{"id":20409,"date":"2024-11-25T16:26:20","date_gmt":"2024-11-25T12:26:20","guid":{"rendered":"https:\/\/kultur.az\/?p=20409"},"modified":"2024-11-25T16:26:20","modified_gmt":"2024-11-25T12:26:20","slug":"s%c9%99hidl%c9%99r-olm%c9%99z-bayragim-enm%c9%99z-%c9%99s%c9%99d-cahangir","status":"publish","type":"post","link":"https:\/\/kultur.az\/?p=20409","title":{"rendered":"\u015e\u0259hidl\u0259r \u00f6lm\u0259z, bayra\u011f\u0131m enm\u0259z! – \u018fs\u0259d CAHANG\u0130R"},"content":{"rendered":"

\"\"<\/a>Bir ne\u00e7\u0259 il \u00f6nc\u0259 \u015fair-yaz\u0131\u00e7\u0131lardan soru\u015fanda ki, niy\u0259 Qaraba\u011f m\u00f6vzusuna \u00fcr\u0259kl\u0259 \u00fcz tutmursunuz? – \u00f6z m\u0259\u011flubiyy\u0259timizd\u0259n n\u0259 yazaq? – dey\u0259 cavab verirdil\u0259r. Amma budur, Allah\u0131n \u0259dal\u0259tiyl\u0259, Ali Ba\u015f Komandan\u0131m\u0131z c\u0259nab \u0130lham \u018fliyev ba\u015fda olmaqla, m\u00fcz\u0259ff\u0259r ordumuz d\u00fc\u015fm\u0259nin 30 il\u0259 qurdu\u011fu istehkamlar\u0131 44 g\u00fcn \u0259rzind\u0259 darmada\u011f\u0131n el\u0259y\u0259r\u0259k, i\u015f\u011fal\u00e7\u0131lar\u0131 qutsal torpaqlar\u0131m\u0131zdan qovdu v\u0259 \u00e7oxillik a\u011fr\u0131-ac\u0131lar\u0131m\u0131za, h\u0259sr\u0259timiz\u0259 son qoyub, bizi c\u0259nn\u0259t Qaraba\u011f\u0131m\u0131za qovu\u015fdurdu. Bu g\u00fcn m\u0259\u011flubiyy\u0259t kompleksind\u0259n \u00e7\u0131xan yazarlar\u0131m\u0131z Qaraba\u011f m\u00f6vzusuna art\u0131q qalib \u00f6lk\u0259nin n\u00fcmay\u0259nd\u0259si kimi x\u00fcsusi bir co\u015fqu, q\u00fcrurla \u00fcz tutur, \u0259n d\u00fcrl\u00fc janrlarda z\u0259f\u0259rimizi t\u0259r\u0259nn\u00fcm v\u0259 t\u0259svir el\u0259yirl\u0259r. \u018flb\u0259tt\u0259, bu qutsal konunu plakata, \u015f\u00fcara, \u015fablona, yaxud daha pisi, \u00f6z\u00fcn\u00fcreklam vasit\u0259sin\u0259, m\u00f6ht\u0259kirlik al\u0259tin\u0259, hans\u0131sa merkantil maraqlar\u0131n ifad\u0259sin\u0259 \u00e7evirm\u0259k ist\u0259y\u0259nl\u0259r d\u0259 var v\u0259 buna ancaq t\u0259\u0259ss\u00fcfl\u0259nm\u0259k olar. \u015e\u0259hid qan\u0131yla alver el\u0259m\u0259k Allah\u0131n h\u00fczurunda g\u00fcnah, toplum qar\u015f\u0131s\u0131nda m\u0259n\u0259vi cinay\u0259tdir. Qoy, \u00fcr\u0259yind\u0259 iman i\u015f\u0131\u011f\u0131, v\u0259t\u0259n yan\u011f\u0131s\u0131, \u0259dal\u0259t duy\u011fusu olmayanlar \u00f6zl\u0259rind\u0259 azac\u0131q da olsa, sorumluluq duysun, bu m\u00f6vzuya \u00fcmum\u0259n yax\u0131n g\u0259lm\u0259sinl\u0259r. Amma \u0259n qutsal d\u0259y\u0259rl\u0259ri bel\u0259 pi\u015ftaxta \u00f6n\u00fcn\u0259 \u00e7\u0131xarmaq ist\u0259y\u0259n bu s\u00f6z d\u0259llallar\u0131n\u0131 h\u0259l\u0259 ki Allah\u0131n \u0259dal\u0259ti, vicdan\u0131n m\u00fchakim\u0259sin\u0259 burax\u0131b, bu yaz\u0131mda h\u0259qiqi v\u0259t\u0259np\u0259rv\u0259rlik duy\u011fusuyla ya\u015fayan v\u0259 yazanlardan, onlar\u0131n konkret n\u00fcmay\u0259nd\u0259si kimi Qafar C\u0259f\u0259rlid\u0259n, daha d\u0259qiq des\u0259m, onun N\u0259c\u0259f b\u0259y V\u0259zirov ad\u0131na L\u0259nk\u0259ran D\u00f6vl\u0259t Dram Teatr\u0131nda s\u0259hn\u0259l\u0259\u015fdiril\u0259n “\u015e\u0259hid bayra\u011f\u0131” \u0259s\u0259rinin s\u0259hn\u0259 t\u0259c\u0259ss\u00fcm\u00fcnd\u0259n dan\u0131\u015fmaq ist\u0259yir\u0259m.<\/p>\n

