{"id":20029,"date":"2024-07-20T11:16:19","date_gmt":"2024-07-20T07:16:19","guid":{"rendered":"https:\/\/kultur.az\/?p=20029"},"modified":"2024-07-20T11:16:43","modified_gmt":"2024-07-20T07:16:43","slug":"dagilan-tifaqlar-tikilir-%c9%99s%c9%99d-cahangir","status":"publish","type":"post","link":"https:\/\/kultur.az\/?p=20029","title":{"rendered":"Da\u011f\u0131lan tifaqlar tikilir – \u018fs\u0259d CAHANG\u0130R"},"content":{"rendered":"

\"386239115_122097585626069455_3835046206867414863_n\"<\/a>\u0130yunun 9-da, ax\u015fam saat alt\u0131-yeddi aras\u0131 \u015eu\u015fa D\u00f6vl\u0259t Musiqili Dram Teatr\u0131n\u0131n foyesi \u0259ll\u0259rind\u0259 g\u00fcl-\u00e7i\u00e7\u0259k tutmu\u015f tama\u015fa\u00e7\u0131larla el\u0259 dolmu\u015fdu ki, iyn\u0259 atsan, adam \u0259lind\u0259n yer\u0259 d\u00fc\u015fm\u0259zdi. Foyenin lap yuxar\u0131 ba\u015f\u0131nda q\u0259rar tutmu\u015f trio bir ucdan el\u0259 hey mu\u011fam, t\u0259snif ifa el\u0259yir, “tama\u015fa n\u0259 vaxt ba\u015flayacaq?” dey\u0259, s\u0259birsizl\u0259n\u0259n g\u0259l\u0259nl\u0259ri dar\u0131xma\u011fa qoymurdu. Kiml\u0259rs\u0259 \u015f\u0259kil \u00e7\u0259kdirir, kiml\u0259rs\u0259 \u00f6z aralar\u0131nda n\u0259yis\u0259 m\u00fczakir\u0259 edirdi. M\u00fcxt\u0259s\u0259ri, o ax\u015fam \u015eu\u015fa Teatr\u0131nda \u0259sl bayram ovqat\u0131, q\u0259l\u0259b\u0259lik ya\u015fan\u0131rd\u0131!<\/p>\n

Niy\u0259 d\u0259 ya\u015fanmas\u0131n? Milli dramaturgiyam\u0131z\u0131n banil\u0259rind\u0259n \u018fbd\u00fcrr\u0259him b\u0259y Haqverdiyev tragediya janr\u0131m\u0131z\u0131n \u0259n g\u00f6z\u0259l \u00f6rn\u0259kl\u0259rind\u0259n biri – “Da\u011f\u0131lan tifaq” faci\u0259sini d\u0259 g\u00f6t\u00fcr\u00fcb \u00f6z do\u011fma Teatr\u0131na g\u0259lmi\u015fdi. \u018fbd\u00fcrr\u0259him b\u0259y, sanki sad\u0259c\u0259, teatra deyil, otuz ildir Bak\u0131n\u0131n s\u0259kkizinci mikrorayonunda, “Azadl\u0131q” metrosu yan\u0131nda y\u00fcz n\u0259f\u0259rlik tama\u015fa\u00e7\u0131s\u0131 olan balaca bir m\u0259kana s\u0131\u011f\u0131nan \u015eu\u015fam\u0131za g\u0259lmi\u015fdi ki, desin:<\/p>\n

– Balalar\u0131m, amand\u0131r, var-d\u00f6vl\u0259t, \u015fan-\u015f\u00f6hr\u0259t sizi yoldan \u00e7\u0131xarmas\u0131n! Ay evi tikilmi\u015fl\u0259r, a\u011fl\u0131 ba\u015f\u0131nda olan da \u00f6z \u0259liyl\u0259 \u00f6z tifa\u011f\u0131n\u0131 da\u011f\u0131darm\u0131? B\u0259nd\u0259 olan da Allah\u0131 ba\u015f\u0131n\u0131n \u00fcst\u00fcnd\u0259 g\u00f6rm\u0259zmi? \u0130nsan olan da yetim-yesirin mal\u0131na \u0259l uzadarm\u0131? Ki\u015fi olan da ba\u015fqas\u0131n\u0131n namusuna toxunarm\u0131? Vallah, billah, bunun b\u0259d\u0259lini a\u011f\u0131r \u00f6d\u0259y\u0259c\u0259ksiniz! B\u0259y\u0259m, bilmirsinizmi, ver\u0259n d\u0259, alan da bir olan Allahd\u0131r! \u018fg\u0259r bilmirsinizs\u0259, tama\u015fa el\u0259yin m\u0259nim N\u0259c\u0259fim\u0259 v\u0259 \u00f6z\u00fcn\u00fcz\u0259 bir n\u0259tic\u0259 hasil el\u0259yin! Qur\u015fand\u0131 qumara, mal\u0131-m\u00fclk\u00fc g\u00fcnb\u0259g\u00fcn \u0259lind\u0259n \u00e7\u0131xd\u0131, on iki para k\u0259ndi getdi, cavan o\u011flu S\u00fcleyman\u0131 q\u0131z \u00fcst\u00fcnd\u0259 \u00f6ld\u00fcrd\u00fcl\u0259r, bi\u00e7ar\u0259 z\u00f6vc\u0259si Sonan\u0131n \u00fcr\u0259yi tab g\u0259tirm\u0259yib \u00f6ld\u00fc, iki k\u00f6rp\u0259 balas\u0131yla bayqu\u015flar ulayan imar\u0259tind\u0259 t\u0259k qald\u0131, vaxtil\u0259 qap\u0131s\u0131nda n\u00f6k\u0259r\u00e7ilik el\u0259y\u0259n Cavad\u0131n verdiyi bir par\u00e7a \u00e7\u00f6r\u0259y\u0259 m\u00f6htac oldu. Ax\u0131r\u0131 i\u015f o yer\u0259 \u00e7atd\u0131 ki, \u00f6l\u00fcm yata\u011f\u0131nda \u00f6lm\u0259yi d\u0259 Allah ona \u00e7ox g\u00f6rd\u00fc, ild\u0131r\u0131m vurdu \u00f6ld\u00fcrd\u00fc!<\/p>\n

