken \u00a0ya\u015fam bi\u00e7imi ile de bir havari gibi gelecek ku\u015faklara \u00f6rnek olmay\u0131 da ba\u015farm\u0131\u015ft\u0131r.<\/span><\/p>\n

\u00a0 Edebiyat dergisi\u00a0 yay\u0131nc\u0131l\u0131\u011f\u0131 ve y\u00f6netiminde bulunarak, bu gen\u00e7lerin yeti\u015fmesinde \u00e7ok \u00f6nemli g\u00f6revler \u00fcstlenir. \u00c7\u00fcnk\u00fc her dergi ayr\u0131ca bir okuldur. Felsefe ve edebiyat\u0131n ge\u00e7mi\u015ften beslenen ve gelece\u011fe aktaracak olan gen\u00e7 \u015fairlerin yeti\u015fti\u011fi her dergi, varolan dergilerden farkl\u0131 s\u00f6ylemi ve manifestosu olan\u00a0 \u00e7ok \u00f6nemli bir okuldur. Bu okulun niteli\u011fini elbette bu dergileri yay\u0131mlayan usta \u015fair ve yazarlar belirler. Bu a\u00e7\u0131dan bakt\u0131\u011f\u0131m\u0131zda Esad Cihangir, Azerbaycan Yazarlar Birli\u011fi’nin \u00f6nerisiyle, gen\u00e7 yazarlar\u0131n “K\u00f6pr\u00fc”<\/strong>, Azerbaycan Terc\u00fcme Merkezi’nin \u00f6nerisiyle “Yeni Ses”<\/strong>, Edebiyat ve Tiyatro Dergileri Haydar Ailyev Vakf\u0131\u2019n\u0131n \u00f6nerisiyle “Gen\u00e7 Yazarlar\u0131n Yurtsever \u015eiirleri”<\/strong>, antolojilerinin derleyicisi ve edit\u00f6r\u00fc olarak pek \u00e7ok gencin kitab\u0131n\u0131n \u00f6ns\u00f6z\u00fcn\u00fcn ve gen\u00e7 yazarlar\u0131n \u00e7al\u0131\u015fmalar\u0131 hakk\u0131nda, “Gen\u00e7ler Ne \u0130ster”<\/strong> incelemesini yazarak, Azerbaycan’\u0131n gen\u00e7 yazarlar\u0131n\u0131n yeti\u015fmesinde \u00f6nemli bir okul olan edebiyat dergilerinde de \u00e7ok \u00f6nemli bir misyonluk \u00fcstlendi\u011fini g\u00f6r\u00fcyoruz.<\/span><\/p>\n

\u00a0 \u00a0\u00c7eviri ise, d\u00fcnyaya a\u00e7\u0131lan bir penceredir.<\/span><\/p>\n

\u00a0 Azerbaycan edebiyat\u0131n\u0131n d\u00fcnyaya tan\u0131t\u0131lmas\u0131n\u0131 Klasik ve Modern Azerbaycan edebiyat\u0131n\u0131n bir\u00e7ok yap\u0131t\u0131n\u0131 Rus\u00e7a, \u00d6zbek\u00e7e, T\u00fcrk\u00e7e ve G\u00fcrc\u00fcce’ye \u00e7evrilmesini sa\u011flad\u0131\u011f\u0131 gibi, d\u00fcnya edebiyat\u0131ndan; Arthur Rembo, John Patrick, Robert Minnullin, Peter Turrini ve modern Amerikan \u015fairlerinden \u00e7evirilerini yaparak Azerbaycan edebiyat\u0131n\u0131n en ba\u015far\u0131l\u0131\u00a0 \u00e7evirmenlerinden biri haline gelmi\u015ftir. Modern ele\u015ftiri d\u00fcnyas\u0131nda \u201cpostinsan\u201d<\/strong> kavram\u0131n\u0131 g\u00fcndeme getirerek postmodernizmin tart\u0131\u015f\u0131lmas\u0131n\u0131 da ba\u015flatan yazar olmu\u015ftur.<\/span><\/p>\n

\u00a0 \u015eair, yazar, ele\u015ftirmen ve \u00e7evirmen olarak say\u0131n Esad Cihangir\u2019in \u00f6ns\u00f6z\u00fcn\u00fc yazd\u0131\u011f\u0131 ve T\u00fcrkiye\u2019 de 2005 y\u0131l\u0131nda Papir\u00fcs Yay\u0131nlar\u0131ndan \u00e7\u0131kan “Sular G\u00fcne\u015fe \u015eark\u0131 S\u00f6yler”<\/strong>mi yap\u0131t\u0131 ile gen\u00e7 Azerbaycan \u00f6yk\u00fcc\u00fcl\u00fc\u011f\u00fcn\u00fcn en g\u00fczel \u00f6rneklerini okuyoruz. Hazar Denizi\u2019nin kokusunu bizlere ta\u015f\u0131rken, bir deneme tad\u0131nda olan \u00f6ns\u00f6z ile Azerbaycan\u2019\u0131n edebiyat tarihini de okumakta, gelece\u011fin yazarlar\u0131n\u0131 da \u015fimdiden tan\u0131ma f\u0131rsat\u0131n\u0131 vermektedir.<\/span><\/p>\n

