{"id":20550,"date":"2024-12-21T14:59:47","date_gmt":"2024-12-21T10:59:47","guid":{"rendered":"https:\/\/kultur.az\/?p=20550"},"modified":"2024-12-21T14:59:47","modified_gmt":"2024-12-21T10:59:47","slug":"s%c9%99n-t%c9%99k-deyils%c9%99n-%c9%99s%c9%99d-cahangir-s%c9%99lim-babullaogludan-yazir","status":"publish","type":"post","link":"https:\/\/kultur.az\/?p=20550","title":{"rendered":"“S\u0259n t\u0259k deyils\u0259n” – \u018fs\u0259d Cahangir S\u0259lim Babullao\u011fludan yaz\u0131r…"},"content":{"rendered":"

\"\"<\/a>S\u0259lim Babullao\u011flunu 1992-ci ild\u0259n, Bak\u0131 D\u00f6vl\u0259t Universitetind\u0259n, t\u0259l\u0259b\u0259l\u0259rin “N\u0259simi” Yarad\u0131c\u0131l\u0131q M\u0259rk\u0259zind\u0259n tan\u0131y\u0131ram. Onda m\u0259n filologiya fak\u00fclt\u0259sinin sonuncu kursunda oxuyurdum v\u0259 M\u0259rk\u0259zin x\u0259tti il\u0259 Nizami G\u0259nc\u0259vinin 850 illik yubileyin\u0259 h\u0259sr olunmu\u015f, Universitetin m\u00fcxt\u0259lif fak\u00fclt\u0259l\u0259rind\u0259n olan t\u0259l\u0259b\u0259l\u0259rin qat\u0131ld\u0131\u011f\u0131 tama\u015fa haz\u0131rlay\u0131rd\u0131m. M\u0259rk\u0259z\u0259 g\u0259lib-ged\u0259n t\u0259l\u0259b\u0259l\u0259r aras\u0131nda kitabxana\u00e7\u0131l\u0131q fak\u00fclt\u0259sinin ikinci kursunda oxuyan, qara r\u0259ngli “troyka” kostyumu, s\u0259liq\u0259 il\u0259 yana daranm\u0131\u015f s\u0131x sa\u00e7lar\u0131, q\u0259hv\u0259yi r\u0259ngli d\u0259ri \u00e7antas\u0131 il\u0259 diplomatlar\u0131 xat\u0131rladan b\u0259st\u0259boylu, azdan\u0131\u015fan bir g\u0259nc d\u0259 var\u0131yd\u0131. Ziyal\u0131, g\u00f6r\u00fcb-g\u00f6t\u00fcrm\u00fc\u015f ail\u0259d\u0259n oldu\u011fu d\u0259rhal duyulan bu g\u0259nc s\u0259liq\u0259li g\u00f6rk\u0259mi v\u0259 sakit r\u0259ftar\u0131 il\u0259 \u00f6z\u00fcn\u0259 qar\u015f\u0131 ilk bax\u0131\u015fdanca r\u0259\u011fb\u0259t oyad\u0131rd\u0131. S\u0259limi birinci d\u0259f\u0259 bel\u0259 g\u00f6rd\u00fcm.<\/p>\n

\u0130kinci g\u00f6r\u00fc\u015f\u00fcm\u00fcz iki il sonra -1994-c\u00fc ild\u0259 m\u0259tbuatda oldu – h\u0259rd\u0259n m\u0259nim i\u015fl\u0259diyim q\u0259zet\u0259 materiallar g\u0259tirirdi. Yad\u0131mda deyil, bir d\u0259f\u0259 nec\u0259 oldusa, ona bir \u015feirimi oxudum v\u0259 ba\u015f\u0131n\u0131 a\u015fa\u011f\u0131 sal\u0131b, \u015feiri el\u0259 diqq\u0259tl\u0259, sanki b\u00fct\u00fcn h\u00fcceyr\u0259l\u0259ri il\u0259 duyaraq, b\u00fct\u00fcn \u0259s\u0259bl\u0259ri il\u0259 qavrayaraq dinl\u0259yirdi ki, mat qalm\u0131\u015fd\u0131m v\u0259 bir