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\u018fbd\u00fcrr\u0259him b\u0259y \u0259silzad\u0259 idi v\u0259 on doqquzuncu y\u00fczilin sonlar\u0131na do\u011fru a\u011flas\u0131\u011fmaz bir s\u00fcr\u0259tl\u0259 ir\u0259lil\u0259y\u0259n kapitalizmin sars\u0131d\u0131c\u0131 z\u0259rb\u0259l\u0259ri alt\u0131nda b\u0259ylik qurulu\u015funun g\u00f6z-g\u00f6r\u0259si \u00e7\u00f6k\u00fc\u015f\u00fcn\u00fc faci\u0259 kimi ya\u015fay\u0131rd\u0131. Bu ya\u015fant\u0131 o q\u0259d\u0259r g\u00fccl\u00fc idi ki, yaz\u0131lmas\u0131ndan az qala, y\u00fcz otuz il ke\u00e7\u0259nd\u0259n sonra da “Da\u011f\u0131lan tifaq”a baxanlar g\u00f6z ya\u015flar\u0131n\u0131 saxlaya bilmir. Amma b\u00f6y\u00fck \u0259dib bu \u00e7\u00f6k\u00fc\u015f\u0259 sad\u0259c\u0259, sinfi deyil, \u00fcmummilli faci\u0259 kimi yana\u015f\u0131r v\u0259 aristokratiyan\u0131n m\u0259hvin\u0259 mill\u0259tin g\u0259l\u0259c\u0259k f\u0259lak\u0259tl\u0259rinin ba\u015flan\u011f\u0131c\u0131 kimi bax\u0131rd\u0131. Faci\u0259nin yaz\u0131lmas\u0131ndan c\u0259mi iyirmi il ke\u00e7\u0259nd\u0259n sonra bol\u015fevikl\u0259rin hakimiyy\u0259t\u0259 g\u0259li\u015fi il\u0259 milli aristokratiyan\u0131n m\u0259hvi v\u0259 yetmi\u015f illik sovet d\u00f6n\u0259mind\u0259 \u00e7\u0259kdikl\u0259rimiz g\u00f6rk\u0259mli \u0259dibin \u00f6z uzaqg\u00f6r\u0259n h\u0259y\u0259canlar\u0131nda yan\u0131lmad\u0131\u011f\u0131n\u0131 g\u00f6st\u0259rdi. Eyni m\u00f6vzu \u0259dibl\u0259rimizd\u0259n S\u00fcleyman Sani Axundovun “La\u00e7\u0131n yuvas\u0131”, \u018fnv\u0259r M\u0259mm\u0259dxanl\u0131n\u0131n “\u015e\u0259rqin s\u0259h\u0259ri”, \u0130lyas \u018ff\u0259ndiyevin “Mahn\u0131 da\u011flarda qald\u0131” v\u0259 dig\u0259r dram \u0259s\u0259rl\u0259rimizd\u0259 f\u0259rqli rakurslardan \u00f6z \u0259ksini tap\u0131b. “Da\u011f\u0131lan tifaq” bu m\u00f6vzuda dramaturgiyam\u0131zda ilk \u0259s\u0259rdir v\u0259 \u00f6z\u00fcn\u00fcn ilkinlik statusunu h\u0259mi\u015f\u0259 qoruyub saxlayacaq.<\/p>\n

Foyed\u0259 durub tama\u015fan\u0131n ba\u015flamas\u0131n\u0131 g\u00f6zl\u0259y\u0259nl\u0259r aras\u0131nda m\u0259n d\u0259 var\u0131yd\u0131m. D\u00fc\u015f\u00fcn\u00fcrd\u00fcm ki, g\u00f6r\u0259s\u0259n, tama\u015fan\u0131n rejissoru, vaxtil\u0259 ANS kanal\u0131nda yay\u0131nlanan v\u0259 milyonlar\u0131n r\u0259\u011fb\u0259tini qazanan “Qulp” teleproqram\u0131ndan yax\u015f\u0131 tan\u0131d\u0131\u011fm\u0131z, Respublikan\u0131n \u018fm\u0259kdar artisti Yadigar Muradov \u00f6z i\u015finin \u00f6hd\u0259sind\u0259n nec\u0259 g\u0259l\u0259c\u0259k, on doqquzuncu y\u00fczilin sonlar\u0131nda yaz\u0131lan faci\u0259ni m\u00fcasir rakursdan nec\u0259 t\u0259qdim ed\u0259c\u0259k, klassik \u0259s\u0259r\u0259 m\u00fcasir qulp qoya bil\u0259c\u0259kmi?<\/p>\n

Amma Allah insaf vermi\u015f \u018fbd\u00fcrr\u0259him b\u0259y el\u0259 g\u00f6z\u0259l \u0259s\u0259r yaz\u0131b ki, rejissorun \u00f6z\u00fcn\u00fc \u0259ziyy\u0259t\u0259 salmas\u0131na ehtiyac qalmay\u0131b. M\u0259tn \u00f6z\u00fc deyir ki, “d\u00fcnya be\u015f g\u00fcnd\u00fcr, ye, i\u00e7, kef el\u0259” f\u0259ls\u0259f\u0259siyl\u0259 ya\u015fayan, yetim-yesirin mal\u0131n\u0131 yey\u0259n, xalq\u0131n irzi-namusuna toxunan, bir s\u00f6zl\u0259, Allah\u0131 ba\u015f\u0131n\u0131n \u00fcst\u00fcnd\u0259 g\u00f6rm\u0259y\u0259n marallar bu g\u00fcn d\u0259 var, \u00f6z\u00fc d\u0259 xalq\u0131n sin\u0259sin\u0259 \u00e7\u0259kil\u0259n da\u011flarda g\u0259zib-dola\u015f\u0131rlar v\u0259 d\u00fcn\u0259n on idis\u0259, bu g\u00fcn min olublar, sabah, b\u0259lk\u0259 d\u0259 milyon olacaqlar! B\u0259lk\u0259, bu \u00fczd\u0259n rejissor klassikan\u0131n m\u00fcasir oxunu\u015fuyla ba\u011fl\u0131 \u00f6z\u0259l vasit\u0259l\u0259r\u0259 \u0259l atma\u011fa ehtiyac g\u00f6rm\u0259yib? B\u0259lk\u0259, b\u0259rayi-ehtiyat, i\u015fini b\u0259rk tutub? Bilmir\u0259m, h\u0259r n\u0259dirs\u0259, Yadigar Muradov bel\u0259 m\u0259sl\u0259h\u0259t bilib v\u0259 el\u0259 onun g\u00f6rd\u00fcy\u00fc \u015f\u0259kild\u0259 d\u0259 s\u0259hn\u0259d\u0259 ba\u015f ver\u0259nl\u0259r bax\u0131l\u0131r, maraq do\u011fururdu.<\/p>\n