\u00d6nc\u0259, bunu vur\u011fulay\u0131m ki, Qafar C\u0259f\u0259rli art\u0131q bir ne\u00e7\u0259 ildir Az\u0259rbaycan Yaz\u0131\u00e7\u0131lar Birliyi L\u0259nk\u0259ran b\u00f6lm\u0259sinin s\u0259dridir v\u0259 onun bu g\u00f6r\u0259v\u0259 t\u0259yinat\u0131ndan sonra b\u00f6lg\u0259d\u0259 \u0259d\u0259bi prosesin canlanmas\u0131 g\u00f6z qaba\u011f\u0131ndad\u0131r. B\u00f6lm\u0259nin uzun d\u00f6n\u0259mdir ki, n\u0259\u015fri dayand\u0131r\u0131lan \u0259d\u0259bi-b\u0259dii orqan\u0131 “\u015e\u0259f\u0259q” d\u0259rgisi yenid\u0259n i\u015f\u0131q \u00fcz\u00fc g\u00f6r\u00fcr, b\u00f6lg\u0259 yazarlar\u0131n\u0131n \u0259s\u0259rl\u0259rind\u0259n ibar\u0259t “C\u0259nub incil\u0259ri” antologiyas\u0131 d\u0259rc olunub, AYB L\u0259nk\u0259ran b\u00f6lm\u0259sinin yarad\u0131lmas\u0131n\u0131n 45 illik yubileyi t\u0259nt\u0259n\u0259 il\u0259 ke\u00e7irilib. Bura says\u0131z-hesabs\u0131z kitab t\u0259qdimatlar\u0131, yubileyl\u0259r, g\u00f6r\u00fc\u015fl\u0259r, an\u0131m g\u00fcnl\u0259ri v\u0259 dig\u0259r t\u0259dbirl\u0259ri d\u0259 \u0259lav\u0259 el\u0259s\u0259k, b\u00f6lm\u0259nin yeni s\u0259drinin q\u0131sa m\u00fcdd\u0259td\u0259 g\u00f6rd\u00fcy\u00fc i\u015fl\u0259rin \u0259n \u00fcmumi konturlar\u0131 ayd\u0131n olar.<\/p>\n

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AYB L\u0259nk\u0259ran b\u00f6lm\u0259sind\u0259 g\u00f6r\u00fcl\u0259n i\u015fl\u0259rd\u0259n dan\u0131\u015fmaq, \u0259lb\u0259tt\u0259, laz\u0131md\u0131r v\u0259 h\u0259tta vacibdir, \u00e7\u00fcnki g\u00f6r\u00fcl\u0259n i\u015f\u0259 veril\u0259n d\u0259y\u0259r ba\u015fqalar\u0131na da stimul verir v\u0259 \u00fcmumi i\u015fin y\u00fcks\u0259li\u015fin\u0259 s\u0259b\u0259b olur. Amma L\u0259nk\u0259randa \u0259d\u0259bi-b\u0259dii prosesin canlanmas\u0131 ayr\u0131ca bir s\u00f6hb\u0259tin m\u00f6vzusudur v\u0259 bizim \u00e7aparaq da olsa, bu m\u0259s\u0259l\u0259y\u0259 toxunma\u011f\u0131m\u0131z\u0131n s\u0259b\u0259bi odur ki, s\u00f6z b\u00f6lm\u0259 s\u0259dri Qafar C\u0259f\u0259rlinin “\u015e\u0259hid bayra\u011f\u0131” pyesinin s\u0259hn\u0259l\u0259\u015fdirilm\u0259sind\u0259n gedir, \u00f6z\u00fc d\u0259 Qaraba\u011f z\u0259f\u0259rimizin d\u00f6rd\u00fcnc\u00fc ild\u00f6n\u00fcm\u00fcn\u00fcn sevincini ya\u015fad\u0131\u011f\u0131m\u0131z g\u00fcnl\u0259rd\u0259.<\/p>\n

M\u0259lumat \u00fc\u00e7\u00fcn deyim ki, n\u0259 \u015f\u0259hid m\u00f6vzusu, n\u0259 d\u0259 dram janr\u0131 Qafar C\u0259f\u0259rlinin yarad\u0131c\u0131l\u0131\u011f\u0131nda yeni deyil. Onun indiy\u0259 q\u0259d\u0259r sosial \u0259dal\u0259t sorunlar\u0131na h\u0259sr olunmu\u015f, maraql\u0131 s\u00fcjet x\u0259tti, oxunaql\u0131 dili v\u0259 g\u00f6zl\u0259nilm\u0259z final\u0131 il\u0259 diqq\u0259ti \u00e7\u0259k\u0259n “Q\u0131l k\u00f6rp\u00fcs\u00fcnd\u0259 r\u0259qs”, “Tanr\u0131 \u0259man\u0259ti” pyesl\u0259ri i\u015f\u0131q \u00fcz\u00fc g\u00f6r\u00fcb, eyni zamanda o, m\u00fcharib\u0259, \u015f\u0259had\u0259t v\u0259 qazilik m\u00f6vzusunda “Tanr\u0131n\u0131n g\u00f6z ya\u015flar\u0131” roman\u0131n\u0131n, bir s\u0131ra hekay\u0259l\u0259rin m\u00fc\u0259llifidir. “\u015e\u0259hid bayra\u011f\u0131” pyesinin \u00f6z\u0259lliyi ondad\u0131r ki, burda \u015f\u0259hidlik m\u00f6vzusu v\u0259 dram janr\u0131 bir araya g\u0259lib v\u0259 pyes \u0259sas\u0131nda haz\u0131rlanm\u0131\u015f eyniadl\u0131 tama\u015fan\u0131n Z\u0259f\u0259r g\u00fcn\u00fcm\u00fcz \u00f6nc\u0259si L\u0259nk\u0259ran D\u00f6vl\u0259t Teatr\u0131nda u\u011furlu n\u00fcmayi\u015fi g\u00f6st\u0259rdi ki, m\u00fc\u0259llifin dramaturji c\u0259hdl\u0259ri \u0259sass\u0131z deyil.<\/p>\n