az da p\u0259rt olmu\u015fdum. G\u00f6r\u0259s\u0259n, \u015feirim bu diqq\u0259t\u0259 layiq idimi? S\u00f6hb\u0259t, \u0259lb\u0259tt\u0259, m\u0259nim yazd\u0131\u011f\u0131m\u0131n qeyri-adi t\u0259sir g\u00fcc\u00fcnd\u0259n deyil, \u00fcmum\u0259n \u015feird\u0259n, s\u00f6zd\u0259n v\u0259 g\u0259l\u0259c\u0259k \u00f6mr\u00fcn\u00fc \u015feir\u0259, s\u00f6z\u0259 adamaq fikrind\u0259 olan bir g\u0259ncin ba\u015fqas\u0131n\u0131n yazd\u0131\u011f\u0131na, gen\u0259likl\u0259, b\u0259dii s\u00f6z\u0259 olan qeyri-adi h\u0259ssasl\u0131\u011f\u0131ndan, \u015feiri, s\u00f6z\u00fc sad\u0259c\u0259 dinl\u0259m\u0259si deyil, dinl\u0259y\u0259-dinl\u0259y\u0259 ya\u015famas\u0131ndan gedir. Onda bilmirdim ki, S\u0259lim \u00f6z\u00fc d\u0259 \u015feirl\u0259r yaz\u0131r, yatsam, yuxuma da girm\u0259zdi ki, ill\u0259r ke\u00e7\u0259c\u0259k, h\u0259r ikimiz eyni bir t\u0259\u015fkilat\u0131n \u00fczv\u00fc olacaq, eyni idar\u0259d\u0259 i\u015fl\u0259y\u0259c\u0259k, i\u015fl\u0259y\u0259-i\u015fl\u0259y\u0259 d\u0259 g\u0259nclik ill\u0259rini gerid\u0259 qoyacaq, 50-ni ke\u00e7\u0259c\u0259yik v\u0259 m\u0259n g\u00fcnl\u0259rin bir g\u00fcn\u00fc S\u0259limin ad g\u00fcn\u00fcn\u0259 bu yaz\u0131n\u0131 yazacam. Zaman\u0131n \u0259qr\u0259bl\u0259ri h\u0259l\u0259 doxsan\u0131nc\u0131 ill\u0259ri g\u00f6st\u0259rirdi.<\/p>\n

S\u0259limi \u00fc\u00e7\u00fcnc\u00fc d\u0259f\u0259 televiziya ekran\u0131nda, “Yadda\u015f” proqram\u0131n\u0131n apar\u0131c\u0131s\u0131 kimi g\u00f6rd\u00fcm v\u0259 k\u00f6hn\u0259 tan\u0131\u015f\u0131m \u00f6z\u00fcn\u00fcn yeni ampluas\u0131nda diqq\u0259timi d\u0259rhal \u00e7\u0259kdi. Bu, m\u0259ntiqi idi – o, iddial\u0131 oturu\u015fundan tutmu\u015f, h\u0259r c\u00fcr baya\u011f\u0131 sentimentall\u0131qdan, y\u00fcng\u00fcl duy\u011fusall\u0131qdan uzaq, ciddi, sakit diksiyas\u0131na q\u0259d\u0259r h\u0259min ill\u0259rd\u0259 art\u0131q d\u0259b\u0259 \u00e7evrilm\u0259y\u0259 ba\u015flayan “skoroqovorka” \u00fcslublu, reklam \u00e7arx\u0131 f\u0131rlad\u0131rm\u0131\u015f kimi b\u00fclb\u00fcl c\u0259h-c\u0259hli, yapma t\u0259b\u0259ss\u00fcml\u00fc dig\u0259r teleproqram apar\u0131c\u0131lar\u0131ndan yerl\u0259 g\u00f6y q\u0259d\u0259r f\u0259rql\u0259nirdi. H\u0259yat\u0131, d\u00fcnyan\u0131, insan\u0131 qavrama\u011fa ba\u015flayandan m\u0259n\u0259 h\u0259mi\u015f\u0259 el\u0259 g\u0259lib v\u0259 bu g\u00fcn d\u0259 el\u0259 g\u0259lir ki, biz, sad\u0259c\u0259, \u00f6z \u00f6mr\u00fcm\u00fcz\u00fc ya\u015fam\u0131r, h\u0259m d\u0259 bu