Antrakts\u0131z oynan\u0131lan tama\u015fan\u0131 \u015f\u0259rti olaraq \u00fc\u00e7 hiss\u0259y\u0259 b\u00f6lm\u0259k olard\u0131. N\u0259c\u0259f b\u0259yin \u00f6z evind\u0259 dostlar\u0131yla ey\u015f-i\u015fr\u0259t m\u0259clisind\u0259n ba\u015flay\u0131b, ta ki S\u00fcleyman b\u0259yin q\u0259tli v\u0259 Sona xan\u0131m\u0131n \u00f6l\u00fcm\u00fcn\u0259 q\u0259d\u0259r h\u0259r \u015fey – qap\u0131-p\u0259nc\u0259r\u0259, stol-stul, \u00fcst\u00fcn\u0259 d\u00f6\u015f\u0259kc\u0259l\u0259r at\u0131lm\u0131\u015f y\u00fck yeri, s\u0259hn\u0259d\u0259kil\u0259rin h\u0259dd\u0259n ziyad\u0259 parlaq, al-\u0259lvan geyiml\u0259ri… H\u00fcseyn \u018fr\u0259blinski d\u00f6n\u0259mi tama\u015falar\u0131n\u0131n \u00fcslubunu yada sal\u0131r v\u0259 bizi t\u0259kc\u0259 hadis\u0259nin vaxt\u0131 deyil, estetik t\u0259qdimi y\u00f6n\u00fcnd\u0259n d\u0259 on doqquzuncu y\u00fczilin sonlar\u0131, iyirminci y\u00fczilin ba\u015flan\u011f\u0131c\u0131na qaytar\u0131r. Bu, realizmdir!<\/p>\n

Pin\u0259\u00e7i \u0130smay\u0131lla (Cavid Cavadzad\u0259) \u0130randan g\u0259lmi\u015f \u018fbd\u00fcl (Hamlet Q\u0259nb\u0259rov) aras\u0131nda N\u0259c\u0259f b\u0259yin faci\u0259li sonu bar\u0259d\u0259 epiloqvari s\u00f6hb\u0259t tama\u015fada \u00f6z\u0259l yer tutur, h\u0259m \u00f6z informasiya y\u00fck\u00fcyl\u0259 \u0259vv\u0259ll\u0259 ax\u0131r aras\u0131nda k\u00f6rp\u00fc sal\u0131r, h\u0259m d\u0259 faci\u0259nin a\u011f\u0131rl\u0131\u011f\u0131ndan sars\u0131lan tama\u015fa\u00e7\u0131lara n\u0259f\u0259s d\u0259rm\u0259y\u0259 imkan verirdi. S\u0259hn\u0259nin bir k\u00fcnc\u00fcnd\u0259ki pin\u0259\u00e7i k\u00f6\u015fk\u00fcn\u00fcn sa\u011f\u0131na v\u0259 soluna vurulmu\u015f \u00e7ar\u0131q \u015f\u0259kill\u0259ri, N\u0259c\u0259f b\u0259yin xaraba qalm\u0131\u015f imar\u0259ti t\u0259r\u0259fd\u0259n g\u0259l\u0259n bayqu\u015f ulart\u0131s\u0131 r\u0259mzi-simvolik s\u0259ciyy\u0259 da\u015f\u0131y\u0131rd\u0131. B\u0259yin aqib\u0259ti bar\u0259d\u0259 m\u0259hz pin\u0259\u00e7inin dan\u0131\u015fmas\u0131 c\u0259miyy\u0259tin ba\u015f\u0131 il\u0259 aya\u011f\u0131n\u0131n bir yer\u0259 c\u0259m olmas\u0131 fikrini do\u011furur v\u0259 bu travestiyan\u0131 \u0259n x\u0131rda detalda da g\u00f6rm\u0259k olurdu – \u00e7ar\u0131qlardan bir c\u00fct\u00fcn\u00fcn \u00fcst\u00fc, o biri c\u00fct\u00fcn\u00fcn yarars\u0131z hala d\u00fc\u015fm\u00fc\u015f, tiki\u015fl\u0259ri s\u00f6k\u00fclm\u00fc\u015f alt\u0131 g\u00f6r\u00fcn\u00fcrd\u00fc. Bu, b\u0259ylikd\u0259n dil\u0259n\u00e7iliy\u0259 yuvarlanan, vaxtil\u0259 qap\u0131s\u0131nda n\u00f6k\u0259r\u00e7ilik el\u0259y\u0259n Cavada m\u00f6htac qalan N\u0259c\u0259f b\u0259yin alt\u0131 \u00fcst\u00fcn\u0259 \u00e7evril\u0259n taleyin\u0259, g\u00fcz\u0259ran\u0131na, \u00f6mr\u00fcn\u0259, bir s\u00f6zl\u0259, etibars\u0131z d\u00fcnyan\u0131n ax\u0131r\u0131na i\u015far\u0259 idi. Tama\u015fan\u0131n qurulu\u015f\u00e7u r\u0259ssam\u0131 Valeh M\u0259mm\u0259dov faci\u0259nin \u0259sas ideyas\u0131n\u0131 bu bax\u0131mdan g\u00f6z\u0259l tutur v\u0259 i\u015far\u0259l\u0259rl\u0259 zala \u00e7atd\u0131ra bilir. Bu, simvolizmdir!<\/p>\n