Tama\u015fa\u00e7\u0131 auditoriyas\u0131 t\u0259r\u0259find\u0259n h\u0259y\u0259canla izl\u0259nil\u0259n tama\u015fa haqq\u0131nda fikirl\u0259rimi sizinl\u0259 b\u00f6l\u00fc\u015fm\u0259zd\u0259n \u00f6nc\u0259 pyesin m\u00f6vzu, m\u0259zmun v\u0259 dramaturji \u00f6z\u0259llikl\u0259rind\u0259n dan\u0131\u015fmaq ist\u0259yir\u0259m. “\u015e\u0259hid bayra\u011f\u0131” novellavari, g\u00f6zl\u0259nilm\u0259z bir olay \u00fcz\u0259rind\u0259 qurulub. Amma bu g\u00f6zl\u0259nilm\u0259zlik oxucu diqq\u0259ti \u00e7\u0259km\u0259k \u00fc\u00e7\u00fcn istifad\u0259 olunan \u0259n\u0259n\u0259vi yaz\u0131\u00e7\u0131 f\u0259ndi olmay\u0131b, ger\u00e7\u0259k h\u0259yat fakt\u0131n\u0131n \u00f6z\u00fcnd\u0259n g\u0259lir, y\u0259ni pyes olmu\u015f \u0259hvalatdan dan\u0131\u015f\u0131r. \u015e\u0259hid x\u0259b\u0259ri g\u0259l\u0259n ordu zabitinin ail\u0259si – ata-anas\u0131, h\u0259yat yolda\u015f\u0131 v\u0259 balaca o\u011flu a\u011f\u0131r sars\u0131nt\u0131 ke\u00e7irir, amma \u00e7ox ke\u00e7mir, o q\u0259fild\u0259n g\u0259lib \u00e7\u0131x\u0131r v\u0259 m\u0259lum olur ki, komandiri h\u0259qiq\u0259t\u0259n d\u0259 \u015f\u0259hid d\u00fc\u015fm\u00fc\u015f ba\u015fqas\u0131 – \u00f6z \u0259sg\u0259ri il\u0259 d\u0259yi\u015fik sal\u0131blar. Dramaturqun m\u00f6vzu se\u00e7imi iki \u0259sas m\u0259s\u0259l\u0259d\u0259 u\u011furludur. Birincisi budur ki, se\u00e7il\u0259n h\u0259yat fakt\u0131n\u0131n \u00f6z\u00fcnd\u0259 art\u0131q dramaturji bax\u0131mdan effektiv g\u00f6zl\u0259nilm\u0259zlik, q\u0259fil a\u00e7\u0131l\u0131\u015f amili var. Bu, m\u0259s\u0259l\u0259nin s\u0259n\u0259t t\u0259r\u0259fidir. \u0130kincisi odur ki, komandirin c\u0259bh\u0259d\u0259n sa\u011f-salamat qay\u0131tmas\u0131 ya\u015famaqda oldu\u011fumuz z\u0259f\u0259r sevinci ovqat\u0131na uy\u011fundur v\u0259 tama\u015fa\u00e7\u0131da nikbin ovqat oyad\u0131r. Bu nikbinlik haz\u0131rda biz\u0259 \u00e7ox laz\u0131md\u0131r.<\/p>\n

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Burda bir dramaturji n\u00fcans \u00fcz\u0259rind\u0259 \u00f6z\u0259l dayanma\u011fa ehtiyac g\u00f6r\u00fcr\u0259m. Pyesin fabulas\u0131 ger\u00e7\u0259k h\u0259yat fakt\u0131n\u0131n g\u00f6zl\u0259nilm\u0259zliyind\u0259n do\u011fan peripetiya – s\u0259hvl\u0259r dram\u0131 v\u0259 onun tama\u015fa\u00e7\u0131 \u00fcz\u0259rind\u0259ki g\u00fccl\u00fc emosional t\u0259siri \u00fcz\u0259rind\u0259 d\u0259 qurula, pyes komandirin ev\u0259 sa\u011f-salamat d\u00f6n\u00fc\u015f\u00fc il\u0259 tamamlana da bil\u0259rdi. \u018fg\u0259r bu pyesi m\u0259n yazsam, y\u0259qin ki, el\u0259 bel\u0259 d\u0259 ed\u0259rdim. Bu bar\u0259d\u0259 fikrimi premyeradan sonra say\u0131n Qafar C\u0259f\u0259rliy\u0259 d\u0259 bildirdim. “\u015e\u0259hid bayra\u011f\u0131” m\u00fc\u0259llifinin bu m\u0259s\u0259l\u0259d\u0259 m\u00f6vqeyi f\u0259rqlidir v\u0259 fikrimc\u0259, he\u00e7 d\u0259 \u0259sass\u0131z deyil. \u015e\u0259hid olmu\u015f \u0259sg\u0259r d\u0259 az\u0259rbaycanl\u0131d\u0131r, insand\u0131r, onun da ail\u0259si, \u0259zizl\u0259ri var v\u0259 bu amil Qafar C\u0259f\u0259rlini vadar el\u0259yib ki, pyesi \u015f\u0259hid \u0259sg\u0259rin valideynl\u0259ri il\u0259 ba\u011fl\u0131 hiss\u0259 il\u0259 tamamlas\u0131n, y\u0259ni m\u00fc\u0259llifin insanl\u0131\u011f\u0131 burada onun dramaturqlu\u011funa \u00fcst\u00fcn g\u0259lir. \u00c7\u00fcnki \u015f\u0259hid d\u00fc\u015fm\u00fc\u015f \u0259sg\u0259r onun \u00fc\u00e7\u00fcn ba\u015fqas\u0131 deyil, bu m\u0259s\u0259l\u0259d\u0259 ham\u0131 \u0259s\u0259rin \u0259sas q\u0259hr\u0259man\u0131 q\u0259d\u0259r do\u011fmad\u0131r, ham\u0131 q\u0259hr\u0259mand\u0131r, burada \u00fcmum\u0259n “ba\u015fqas\u0131” anlay\u0131\u015f\u0131 yoxdur.<\/p>\n