semiotik d\u00fcnyada n\u0259yis\u0259 i\u015far\u0259l\u0259yir, zaman\u0131n hans\u0131sa \u0259lam\u0259tini g\u00f6st\u0259ririk, y\u0259ni i\u015far\u0259l\u0259r sistemind\u0259n ibar\u0259t bu d\u00fcnyada biz d\u0259 bir i\u015far\u0259yik. Bu d\u0259f\u0259 d\u0259 \u00f6zl\u00fcy\u00fcmd\u0259 bel\u0259 q\u0259rar verdim – teleekrana modern n\u0259f\u0259s g\u0259lir v\u0259 S\u0259limin tamam f\u0259rqli, \u00f6z\u00fcn\u0259m\u0259xsus ekran maneras\u0131n\u0131 yeni zaman\u0131n bir g\u0259ncin simas\u0131nda i\u015far\u0259si kimi m\u0259naland\u0131rd\u0131m. T\u0259\u0259ss\u00fcf (b\u0259lk\u0259 n\u0259 yax\u015f\u0131!) ki, bu proqnozum \u00f6z\u00fcn\u00fc do\u011frultmad\u0131 v\u0259 bunun su\u00e7u, \u0259lb\u0259tt\u0259 ki, S\u0259limd\u0259 deyil, televiziyan\u0131n o zamank\u0131 \u015fablon, standart, trafaret, stereotip d\u00fc\u015f\u00fcnc\u0259li s\u0259lahiyy\u0259t sahibl\u0259rind\u0259 idi. B\u0259lk\u0259 d\u0259 bu yorumlamalar\u0131mda yan\u0131l\u0131r, kimins\u0259 haqq\u0131na girir\u0259m, b\u0259lk\u0259 d\u0259, m\u0259s\u0259l\u0259 \u0259slind\u0259 ba\u015fqa c\u00fcrd\u00fcr, m\u0259nim yazd\u0131qlar\u0131m uzaqba\u015f\u0131, k\u0259nar m\u00fc\u015fahid\u0259\u00e7inin subyektiv g\u00fcmanlar\u0131d\u0131r. H\u0259r n\u0259dir, h\u0259r nec\u0259dirs\u0259, Allah insanlardan \u00e7ox bilir v\u0259 p\u0259rd\u0259nin ist\u0259r o \u00fcz\u00fc, ist\u0259rs\u0259 d\u0259 b\u0259ri \u00fcz\u00fcnd\u0259 ba\u015f ver\u0259nl\u0259r sonucunda Az\u0259rbaycan telem\u0259kan\u0131 \u00f6z\u00fcn\u00fcn g\u0259l\u0259c\u0259k modern simalar\u0131ndan birini itirs\u0259 d\u0259, \u0259d\u0259biyyat\u0131m\u0131z \u00f6z\u00fcn\u00fcn yenilik\u00e7isini – S\u0259lim Babullao\u011flunu qazand\u0131.<\/p>\n

\"\"<\/p>\n

\u00d6t\u0259n minillikd\u0259 S\u0259liml\u0259 son g\u00f6r\u00fc\u015f\u00fcm 1998-ci ild\u0259, M\u0259d\u0259niyy\u0259t \u015f\u00f6b\u0259sin\u0259 ba\u015f\u00e7\u0131l\u0131q el\u0259diyim “Ekspress” q\u0259zetind\u0259 oldu. \u015eeirl\u0259rini g\u0259tirmi\u015fdi v\u0259 onun b\u0259dii yarad\u0131c\u0131l\u0131qla m\u0259\u015f\u011ful oldu\u011funu yaln\u0131z indi bildim. \u018flb\u0259tt\u0259, bu \u015feirl\u0259rin m\u00fc\u0259llifi h\u0259l\u0259 modern poeziyam\u0131z\u0131n apar\u0131c\u0131 isiml\u0259rind\u0259n biri olan S\u0259lim Babullao\u011flu deyildi, amma Universitetd\u0259n tan\u0131d\u0131\u011f\u0131m klassik ingilis d\u0259bli o\u011flan\u0131n, “Yadda\u015f” proqram\u0131nda g\u00f6rd\u00fcy\u00fcm