N\u0259hay\u0259t, \u015f\u0259rtilikl\u0259r \u00fcst\u00fcnd\u0259 qurulan final – \u00fc\u00e7\u00fcnc\u00fc hiss\u0259! M\u0259i\u015f\u0259t dekorlar\u0131, rekvizitl\u0259r yoxa \u00e7\u0131x\u0131b, sa\u011fdan v\u0259 soldan divarlar\u0131 \u0259v\u0259z el\u0259y\u0259n, s\u0259hn\u0259nin i\u00e7\u0259ril\u0259rin\u0259 do\u011fru h\u0259r iki t\u0259r\u0259fd\u0259n trapesiya \u015f\u0259klind\u0259 getdikc\u0259 daralan, \u00f6l\u00fcm, q\u0259bir assosiasiyas\u0131 do\u011furan a\u011f l\u00f6vh\u0259l\u0259r g\u00f6r\u00fcn\u00fcr. Z\u00f6vc\u0259sini, cavan o\u011flunu, on iki para k\u0259ndini itir\u0259n, \u0259v\u0259zind\u0259, \u00f6z\u00fcn\u00fc tapan N\u0259c\u0259f b\u0259y tez-tez yan\u0131b-s\u00f6n\u0259n i\u015f\u0131qlar\u0131n yaratd\u0131\u011f\u0131, \u015fim\u015f\u0259k \u00e7ax\u0131\u015f\u0131n\u0131 i\u015far\u0259l\u0259y\u0259n yar\u0131qaranl\u0131qda g\u00fcnahlar\u0131n\u0131 d\u0259rk etm\u0259kd\u0259n do\u011fan etiraflar\u0131n\u0131 el\u0259yir. Sona xan\u0131m\u0131n a\u011f, uzun libasda bir ne\u00e7\u0259 d\u0259f\u0259 peyda olan v\u0259 s\u0259hn\u0259nin bir t\u0259r\u0259find\u0259n dig\u0259r t\u0259r\u0259fin\u0259 ke\u00e7\u0259n ruhu h\u0259r g\u00f6r\u00fcn\u00fc\u015f\u00fcnd\u0259 “Ver m\u0259nim imar\u0259tl\u0259rimi!” – dey\u0259 b\u0259yd\u0259n \u00f6z pu\u00e7 olmu\u015f \u00f6mr\u00fcn\u00fcn b\u0259d\u0259lini ist\u0259yir. Teyfin z\u00fchuru N\u0259c\u0259fin tezlikl\u0259 \u00f6l\u0259c\u0259yin\u0259 i\u015far\u0259 edir v\u0259 q\u0259fil \u00e7axan ild\u0131r\u0131m b\u0259yi vurur! Y\u00fcks\u0259k g\u0259rginlikli bu final s\u0259hn\u0259si tama\u015fan\u0131n tamam f\u0259rqli \u00fcslubi hiss\u0259si – modernizmdir!<\/p>\n

\u018flb\u0259tt\u0259, kims\u0259 b\u00fct\u00fcn bu realizm, simvolizm, modernizm s\u00f6hb\u0259tini \u00fcslubi xaos, metodoloji qeyri-m\u00fc\u0259yy\u0259nlik kimi d\u0259 d\u0259y\u0259rl\u0259ndir\u0259 bil\u0259r, m\u0259n bunu klassika v\u0259 m\u00fcasirliyin sintezi hesab edir\u0259m. Qoy, bu m\u0259s\u0259l\u0259 a\u00e7\u0131q, h\u0259r\u0259 \u00f6z yana\u015fmas\u0131nda s\u0259rb\u0259st qals\u0131n!<\/p>\n

\u015eu\u015fa Teatr\u0131n\u0131n tama\u015falar\u0131nda d\u0259f\u0259l\u0259rl\u0259 olmu\u015fam – “Boy \u00e7i\u00e7\u0259yi”, “\u015eekspir”, “Da\u011f\u0131lan tifaq”… H\u0259r d\u0259f\u0259sind\u0259 d\u0259 m\u0259n\u0259 el\u0259 g\u0259lib ki, y\u00fcz n\u0259f\u0259rlik zal, balaca s\u0259hn\u0259 aktyorlara darl\u0131q el\u0259yir. Bu d\u0259f\u0259 eyni hissi daha d\u0259rind\u0259n ya\u015fad\u0131m. G\u00f6r\u00fcn\u00fcr, bu ya\u015fanan faci\u0259nin b\u00f6y\u00fckl\u00fcy\u00fc il\u0259 ba\u011fl\u0131 idi.<\/p>\n

Tama\u015fan\u0131n \u0259sas a\u011f\u0131rl\u0131\u011f\u0131 N\u0259c\u0259f b\u0259y rolunun ifa\u00e7\u0131s\u0131, teatr\u0131n repertuar\u0131ndak\u0131 bir \u00e7ox tama\u015falarda ba\u015f rollarda \u00e7\u0131x\u0131\u015f el\u0259y\u0259n Respublikan\u0131n \u018fm\u0259kdar artisti Nazir R\u00fcst\u0259mlinin \u00fcst\u00fcn\u0259 d\u00fc\u015f\u00fcrd\u00fc. Xo\u015fb\u0259xtlikd\u0259n b\u0259db\u0259xtliy\u0259 ged\u0259n obraz\u0131n faci\u0259sini getdikc\u0259 y\u00fcks\u0259l\u0259n x\u0259tt \u00fczr\u0259 g\u00f6st\u0259r\u0259n v\u0259 final s\u0259hn\u0259sind\u0259 son h\u0259dd\u0259 \u00e7atd\u0131ran Nazir R\u00fcst\u0259mli obraz\u0131n tragizmini olaylar\u0131n gedi\u015fin\u0259 uy\u011fun, pill\u0259-pill\u0259 a\u00e7\u0131rd\u0131. Final s\u0259hn\u0259sind\u0259ki etiraf monoloqunu aktyor \u00f6z\u00fcn\u0259m\u0259xsus, \u00e7\u0131l\u011f\u0131n bir etiraz, \u00fcsyanla dey\u0259r\u0259k, q\u0259hr\u0259man\u0131n yuvarland\u0131\u011f\u0131 ac\u0131 qism\u0259tl\u0259 bar\u0131\u015fmad\u0131\u011f\u0131n\u0131 g\u00f6st\u0259rir v\u0259 bununla da, taleyin son c\u0259zas\u0131 – ildr\u0131m vurmas\u0131ndan \u00f6lm\u0259sin\u0259 haqq qazand\u0131r\u0131rd\u0131!<\/p>\n