Tama\u015faya qurulu\u015f ver\u0259n Emil \u018fsg\u0259rov yeni n\u0259sil rejissorlar aras\u0131nda \u00f6z\u0259l yer tutur. Etiraf el\u0259y\u0259k ki, d\u00fcnya rejissura \u0259n\u0259n\u0259l\u0259ri il\u0259 t\u0259rbiy\u0259l\u0259n\u0259n, internet d\u00f6n\u0259mi yetirm\u0259l\u0259ri olan bu rejissorlar klassik \u0259n\u0259n\u0259l\u0259rd\u0259n bir az uzaq d\u00fc\u015f\u00fcbl\u0259r. Emil d\u0259 \u00f6z\u00fcn\u00fcn modern s\u0259ciyy\u0259li tama\u015falar\u0131 il\u0259 se\u00e7ilir v\u0259 bel\u0259 bir rejissorun klassik dram s\u0259n\u0259ti \u0259n\u0259n\u0259l\u0259rin\u0259 sadiq dramaturqla yarad\u0131c\u0131 \u0259m\u0259kda\u015fl\u0131\u011f\u0131, \u00f6z metodoloji prinsipl\u0259rind\u0259n uzaqla\u015faraq, realist psixoloji tama\u015fa haz\u0131rlamas\u0131 maraql\u0131 g\u00f6r\u00fcn\u00fcr. Lakin \u015f\u0259hidlik m\u00f6vzusu h\u0259r c\u00fcr yeniliyin f\u00f6vq\u00fcnd\u0259, h\u0259r d\u00fcrl\u00fc “izm”in d\u0131\u015f\u0131ndad\u0131r v\u0259 m\u0259nc\u0259, dramaturqla rejissor h\u0259r \u015feyd\u0259n \u00f6nc\u0259, m\u0259hz bu m\u0259s\u0259l\u0259d\u0259 ortaq n\u00f6qt\u0259y\u0259 g\u0259libl\u0259r. Tama\u015fa hey\u0259tinin dediyin\u0259 g\u00f6r\u0259, rejissor m\u0259\u015fq prosesind\u0259, x\u00fcsus\u0259n d\u0259, \u015f\u0259hidin \u00f6l\u00fcm x\u0259b\u0259rinin g\u0259ldiyi s\u0259hn\u0259l\u0259r\u0259 mizan ver\u0259rk\u0259n, emosiyalar\u0131n\u0131 cilovlaya bilm\u0259yib h\u00f6nk\u00fcr\u00fcrm\u00fc\u015f v\u0259 onun bu duy\u011fusall\u0131\u011f\u0131 s\u0259hn\u0259y\u0259 d\u0259, aktyorlardan ke\u00e7\u0259r\u0259k zala da siray\u0259t el\u0259yirdi. Qad\u0131n v\u0259 ki\u015fi, u\u015faq v\u0259 ya b\u00f6y\u00fck olmas\u0131ndan as\u0131l\u0131 olmayaraq zalda \u0259yl\u0259\u015f\u0259nl\u0259r az qala, b\u00fct\u00fcn tama\u015fan\u0131 g\u00f6z ya\u015flar\u0131na bo\u011fulurdular. M\u0259n bununla zaldak\u0131lar\u0131n a\u011flamas\u0131n\u0131 h\u00f6km\u0259n tama\u015fan\u0131n u\u011furu saymaq kimi baya\u011f\u0131 bir fikird\u0259n uza\u011fam. Kims\u0259 bu g\u00f6z ya\u015flar\u0131n\u0131 u\u011fur kimi q\u0259bul el\u0259y\u0259 bil\u0259r, kims\u0259 yox. M\u0259n is\u0259 bir m\u0259s\u0259l\u0259d\u0259 \u0259min\u0259m – “\u015e\u0259hid bayra\u011f\u0131”n\u0131n premyeras\u0131nda L\u0259nk\u0259ran Teatr\u0131n\u0131n zal\u0131, Aristotelin terminl\u0259riyl\u0259 des\u0259m, \u0259sl katarsis – g\u00f6z ya\u015flar\u0131 il\u0259 daxili t\u0259mizl\u0259nm\u0259, i\u00e7s\u0259l safla\u015fma laboratoriyas\u0131na \u00e7evrilmi\u015fdi. Zat\u0259n, s\u0259n\u0259tin, \u00f6z\u0259llikl\u0259 d\u0259 teatr\u0131n \u0259sas missiyas\u0131 el\u0259 bundan ibar\u0259tdir. Sanki ham\u0131 bura \u00fcr\u0259yini bo\u015faltma\u011fa, d\u0259rdini-odunu t\u00f6km\u0259y\u0259 g\u0259lr. F\u00fczuli demi\u015fk\u0259n, h\u0259r g\u0259l\u0259n q\u0259mli g\u0259lib, \u015fad gedir, yanimiz\u0259…<\/p>\n