\u00a0 \u201cY\u0131ld\u0131zlar\u0131n par\u0131lt\u0131s\u0131 ve yakamoz b\u00fcy\u00fcs\u00fc ile dolu gizemli Hazar Denizi k\u0131y\u0131s\u0131ndaki R\u00fczgarlar Kenti, Bak\u00fc\u201d<\/strong> y\u00fc anlat\u0131rken, okuyucuyu da o r\u00fczgar\u0131n serinli\u011finde sarmay\u0131 ba\u015far\u0131yor.<\/span><\/p>\n

\u00a0 \u00a0Hayata, yap\u0131tlara ve yazara nesnel bakabilen yol fenercilerine ihtiya\u00e7 duyan T\u00fcrkiye\u2019nin de, \u015fimdi b\u00f6ylesine \u00f6rnek ve nitelikli \u00fcr\u00fcnler, yap\u0131tlar veren Say\u0131n Esad Cihangir gibi\u00a0 ele\u015ftirmenlere ihtiyac\u0131 vard\u0131r. Bu anlamda Azerbaycan halk\u0131n\u0131 ve edebiyat\u00e7\u0131lar\u0131n\u0131 b\u00f6yle de\u011ferli\u00a0 bir yazara sahip oldu\u011fu\u00a0 i\u00e7in \u015fansl\u0131 say\u0131yorum..<\/span><\/p>\n

\u00a0 \u00a0Ulusal ve uluslararas\u0131 bir\u00e7ok \u00f6d\u00fcl\u00fcn sahibi, Azerbaycan ve d\u00fcnya edebiyat\u0131nda sevgi, bar\u0131\u015f ve karde\u015fli\u011fin ideallerini\u00a0 bir renk olarak hayata arma\u011fan eden de\u011ferli \u015fair, yazar, ele\u015ftirmen ve \u00e7evirmen Say\u0131n Esad Cihangir\u2019in\u00a0 edebiyatta 30. y\u0131l\u0131n\u0131 ve hayattaki 55 y\u0131l\u0131n\u0131 kutluyorum!<\/span><\/p>\n

\u00a0 En k\u0131sa zamanda g\u00f6r\u00fc\u015fmek dile\u011fiyle\u2026 Karde\u015f T\u00fcrkiye\u2019den, 35 \u00fclkede temsilcili\u011fi bulunan Uluslararas\u0131 Aktivist Sanat\u00e7\u0131lar Birli\u011fi \u00fcyeleri ad\u0131na\u2026 Edebiyat\u0131n b\u00fct\u00fcn renklerini bar\u0131nd\u0131ran nice y\u0131llar\u0131n\u0131z olsun.<\/span><\/p>\n

Yaz\u0131ya 3293 d\u0259f\u0259 bax\u0131l\u0131b<\/p>\n","protected":false},"excerpt":{"rendered":"

Dr.\u00dcmit Ya\u015far I\u015f\u0131khan \u015eair-Yazar Uluslararas\u0131 Aktivist Sanat\u00e7\u0131lar Birli\u011fi Ba\u015fkan\u0131 Esad Cihangirin yarat\u0131c\u0131l\u0131\u011f\u0131n\u0131n 30. y\u0131ld\u00f6n\u00fcm\u00fc v\u0259 55 ya\u015f\u0131na…. \u0130\u015fte o bayra\u011f\u0131 da\u00a0 \u00fclkenin edebiyat\u00e7\u0131lar\u0131; \u015fair, yazar, ele\u015ftirmen ve \u00e7evirmenler ta\u015f\u0131r. Onlar ya\u015fad\u0131klar\u0131 \u00fclkenin zengin ge\u00e7mi\u015fini ya\u015fad\u0131klar\u0131 \u00e7a\u011f\u0131n ger\u00e7ekleriyle harmanlayarak gelece\u011fe ta\u015f\u0131rlar. \u00a0 O bayra\u011f\u0131 ta\u015f\u0131yanlardan biri de karde\u015f Azerbaycan\u2019\u0131n \u00fcnl\u00fc \u015fairi, yazar, ele\u015ftirmen, \u00e7evirmen ve yay\u0131nc\u0131s\u0131 […]<\/p>\n","protected":false},"author":1,"featured_media":1082,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[4,3,21],"tags":[],"_links":{"self":[{"href":"https:\/\/kultur.az\/index.php?rest_route=\/wp\/v2\/posts\/16690"}],"collection":[{"href":"https:\/\/kultur.az\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kultur.az\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kultur.az\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kultur.az\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=16690"}],"version-history":[{"count":45,"href":"https:\/\/kultur.az\/index.php?rest_route=\/wp\/v2\/posts\/16690\/revisions"}],"predecessor-version":[{"id":16735,"href":"https:\/\/kultur.az\/index.php?rest_route=\/wp\/v2\/posts\/16690\/revisions\/16735"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kultur.az\/index.php?rest_route=\/wp\/v2\/media\/1082"}],"wp:attachment":[{"href":"https:\/\/kultur.az\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=16690"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kultur.az\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=16690"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kultur.az\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=16690"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}