Ail\u0259sini add\u0131m-add\u0131m yax\u0131nla\u015fan f\u0259lak\u0259td\u0259n he\u00e7 c\u00fcr xilas ed\u0259 bilm\u0259y\u0259n, \u00e7\u0259kilm\u0259z a\u011fr\u0131lardan x\u0259st\u0259 d\u00fc\u015f\u0259n, \u0259ri N\u0259c\u0259fd\u0259n \u0259lini h\u0259r g\u00fcn bir az da \u00fcz\u0259n, son \u00fcmidini ba\u011flad\u0131\u011f\u0131 o\u011flu S\u00fcleyman\u0131n q\u0259tlin\u0259 d\u00f6zm\u0259yib \u00fcr\u0259yi partlayan Sona xan\u0131m\u0131n \u0259zabke\u015f, \u00e7ar\u0259siz obraz\u0131n\u0131 Xanir\u0259 \u0130sg\u0259nd\u0259rova \u0259ndaz\u0259ni a\u015fmadan, he\u00e7 bir \u015fi\u015firdilmi\u015f, baya\u011f\u0131 tragizm\u0259 yol verm\u0259d\u0259n oynay\u0131rd\u0131. Aktrisa, \u00f6z\u0259llikl\u0259 d\u0259, obraz\u0131n \u00f6l\u00fcmqaba\u011f\u0131 a\u011fl\u0131n\u0131 itirm\u0259si il\u0259 ba\u011fl\u0131 psixoloji ke\u00e7idi raz\u0131l\u0131q do\u011furan inand\u0131r\u0131c\u0131l\u0131qla canland\u0131raraq tama\u015fa\u00e7\u0131lar\u0131 d\u0259rind\u0259n t\u0259sirl\u0259ndir\u0259 bilirdi. Lakin Xanir\u0259 xan\u0131m\u0131n zahiri fakturas\u0131 dramaturji m\u0259tnd\u0259n tan\u0131d\u0131\u011f\u0131m\u0131z cavan, z\u0259rif Sonadan f\u0259rqli idi. Onun iki azya\u015fl\u0131 u\u015fa\u011f\u0131 s\u0259hn\u0259y\u0259 \u00e7\u0131xanda bu f\u0259rq daha qabar\u0131q hiss olunurdu. Yeri g\u0259lmi\u015fk\u0259n, Sonan\u0131n \u00f6l\u00fcm\u00fcnd\u0259n d\u0259rhal sonra u\u015faqlar\u0131n s\u0259hn\u0259y\u0259 \u00e7\u0131xar\u0131lmas\u0131 v\u0259 analar\u0131n\u0131n n\u0259\u015fini, h\u0259tta s\u0259ssizc\u0259 qucaqlamas\u0131 faci\u0259nin t\u0259sirini qat-qat art\u0131ra bil\u0259rdi. \u018flb\u0259tt\u0259, bu son qeydimin h\u00f6rm\u0259tli aktrisam\u0131za birba\u015fa aidiyy\u0259ti yoxdur.<\/p>\n

Tama\u015fadak\u0131 \u0259sas rollardan olan S\u00fcleyman b\u0259yin varl\u0131\u011f\u0131yla ata, ana v\u0259 o\u011fuldan ibar\u0259t ail\u0259 \u00fc\u00e7buca\u011f\u0131 tamamlan\u0131r, \u00f6ld\u00fcr\u00fclm\u0259siyl\u0259 is\u0259 silsil\u0259 \u00f6l\u00fcml\u0259r ba\u015flay\u0131r. O, b\u0259yliyin s\u00fcqutundan do\u011fan faci\u0259nin g\u0259l\u0259c\u0259k n\u0259sil \u00fcz\u0259rind\u0259ki ac\u0131 t\u0259sirini r\u0259mzl\u0259\u015fdirir. S\u00fcleyman b\u0259y rolunun ifa\u00e7\u0131s\u0131, g\u0259nc aktyor Cavidan K\u0259s\u0259m\u0259nli uca qam\u0259ti, b\u0259yzad\u0259l\u0259r\u0259 m\u0259xsus simas\u0131, bir s\u00f6zl\u0259, zahiri fakturas\u0131ndan tutmu\u015f, \u00e7\u0131l\u011f\u0131n temperamentin\u0259 q\u0259d\u0259r bu rola yara\u015f\u0131rd\u0131. Amma S\u00fcleyman b\u0259yin \u00f6z atas\u0131yla son d\u0259f\u0259 qar\u015f\u0131la\u015fd\u0131\u011f\u0131, tama\u015fan\u0131n \u0259n dramatik epizodlar\u0131ndan olan s\u0259hn\u0259d\u0259 bu temperament n\u0259 q\u0259d\u0259r yerind\u0259ydis\u0259, s\u0259hn\u0259y\u0259 ilk \u00e7\u0131x\u0131\u015f\u0131nda q\u0259d\u0259rind\u0259n bir az art\u0131q t\u0259sir ba\u011f\u0131\u015flay\u0131rd\u0131. Aktyorun, h\u0259tta gizl\u0259m\u0259y\u0259 \u00e7al\u0131\u015fmas\u0131 bel\u0259 obraz\u0131n daxili hidd\u0259tinin dozas\u0131n\u0131 laz\u0131m\u0131 q\u0259d\u0259r a\u015fa\u011f\u0131 salm\u0131rd\u0131. \u018flb\u0259tt\u0259, b\u0259yzad\u0259nin bu hidd\u0259tinin psixoloji \u0259sas\u0131 var\u0131yd\u0131. N\u0259c\u0259f b\u0259yin qumara qur\u015fanmas\u0131 n\u0259tic\u0259sind\u0259 \u0259ld\u0259n \u00e7\u0131xan var-d\u00f6vl\u0259t onun g\u0259l\u0259c\u0259yi idi v\u0259 S\u00fcleyman b\u0259y – Cavidan K\u0259s\u0259m\u0259nli g\u00fcnb\u0259g\u00fcn da\u011f\u0131lan xanimanlar\u0131n\u0131n ac\u0131 sonunu d\u0259rind\u0259n duyur, g\u00f6z\u0259l anlay\u0131rd\u0131. Bununla bel\u0259, b\u0259yzad\u0259ni s\u0259hn\u0259y\u0259 ilk g\u0259li\u015find\u0259n indic\u0259 p\u00fcsk\u00fcr\u0259c\u0259k vulkan kimi g\u00f6st\u0259rm\u0259kd\u0259ns\u0259, obraz\u0131n t\u0259qdimini tama\u015fan\u0131n \u00fcmumi tempin\u0259 uy\u011fun, t\u0259dricilik prinsipi \u00fczr\u0259 verm\u0259k, ilk g\u0259li\u015fd\u0259ki emosional dozan\u0131 m\u00fc\u0259yy\u0259n q\u0259d\u0259r azaltmaq daha m\u0259ntiqi olard\u0131. \u00dcst\u0259lik d\u0259, S\u00fcleyman b\u0259yin n\u0259 h\u0259dd\u0259n art\u0131q parlaq k\u00f6yn\u0259yi, n\u0259 d\u0259 z\u0259rli \u015falvar\u0131 b\u0259yzad\u0259nin s\u0259ciyy\u0259sin\u0259 uy\u011fun deyildi. \u018fn \u0259sas\u0131 is\u0259, geyiml\u0259rin ona dar g\u0259ldiyi hiss olunur v\u0259 bu, obraz\u0131n ciddi planda t\u0259qdimin\u0259 \u00f6z \u0259ks t\u0259sirini g\u00f6st\u0259rirdi. Darl\u0131q demi\u015fk\u0259n, tama\u015fada h\u0259cmc\u0259 o q\u0259d\u0259r d\u0259 b\u00f6y\u00fck yer tutmayan S\u00fcleyman b\u0259y obraz\u0131n\u0131n Cavidan\u0131n temperamentin\u0259 dar g\u0259ldiyi hiss olunurdu. \u0130nanmaq ist\u0259yir\u0259m ki, g\u0259nc aktyoru g\u0259l\u0259c\u0259kd\u0259 daha b\u00f6y\u00fck rollarda g\u00f6r\u0259c\u0259yik!<\/p>\n