“\u015e\u0259hid bayra\u011f\u0131” tama\u015fas\u0131n\u0131n araya-\u0259rs\u0259y\u0259 g\u0259lm\u0259sind\u0259 Emil \u018fsg\u0259rovla yana\u015f\u0131, L\u0259nk\u0259ran Teatr\u0131n\u0131n ba\u015f rejissoru, cavan olmas\u0131na baxmayaraq, \u00f6z\u00fcn\u00fcn yet\u0259rinc\u0259 ciddi rejissor imici il\u0259 tan\u0131nan, “Manqurt”, “C\u0259h\u0259nn\u0259m sakinl\u0259ri”, “Casus” v\u0259 dig\u0259r pyesl\u0259r\u0259 verdiyi qurulu\u015flarla ist\u0259r \u00f6lk\u0259mizd\u0259, ist\u0259rs\u0259 d\u0259 onun h\u00fcdudlar\u0131ndan k\u0259narda ciddi u\u011furlara imza atan Anar Babal\u0131n\u0131n da \u0259m\u0259yi qeyd olunmal\u0131d\u0131r. M\u0259n\u0259 el\u0259 g\u0259lir ki, r\u0259smi \u00e7evr\u0259l\u0259r d\u0259, s\u0259n\u0259t \u00e7evr\u0259sinin r\u0259smil\u0259ri d\u0259 Anar Babal\u0131n\u0131n istedad\u0131na bundan sonra daha b\u00f6y\u00fck qay\u011f\u0131yla yana\u015facaq, onun \u00f6z potensial\u0131n\u0131 ger\u00e7\u0259kl\u0259\u015fdirm\u0259si \u00fc\u00e7\u00fcn daha geni\u015f \u015f\u0259rait yaradacaqlar. S\u00f6hb\u0259t, \u015f\u00fcbh\u0259siz ki, sad\u0259c\u0259, L\u0259nk\u0259ran Teatr\u0131 deyil, \u00fcmum\u0259n Az\u0259rbaycan Teatr\u0131 miqyas\u0131nda qay\u011f\u0131dan gedir.<\/p>\n

\u018flb\u0259tt\u0259, kim ist\u0259s\u0259, bunu bir n\u0259f\u0259rin subyektiv fikri kimi q\u0259bul el\u0259y\u0259 bil\u0259r, amma m\u0259n s\u00f6z\u00fcm\u00fcn sorumlulu\u011funu d\u0259rind\u0259n duyaraq deyir\u0259m ki, 145-\u0259 yax\u0131n ya\u015f\u0131 olan L\u0259nk\u0259ran Teatr\u0131 b\u00f6lg\u0259 teatrlar\u0131m\u0131z aras\u0131nda \u0259n qabaqc\u0131l\u0131, \u0259n u\u011furlusu, \u0259n yetkini v\u0259 \u0259n yenilik\u00e7isidir. Az\u0259rbaycan milli teatr\u0131n\u0131n yaranmas\u0131 q\u0259dim tarixi v\u0259 m\u0259d\u0259ni \u0259n\u0259n\u0259l\u0259ri, \u00f6z\u00fcn\u0259m\u0259xsus koloriti olan bu \u015f\u0259h\u0259rin ad\u0131yla, y\u0259ni 1873-c\u00fc ilin mart\u0131nda s\u0259hn\u0259l\u0259\u015fdiril\u0259n “S\u0259rg\u00fcz\u0259\u015fti-v\u0259ziri-xani-L\u0259nk\u0259ran” tama\u015fas\u0131yla ba\u011fl\u0131d\u0131r. M\u0259rziyy\u0259 Davudova, Fatma Q\u0259dri, Barat \u015e\u0259kinskaya, H\u00f6k\u00fcm\u0259 Qurbanova, Amaliya P\u0259nahova, \u015e\u0259fiq\u0259 M\u0259mm\u0259dova kimi b\u00f6y\u00fck aktrisalar pleyadas\u0131na m\u0259nsub Xalq artisti B\u00f6y\u00fckxan\u0131m \u018fliyevan\u0131n n\u0259f\u0259si g\u0259zib dola\u015fan L\u0259nk\u0259ran Teatr\u0131na \u00fcmum\u0259n b\u00fct\u00fcn “\u0259n”l\u0259r yara\u015f\u0131r. O d\u0259r\u0259c\u0259d\u0259 ki, bu Teatra “b\u00f6lg\u0259” t\u0259yinini qo\u015fma\u011fa adam\u0131n dili g\u0259lmir. \u0130st\u0259r repertuar se\u00e7imi, ist\u0259r rejissor i\u015fi, ist\u0259r aktyor oyunu, \u00fcmum\u0259n teatr s\u0259n\u0259tin\u0259 m\u0259xsus ist\u0259nil\u0259n bir c\u0259h\u0259tiyl\u0259 L\u0259nk\u0259ran Teatr\u0131, h\u0259tta ana teatr\u0131m\u0131z Milli Teatrdan bel\u0259 geri qalm\u0131r. “\u015e\u0259hid bayra\u011f\u0131” tama\u015fas\u0131 da \u00f6z\u00fcn\u00fcn b\u00fct\u00fcn u\u011furlu t\u0259r\u0259fl\u0259rin\u0259 g\u00f6r\u0259 maraql\u0131 dramaturji fakturas\u0131 il\u0259 yana\u015f\u0131, h\u0259m d\u0259 m\u0259hz L\u0259nk\u0259ran Teatr\u0131n\u0131n klassik teatral \u0259n\u0259n\u0259l\u0259ri v\u0259 m\u00fcasirlik ruhuna borcludur. \u00d6z\u00fc d\u0259 s\u0259n\u0259t adam\u0131 olan, vaxtil\u0259 aktyorluq el\u0259y\u0259n, bu \u00fczd\u0259n s\u0259n\u0259tkarlar\u0131 g\u00f6z\u0259l ba\u015fa d\u00fc\u015f\u0259n, h\u0259r c\u00fcr l\u00fczumsuz inzibat\u00e7\u0131l\u0131q v\u0259 pedantl\u0131qdan uzaq, demokratik fikirli Lal\u0259zar H\u00fcseynovan\u0131n direktorlu\u011fa g\u0259li\u015find\u0259n sonra burada yarad\u0131c\u0131 ovqat daha da canlan\u0131b. Teatr ham\u0131n\u0131n qar\u015f\u0131l\u0131ql\u0131 h\u00f6rm\u0259t v\u0259 anla\u015fma \u015f\u0259raitind\u0259 birg\u0259 \u00e7al\u0131\u015fd\u0131\u011f\u0131, bir-birinin u\u011furlar\u0131na sevindiyi b\u00f6y\u00fck bir ail\u0259y\u0259, s\u0259mimi yarad\u0131c\u0131l\u0131q atmosferinin h\u00f6km s\u00fcrd\u00fcy\u00fc s\u0259n\u0259t m\u0259kan\u0131na \u00e7evrilib.<\/p>\n