N\u0259c\u0259f b\u0259yin dostlar\u0131 – \u00f6z\u00fcnd\u0259nraz\u0131 S\u0259lim b\u0259y (Ras\u0259f Mehdiyev) m\u00fcdrik, a\u011f\u0131ll\u0131 Aslan b\u0259y (G\u00fcnd\u00fcz Qas\u0131mov) x\u0259sis H\u0259mz\u0259 b\u0259y (V\u00fcsal M\u0259mm\u0259dov) h\u0259r biri \u00f6z s\u0259ciyy\u0259vi, xarakterik cizgisi il\u0259 dig\u0259rind\u0259n se\u00e7ilirdi. Haqverdiyev xarakterl\u0259r ustas\u0131d\u0131r, aktyorlar da onun verdiyi mesajlar\u0131 tutmu\u015fdular.<\/p>\n

Tama\u015fada \u00f6z\u0259l statusa malik obrazlardan biri N\u0259c\u0259f b\u0259yin n\u00f6k\u0259ri Cavadd\u0131r (\u018fhliman \u018fr\u015fadl\u0131). N\u0259c\u0259f b\u0259y v\u0259 onun ail\u0259si \u00f6lm\u0259kd\u0259 olan feodalizmi, n\u00f6k\u0259rd\u0259n tacir\u0259 \u00e7evril\u0259n Cavad is\u0259 yeni yaranan kapitalizmi t\u0259msil el\u0259yir. \u018fhliman \u018fr\u015fadl\u0131n\u0131n \u00e7oxbilmi\u015f, f\u0259ras\u0259tli, uzaqg\u00f6r\u0259n Cavad\u0131n\u0131n t\u0259qdimind\u0259 q\u0259rib\u0259, d\u00fc\u015f\u00fcnd\u00fcr\u00fcc\u00fc bir sirr gizl\u0259nir, ikinci plan hiss olunurdu v\u0259 bu sirr, bu plan tama\u015fan\u0131n ikinci hiss\u0259sind\u0259 a\u00e7\u0131l\u0131rd\u0131. S\u0259n dem\u0259, ham\u0131ya “ba\u015f \u00fcst\u0259” dey\u0259n, g\u0259l\u0259nin qaba\u011f\u0131na y\u00fcy\u00fcr\u0259n, ged\u0259nin dal\u0131nca qa\u00e7an n\u00f6k\u0259r Cavad s\u00fcquta u\u011framaqda olan b\u0259yliyin aqib\u0259tini g\u00f6r\u00fcr v\u0259 biznesmen, tacir Cavad olmaq bar\u0259d\u0259 \u00f6z g\u0259l\u0259c\u0259k planlar\u0131n\u0131 qururmu\u015f!<\/p>\n

K\u0259k\u0259l\u0259y\u0259-k\u0259k\u0259l\u0259y\u0259 dan\u0131\u015fmas\u0131na baxmayaraq, bir q\u0259piyind\u0259n d\u0259 ke\u00e7m\u0259y\u0259n s\u0259l\u0259m\u00e7i M\u0259\u015f\u0259di C\u0259f\u0259r (Nihat Heyb\u0259tov) bu s\u0259n\u0259tin sahibl\u0259rin\u0259 m\u0259xsus x\u0259sislik v\u0259 qorxaql\u0131\u011f\u0131, yazd\u0131\u011f\u0131 m\u0259dhiyy\u0259 qar\u015f\u0131l\u0131\u011f\u0131nda N\u0259c\u0259f b\u0259yd\u0259n tax\u0131l v\u0259 at alan Mirz\u0259 Bayram (Zahid Mehdiyev) is\u0259 yaz\u0131-pozu adamlar\u0131na m\u0259xsus m\u0259d\u0259ni dil\u0259n\u00e7iliyi s\u0259ciyy\u0259l\u0259ndir\u0259 bilirdi. Lakin h\u0259r iki aktyorun, x\u00fcsusil\u0259 d\u0259, Mirz\u0259 Bayram\u0131n ifa\u00e7\u0131s\u0131n\u0131n \u00f6z obraz\u0131n\u0131 \u00e7a\u011fda\u015fl\u0131qla \u0259laq\u0259l\u0259ndirm\u0259sin\u0259, daha s\u0259ciyy\u0259vi, daha yaddaqalan detallar, \u015ftrixl\u0259r tapmas\u0131na ehtiyac duyulurdu.<\/p>\n

Tama\u015fada Sona xan\u0131mdan ba\u015fqa, daha iki qad\u0131n obraz\u0131 var – xo\u015fb\u0259xt P\u0259rixan\u0131m v\u0259 b\u0259db\u0259xt Nazl\u0131! Xo\u015fb\u0259xtlikd\u0259n b\u0259db\u0259xtliy\u0259 do\u011fru yol ged\u0259n Sonan\u0131n biri sa\u011f\u0131nda, dig\u0259ri is\u0259 solunda duran bu obrazlar epizodik olmalar\u0131na baxmayaraq, \u00f6n\u0259mli ideya y\u00fck\u00fc da\u015f\u0131y\u0131r, P\u0259rixan\u0131m Sonan\u0131n xo\u015fb\u0259xt ke\u00e7mi\u015fi, Nazl\u0131 is\u0259 b\u0259db\u0259xt g\u0259l\u0259c\u0259yin\u0259 i\u015far\u0259 edir v\u0259 \u00fc\u00e7\u00fc bir yerd\u0259 \u015e\u0259rq qad\u0131n\u0131n\u0131n h\u00fcquqsuz, aciz, \u00e7ar\u0259siz durumunu s\u0259ciyy\u0259l\u0259ndirir. H\u0259r \u015feyin guya yax\u015f\u0131 olaca\u011f\u0131na dair r\u0259fiq\u0259si Sona xan\u0131ma t\u0259s\u0259lli ver\u0259n P\u0259rixan\u0131m (Ayb\u0259niz Cahangirova) \u0259trafda n\u0259l\u0259r c\u0259r\u0259yan el\u0259diyini bilm\u0259y\u0259c\u0259k q\u0259d\u0259r avam, \u015f\u0259n, qay\u011f\u0131s\u0131z bir qad\u0131n, bir s\u00f6zl\u0259, \u0259hli-kef ki\u015fil\u0259rin q\u0131z qarda\u015f\u0131d\u0131r. Onun s\u0259hn\u0259y\u0259 \u00e7\u0131x\u0131\u015f\u0131 tragediyan\u0131n a\u011f\u0131rl\u0131\u011f\u0131n\u0131 azald\u0131r, olaylar\u0131n gedi\u015fin\u0259 ani d\u0259 olsa, \u015f\u0259nlik, \u015fuxluq qat\u0131r.<\/p>\n

\u018fri qumarda uduzan, dil\u0259n\u00e7i durumuna d\u00fc\u015f\u0259n ail\u0259sini xilas el\u0259m\u0259k, pullar\u0131 almaq \u00fcmidiyl\u0259 N\u0259c\u0259f b\u0259yin qap\u0131s\u0131na xahi\u015f\u0259 g\u0259l\u0259n Nazl\u0131n\u0131n (T\u0259ran\u0259 \u018fliyeva) s\u0259hn\u0259y\u0259 \u00e7\u0131xmas\u0131yla onsuz da a\u011f\u0131r tragik durum daha da g\u0259rginl\u0259\u015fir v\u0259 r\u0259dd cavab\u0131 alan qad\u0131n\u0131n el\u0259diyi t\u00fck\u00fcrp\u0259rd\u0259n qar\u011f\u0131\u015flarla ilahi i\u015far\u0259 s\u0259ciyy\u0259si al\u0131r: art\u0131q i\u015f qar\u011f\u0131\u015fa qal\u0131b, art\u0131q Allah \u00f6z\u00fc bu i\u015fl\u0259r\u0259 qar\u0131\u015facaq v\u0259 onun c\u0259zas\u0131 a\u011f\u0131r olacaq! Lakin aktrisan\u0131n obraz\u0131 t\u0259qdimind\u0259 tama\u015fan\u0131n m\u0259zmunu il\u0259 uyu\u015fmayan qrotesk \u00e7alar\u0131 duyulur, onun … – \u015fiv\u0259nlik t\u0259siri ba\u011f\u0131\u015flayan qar\u011f\u0131\u015flar\u0131 v\u0259 \u00e7adras\u0131n\u0131 ba\u015f\u0131ndan q\u0259fil atd\u0131\u011f\u0131, bununla da h\u0259r yola getm\u0259y\u0259 haz\u0131r olmas\u0131na i\u015far\u0259 el\u0259diyi m\u0259qamda is\u0259, \u00fcmumi partituradan k\u0259nara \u00e7\u0131xd\u0131\u011f\u0131 daha qabar\u0131q g\u00f6r\u00fcn\u00fcrd\u00fc. \u018flb\u0259tt\u0259, aktrisan\u0131n klassik obraz\u0131n\u0131 \u00e7a\u011fda\u015f rakursdan t\u0259qdim el\u0259m\u0259k c\u0259hdi g\u00f6z\u0259l olard\u0131 – bir \u015f\u0259rtl\u0259 ki, bu c\u0259hd tama\u015fan\u0131n \u00fcslubi v\u0259hd\u0259tin\u0259 x\u0259l\u0259l g\u0259tirm\u0259sin, yad element kimi g\u00f6r\u00fcnm\u0259sin!<\/p>\n