B\u00f6y\u00fck C\u0259f\u0259r Cabbarl\u0131 deyirdi ki, dramaturq s\u0259n\u0259tin ilk pill\u0259sind\u0259 dayan\u0131r, onun son v\u0259 \u0259l\u00e7atmaz pill\u0259sini aktyor f\u0259th el\u0259yir. Do\u011frudan da, b\u00fct\u00f6v bir tama\u015fa hey\u0259tinin aylarla g\u00f6rd\u00fcy\u00fc i\u015fin yekununu tama\u015fa\u00e7\u0131ya \u00e7atd\u0131ran aktyor olur v\u0259 tama\u015fan\u0131n u\u011furunda aktyorlar\u0131n rolu b\u00f6y\u00fckd\u00fcr. “\u015e\u0259hid bayra\u011f\u0131”n\u0131n q\u0259hr\u0259man\u0131n\u0131 – s\u0259hv\u0259n \u015f\u0259hid z\u0259nn edil\u0259n komandir Polad\u0131n obraz\u0131n\u0131 tama\u015fada g\u0259nc aktyor Saleh \u018fzimzad\u0259 oynay\u0131r. Salehi ilk d\u0259f\u0259 rejissor Anar Babal\u0131n\u0131n qurulu\u015funda “Tanr\u0131 qu\u015fu g\u0259lm\u0259di” (Cavid Zeynalov) tama\u015fas\u0131nda \u0259sas rollardan birind\u0259 g\u00f6rm\u00fc\u015f\u0259m. \u00d6z\u00fcn\u00fcn s\u00f6z\u00fcn b\u00fct\u00fcn anlamlar\u0131nda s\u0259hn\u0259 imkanlar\u0131 il\u0259 o t\u0259kc\u0259 bu tama\u015falar\u0131n deyil, \u00fcmum\u0259n L\u0259nk\u0259ran Teatr\u0131n\u0131n q\u0259hr\u0259man\u0131 kimi formala\u015fmaqdad\u0131r. M\u0259nc\u0259, bu g\u0259nc aktyordan kinofilml\u0259r v\u0259 seriallarda da u\u011furla istifad\u0259 el\u0259m\u0259k olar. Proqnoz verm\u0259y\u0259 ehtiyat el\u0259s\u0259m d\u0259, deyim ki, m\u0259n Salehi g\u0259l\u0259c\u0259k Az\u0259rbaycan teatr v\u0259 kino s\u0259n\u0259tinin say\u0131l\u0131b-se\u00e7il\u0259n isiml\u0259rind\u0259n biri kimi g\u00f6r\u00fcr\u0259m. \u018flb\u0259tt\u0259 ki, S\u0259m\u0259d Vur\u011funun “birinci add\u0131mda lov\u011falananlar, ikinci add\u0131mda y\u0131x\u0131lacaqd\u0131r” s\u00f6zl\u0259rini unutmasa, sevib-se\u00e7diyi s\u0259n\u0259t\u0259 ax\u0131racan sadiq qalsa.<\/p>\n

Tama\u015fada aktyor oyunu bax\u0131m\u0131ndan diqq\u0259ti \u0259n \u00e7ox \u00e7\u0259k\u0259n Polad\u0131n valideynl\u0259ri – atas\u0131 F\u0259rhad\u0131 canland\u0131ran \u018fm\u0259kdar artist S\u00fcc\u0259ddin Mirz\u0259yev v\u0259 anas\u0131 Sevdan\u0131 oynayan Aynur \u018fhm\u0259dova oldular. H\u0259r iki aktyoru bundan \u00f6nc\u0259 “Casus” (dramaturq Kamal Abdulla, rejissor Anar Babal\u0131) tama\u015fas\u0131ndan tan\u0131y\u0131rd\u0131m. Onlar g\u00fcn\u00fcm\u00fcz\u00fcn reall\u0131qlar\u0131na dair zaldak\u0131lara s\u0259tiralt\u0131 m\u0259nalarla dolu mesajlar g\u00f6nd\u0259rir, s\u0259ciyy\u0259vi cizgil\u0259r\u0259 malik obrazlar yarad\u0131rd\u0131lar. Teatr s\u0259n\u0259ti bizd\u0259 nadir hallarda bel\u0259 d\u0259rin\u0259 gedir, bel\u0259 odla oynay\u0131r. “\u015e\u0259hid bayra\u011f\u0131” tama\u015fas\u0131nda is\u0259 durum ba\u015fqad\u0131r. Burada \u0259sas olan zalla gizli mesajla\u015fma deyil, tam \u0259ksin\u0259, ata v\u0259 ana obrazlar\u0131n\u0131n maksimum s\u0259mimiyy\u0259tl\u0259, a\u00e7\u0131q-a\u015fkar ekspressivlikl\u0259 t\u0259qdimind\u0259dir. Onlar\u0131n \u00f6z \u00f6vladlar\u0131na olan sevgisi, qazi oldu\u011fu halda, ikinci d\u0259f\u0259 k\u00f6n\u00fcll\u00fc olaraq c\u0259bh\u0259y\u0259 yollanan Polad\u0131n h\u0259yat\u0131 \u00fc\u00e7\u00fcn ke\u00e7irdikl\u0259ri b\u00f6y\u00fck h\u0259y\u0259can, onun \u00f6l\u00fcm x\u0259b\u0259ri g\u0259l\u0259rk\u0259n ya\u015fad\u0131qlar\u0131 a\u011flas\u0131\u011fmaz sars\u0131nt\u0131 h\u0259r iki aktyorun ifas\u0131nda zala inand\u0131r\u0131c\u0131l\u0131qla, reall\u0131q \u00f6l\u00e7\u00fcs\u00fcn\u00fc a\u015fmadan, he\u00e7 bir baya\u011f\u0131 patetika, pafosa yol verm\u0259d\u0259n \u00e7atd\u0131r\u0131l\u0131rd\u0131. D\u0259h\u015f\u0259tli x\u0259b\u0259ri e\u015fid\u0259n Sevda – Aynur \u018fhm\u0259dova \u0259lind\u0259ki sinini qeyri-ixtiyari yer\u0259 sal\u0131r v\u0259 dili tutulmu\u015f halda d\u00f6\u015f\u0259m\u0259y\u0259 \u00e7\u00f6k\u00fcr, F\u0259rhad – S\u00fcc\u0259ddin Mirz\u0259yevin an\u0131ndaca beli b\u00fck\u00fcl\u00fcrd\u00fc. S\u00fcc\u0259ddin Mirz\u0259yevin qutsal \u0259man\u0259t kimi s\u0259liq\u0259 il\u0259 qatlanm\u0131\u015f bayra\u011f\u0131m\u0131z da \u0259lind\u0259 avansenaya \u00e7\u0131xmas\u0131, sonra da \u015f\u0259hid qan\u0131 t\u00f6k\u00fclm\u00fc\u015f bayra\u011f\u0131 ba\u011fr\u0131na s\u0131xaraq “\u015f\u00fck\u00fcr ki, o\u011flumuz v\u0259t\u0259n u\u011frunda, torpaq u\u011frunda, xalq\u0131m\u0131z u\u011frunda \u015f\u0259hid olub” – dey\u0259 tama\u015fan\u0131n \u0259sas ideyas\u0131n\u0131 a\u00e7\u0131qlad\u0131\u011f\u0131 s\u0259hn\u0259 emosional t\u0259sir g\u00fcc\u00fcyl\u0259 x\u00fcsusi se\u00e7ilir, tama\u015fa\u00e7\u0131lar t\u0259r\u0259find\u0259n s\u00fcr\u0259kli alq\u0131\u015flarla qar\u015f\u0131lan\u0131rd\u0131. \u0130nan\u0131ram ki, o anda t\u0259kc\u0259 m\u0259nim deyil, \u00e7oxlar\u0131n\u0131n \u00fcr\u0259yind\u0259n “bayraqlar\u0131 bayraq yapan \u00fcst\u00fcnd\u0259ki qand\u0131r, torpaq \u0259g\u0259r u\u011frunda \u00f6l\u0259n varsa, v\u0259t\u0259ndir” misralar\u0131 ke\u00e7irdi.<\/p>\n

Tama\u015fada yer alan N\u0259zrin (M\u0259leyk\u0259 C\u0259f\u0259rova), Rafiq (Allahver\u0259n Babayev), Teymur (Miraslan A\u011fayev), Zeyn\u0259b (T\u0259ran\u0259 F\u0259r\u0259cova), N\u0259bi (Buludxan Buludov), h\u0259tta u\u015faq obraz\u0131 M\u0259tinin ifa\u00e7\u0131s\u0131 Zeynal M\u0259mm\u0259dzad\u0259 bel\u0259 dramaturji m\u0259tnin imkan verdiyi q\u0259d\u0259r tap\u015f\u0131r\u0131lan i\u015fin \u00f6hd\u0259sind\u0259n g\u0259lm\u0259y\u0259 \u00e7al\u0131\u015f\u0131rd\u0131lar. Sad\u0259c\u0259, balaca M\u0259tinin stolun \u00fcst\u00fcn\u0259 \u00e7\u0131xaraq, yumruqlar\u0131n\u0131 d\u00fcy\u00fcnl\u0259y\u0259r\u0259k v\u0259t\u0259np\u0259rv\u0259rlik \u015f\u00fcar\u0131 dem\u0259si bir q\u0259d\u0259r ifrata varmaq, a\u015f\u0131r\u0131 patriotizm t\u0259siri ba\u011f\u0131\u015flad\u0131.<\/p>\n