\u018fbd\u00fcrr\u0259him b\u0259y Haqverdiyev bu faci\u0259d\u0259 toplumun b\u00fct\u00fcn k\u0259siml\u0259rinin t\u0259msil\u00e7il\u0259rini ba\u015f\u0131ndan-aya\u011f\u0131nacan bir yer\u0259 c\u0259m edib: b\u0259yl\u0259r, tacirl\u0259r, s\u0259l\u0259m\u00e7il\u0259r, ziyal\u0131lar, pin\u0259\u00e7il\u0259r; ki\u015fil\u0259r, qad\u0131nlar, u\u015faqlar… Da\u011f\u0131lan tifaq\u0131n k\u0259rpicl\u0259ri yoxsul k\u0259simin d\u0259 ba\u015f\u0131na d\u00fc\u015f\u00fcr – S\u00fcleyman b\u0259y d\u0259ll\u0259k \u0130mamverdinin (Azad M\u0259mm\u0259dov) g\u0259nc q\u0131z\u0131n\u0131 \u00f6z yolda\u015flar\u0131 il\u0259 birlikd\u0259 da\u011flara qa\u00e7\u0131r\u0131r v\u0259 d\u0259ll\u0259k \u00f6z o\u011flu K\u0259rimi d\u0259 (Sahib \u0130brahimov) g\u00f6t\u00fcr\u00fcb N\u0259c\u0259f b\u0259yin qap\u0131s\u0131na namus davas\u0131na g\u0259lir! Onsuz da ba\u015f ver\u0259nl\u0259rd\u0259n ba\u015f\u0131n\u0131 itir\u0259n N\u0259c\u0259f b\u0259y onlar\u0131 a\u011f\u0131zlar\u0131n\u0131 boza verib yola sal\u0131r v\u0259 n\u0259tic\u0259 a\u011f\u0131r olur – S\u00fcleyman b\u0259y \u00f6z d\u00fc\u015f\u00fcnc\u0259siz h\u0259r\u0259k\u0259tin\u0259 g\u00f6r\u0259 q\u0259tl\u0259 yetirilir! Y\u0259ni durum olduqca ciddidir! Lakin n\u0259 \u0130mamverdi, n\u0259 d\u0259 K\u0259rimin ifa\u00e7\u0131s\u0131n\u0131n a\u011fz\u0131ndan qan iyi g\u0259lmir, onlar b\u0259yin qar\u015f\u0131s\u0131nda \u00e7ox aciz g\u00f6r\u00fcn\u00fcr, faci\u0259d\u0259n daha \u00e7ox, vodevil personajlar\u0131na b\u0259nz\u0259yirdil\u0259r! B\u0259lk\u0259, bu uyu\u015fmazl\u0131q Nazl\u0131 obraz\u0131n\u0131n t\u0259qdimind\u0259 oldu\u011fu kimi, burda da klassikan\u0131 u\u011fursuz m\u00fcasirl\u0259\u015fdirm\u0259k ist\u0259yind\u0259n ir\u0259li g\u0259lir? Bu suala aktyorlar \u00f6zl\u0259ri cavab verm\u0259lidi, \u00e7\u00fcnki m\u0259n cavab tapa bilm\u0259dim.<\/p>\n

\u018flb\u0259tt\u0259, ideal he\u00e7 n\u0259 yoxdur, ideal yaln\u0131z v\u0259 yaln\u0131z Allahd\u0131r! O Allah ki, \u018fbd\u00fcrr\u0259him b\u0259y Haqverdiyev d\u0259 onun \u0259dal\u0259tin\u0259 qeyd-\u015f\u0259rtsiz iman g\u0259tirmi\u015f, N\u0259c\u0259f b\u0259yin ba\u015f\u0131na g\u0259l\u0259nl\u0259ri ilahi \u0259dal\u0259tin t\u0259c\u0259llas\u0131 hesab etmi\u015fdi. Bu ilahi \u0259dal\u0259ti biz d\u0259 g\u00f6rd\u00fck, otuz ild\u0259n b\u0259ri d\u00fc\u015fm\u0259n tapda\u011f\u0131nda olan \u015eu\u015fam\u0131z azad oldu! \u015eu\u015fa Teatr\u0131 bu otuz ilin m\u0259hrumiyy\u0259tl\u0259ri, \u00e7\u0259tinlikl\u0259ri i\u00e7ind\u0259 ad\u0131n\u0131 da\u015f\u0131d\u0131\u011f\u0131 qutsal \u015f\u0259h\u0259rimizi, m\u0259d\u0259niyy\u0259t paytaxt\u0131m\u0131z\u0131 l\u0259yaq\u0259tl\u0259 t\u0259msil etdi v\u0259 odur ki, bu g\u00fcnl\u0259rd\u0259 M\u0259d\u0259niyy\u0259t Nazirliyi t\u0259r\u0259find\u0259n apar\u0131c\u0131 teatrlar s\u0131ras\u0131na daxil edilm\u0259si onun halal haqq\u0131d\u0131r. Bu u\u011furdan dolay\u0131, Teatr\u0131n kollektivini \u00fcr\u0259kd\u0259n t\u0259brik edir, onun n\u00f6vb\u0259ti tama\u015falar\u0131na otuz ild\u0259n b\u0259ri da\u011f\u0131lan tifaqlar\u0131m\u0131z\u0131n s\u00fcr\u0259tl\u0259 tikildiyi Xank\u0259ndind\u0259, \u015eu\u015fada baxaca\u011f\u0131m\u0131za inan\u0131ram.<\/p>\n

 <\/p>\n

M\u0259nb\u0259: “\u018fd\u0259biyyat q\u0259zeti”<\/p>\n

Yaz\u0131ya 26 d\u0259f\u0259 bax\u0131l\u0131b<\/p>\n","protected":false},"excerpt":{"rendered":"

\u0130yunun 9-da, ax\u015fam saat alt\u0131-yeddi aras\u0131 \u015eu\u015fa D\u00f6vl\u0259t Musiqili Dram Teatr\u0131n\u0131n foyesi \u0259ll\u0259rind\u0259 g\u00fcl-\u00e7i\u00e7\u0259k tutmu\u015f tama\u015fa\u00e7\u0131larla el\u0259 dolmu\u015fdu ki, iyn\u0259 atsan, adam \u0259lind\u0259n yer\u0259 d\u00fc\u015fm\u0259zdi. Foyenin lap yuxar\u0131 ba\u015f\u0131nda q\u0259rar tutmu\u015f trio bir ucdan el\u0259 hey mu\u011fam, t\u0259snif ifa el\u0259yir, “tama\u015fa n\u0259 vaxt ba\u015flayacaq?” dey\u0259, s\u0259birsizl\u0259n\u0259n g\u0259l\u0259nl\u0259ri dar\u0131xma\u011fa qoymurdu. Kiml\u0259rs\u0259 \u015f\u0259kil \u00e7\u0259kdirir, kiml\u0259rs\u0259 \u00f6z aralar\u0131nda […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[6],"tags":[],"_links":{"self":[{"href":"https:\/\/kultur.az\/index.php?rest_route=\/wp\/v2\/posts\/20029"}],"collection":[{"href":"https:\/\/kultur.az\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kultur.az\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kultur.az\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kultur.az\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=20029"}],"version-history":[{"count":2,"href":"https:\/\/kultur.az\/index.php?rest_route=\/wp\/v2\/posts\/20029\/revisions"}],"predecessor-version":[{"id":20032,"href":"https:\/\/kultur.az\/index.php?rest_route=\/wp\/v2\/posts\/20029\/revisions\/20032"}],"wp:attachment":[{"href":"https:\/\/kultur.az\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=20029"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kultur.az\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=20029"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kultur.az\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=20029"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}