B\u00fct\u00fcn t\u0259qdir\u0259 v\u0259 t\u0259nqid\u0259layiq t\u0259r\u0259fl\u0259ri il\u0259 “\u015e\u0259hid bayra\u011f\u0131” maraqla, h\u0259y\u0259canla izl\u0259nilir, bir saat on d\u0259qiq\u0259 \u00e7\u0259k\u0259n tama\u015fan\u0131n n\u0259 vaxt bitm\u0259sind\u0259n zal\u0131n x\u0259b\u0259ri olmurdu. Tama\u015fan\u0131n \u0259n ilginc y\u00f6nl\u0259rind\u0259n biri o idi ki, \u015f\u0259hidl\u0259rin \u00f6lm\u0259zliyi ideyas\u0131 burada sad\u0259c\u0259 ruh\u0259n deyil, cism\u0259n d\u0259 \u00f6z t\u0259sdiqini tap\u0131r, \u015f\u0259hid z\u0259nn edil\u0259n d\u00f6y\u00fc\u015f\u00e7\u00fc do\u011frudan da, sa\u011f-salamat \u00f6z ata-anas\u0131, ail\u0259-u\u015fa\u011f\u0131n\u0131n yan\u0131na qay\u0131d\u0131rd\u0131. Tama\u015fada diqq\u0259ti \u00e7\u0259k\u0259n v\u0259 \u00e7ox a\u011fr\u0131l\u0131 m\u0259qamlardan biri d\u0259 Qafar C\u0259f\u0259rlinin zala \u00f6t\u00fcrd\u00fcy\u00fc bir s\u0131ra mesajlar\u0131yd\u0131 ki, bunlar\u0131n aras\u0131nda evin t\u0259k \u00f6vlad\u0131n\u0131n c\u0259bh\u0259y\u0259 apar\u0131lmas\u0131na etiraz \u00f6n\u0259mli yer tutur. Do\u011frudan da, \u00f6z\u00fcn\u00fcn t\u0259k \u00f6vlad\u0131n\u0131 itir\u0259n ata-anan\u0131n h\u0259yat\u0131 \u00f6m\u00fcrl\u0259ri boyu bir zindana d\u00f6nm\u00fcrm\u00fc v\u0259 bu ac\u0131n\u0131 onlara ya\u015fatma\u011fa ixtiyar\u0131m\u0131z varm\u0131?<\/p>\n

“\u015e\u0259hid bayra\u011f\u0131” tama\u015fas\u0131 dramaturq Qafar C\u0259f\u0259rli v\u0259 ba\u015fda Teatr\u0131n direktoru, Az\u0259rbaycan Respublikas\u0131n\u0131n \u018fm\u0259kdar M\u0259d\u0259niyy\u0259t i\u015f\u00e7isi, Da\u011f\u0131stan Respublikas\u0131n\u0131n \u018fm\u0259kdar artisti Lal\u0259zar xan\u0131m H\u00fcseynova olmaqla, L\u0259nk\u0259ran Teatr\u0131n\u0131n v\u0259t\u0259n, mill\u0259t v\u0259 d\u00f6vl\u0259t qar\u015f\u0131s\u0131nda \u00f6z borcunu d\u0259rk etm\u0259si v\u0259 bu borcdan ir\u0259li g\u0259l\u0259n m\u0259n\u0259vi \u00f6hd\u0259likl\u0259ri yerin\u0259 yetirm\u0259k c\u0259hdinin u\u011furlu ifad\u0259sidir. M\u0259nc\u0259, N\u0259c\u0259f b\u0259y V\u0259zirov ad\u0131na L\u0259nk\u0259ran D\u00f6vl\u0259t Dram Teatr\u0131 bu tama\u015fa il\u0259 Qafar C\u0259f\u0259rlinin simas\u0131nda \u00f6z\u00fcn\u00fcn s\u0259ciyy\u0259vi dramaturqunu tapd\u0131. Onlar\u0131n birg\u0259 f\u0259aliyy\u0259tinin bundan sonra h\u0259l\u0259 uzun ill\u0259r davam ed\u0259c\u0259yi v\u0259 daha u\u011furlu sonuclar ver\u0259c\u0259yin\u0259 inan\u0131r, ham\u0131ya \u00f6z i\u015find\u0259 uca Allahdan ba\u015far\u0131lar dil\u0259yir\u0259m.<\/p>\n

 <\/p>\n

Yaz\u0131ya 24 d\u0259f\u0259 bax\u0131l\u0131b<\/p>\n","protected":false},"excerpt":{"rendered":"

Bir ne\u00e7\u0259 il \u00f6nc\u0259 \u015fair-yaz\u0131\u00e7\u0131lardan soru\u015fanda ki, niy\u0259 Qaraba\u011f m\u00f6vzusuna \u00fcr\u0259kl\u0259 \u00fcz tutmursunuz? – \u00f6z m\u0259\u011flubiyy\u0259timizd\u0259n n\u0259 yazaq? – dey\u0259 cavab verirdil\u0259r. Amma budur, Allah\u0131n \u0259dal\u0259tiyl\u0259, Ali Ba\u015f Komandan\u0131m\u0131z c\u0259nab \u0130lham \u018fliyev ba\u015fda olmaqla, m\u00fcz\u0259ff\u0259r ordumuz d\u00fc\u015fm\u0259nin 30 il\u0259 qurdu\u011fu istehkamlar\u0131 44 g\u00fcn \u0259rzind\u0259 darmada\u011f\u0131n el\u0259y\u0259r\u0259k, i\u015f\u011fal\u00e7\u0131lar\u0131 qutsal torpaqlar\u0131m\u0131zdan qovdu v\u0259 \u00e7oxillik a\u011fr\u0131-ac\u0131lar\u0131m\u0131za, h\u0259sr\u0259timiz\u0259 son […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[3,21],"tags":[],"_links":{"self":[{"href":"https:\/\/kultur.az\/index.php?rest_route=\/wp\/v2\/posts\/20409"}],"collection":[{"href":"https:\/\/kultur.az\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kultur.az\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kultur.az\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kultur.az\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=20409"}],"version-history":[{"count":1,"href":"https:\/\/kultur.az\/index.php?rest_route=\/wp\/v2\/posts\/20409\/revisions"}],"predecessor-version":[{"id":20410,"href":"https:\/\/kultur.az\/index.php?rest_route=\/wp\/v2\/posts\/20409\/revisions\/20410"}],"wp:attachment":[{"href":"https:\/\/kultur.az\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=20409"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kultur.az\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=20409"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kultur.az\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=20409"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}