modern apar\u0131c\u0131n\u0131n, bir s\u00f6zl\u0259, k\u00f6hn\u0259 tan\u0131\u015fl\u0131\u011f\u0131m\u0131z\u0131n xatirin\u0259, onlar\u0131n d\u0259rcin\u0259 etiraz el\u0259m\u0259dim. Bununla da, bizim S\u0259liml\u0259 \u00fcnsiyy\u0259t tarix\u00e7\u0259mizin birinci d\u00f6n\u0259mi ba\u015fa \u00e7atd\u0131. Qar\u015f\u0131dan is\u0259 bizim tan\u0131\u015fl\u0131\u011f\u0131m\u0131z\u0131n ikinci d\u00f6n\u0259mi v\u0259 \u00f6z s\u00fcrprizl\u0259ri il\u0259 \u00fc\u00e7\u00fcnc\u00fc minillik g\u0259lirdi…<\/p>\n

S\u0259lim Babullao\u011flu Yaz\u0131\u00e7\u0131lar Birliyinin 2004-c\u00fc ild\u0259 ke\u00e7iril\u0259n qurultay\u0131ndan sonra Birliyin n\u0259zdind\u0259 qurucusu oldu\u011fu “D\u00fcnya \u0259d\u0259biyyat\u0131”n\u0131 – t\u0259xmin\u0259n, ruslar\u0131n “\u0130nostrannaya literatura”s\u0131n\u0131n analoqu olan d\u0259rgini buraxma\u011fa ba\u015flad\u0131 v\u0259 indi ham\u0131n\u0131n tan\u0131d\u0131\u011f\u0131 S\u0259lim Babullao\u011flu da, m\u0259nc\u0259, buradan ba\u015flad\u0131. D\u0259rgi art\u0131q iyirmi ildir ki, \u00e7a\u011fda\u015f d\u00fcnya \u0259d\u0259biyyat\u0131n\u0131 Az\u0259rbaycan oxucusuna \u00e7atd\u0131rmaq kimi vacib g\u00f6r\u0259vin \u00f6hd\u0259sind\u0259n ard\u0131c\u0131l v\u0259 u\u011furla g\u0259lir. 2014-2021-c\u00fc ill\u0259rd\u0259 Az\u0259rbaycan Yaz\u0131\u00e7\u0131lar Birliyi B\u0259dii T\u0259rc\u00fcm\u0259 v\u0259 \u018fd\u0259bi \u018flaq\u0259l\u0259r M\u0259rk\u0259zinin s\u0259dri kimi S.Babullao\u011flu ist\u0259r xarici \u00f6lk\u0259l\u0259r \u0259d\u0259biyyat\u0131n\u0131n dilimiz\u0259 t\u0259rc\u00fcm\u0259si v\u0259 Az\u0259rbaycanda n\u0259\u015fri, ist\u0259rs\u0259 d\u0259 Az\u0259rbaycan \u0259d\u0259biyyat\u0131 n\u00fcmun\u0259l\u0259rinin \u0259cn\u0259bi dill\u0259r\u0259 \u00e7evrilm\u0259si v\u0259 d\u00fcnyan\u0131n bir s\u0131ra \u00f6lk\u0259l\u0259rind\u0259 t\u0259bli\u011fi bax\u0131m\u0131ndan \u00f6z \u0259d\u0259bi mediator rolunu daha geni\u015f miqyasda yerin\u0259 yetirdi v\u0259 haz\u0131rda Az\u0259rbaycan Yaz\u0131\u00e7\u0131lar Birliyinin Beyn\u0259lxalq \u018flaq\u0259l\u0259r v\u0259 T\u0259rc\u00fcm\u0259 M\u0259s\u0259l\u0259l\u0259ri \u00fczr\u0259 katibi kimi yerin\u0259 yetirm\u0259kd\u0259dir. O, ne\u00e7\u0259-ne\u00e7\u0259 beyn\u0259lxalq \u00f6n\u0259mli poeziya v\u0259 t\u0259rc\u00fcm\u0259 layih\u0259sinin m\u00fc\u0259llifi, \u00e7oxsayl\u0131 poetik, t\u0259rc\u00fcm\u0259, esseist kitab\u0131n, bir ne\u00e7\u0259 kinossenarinin m\u00fc\u0259llifidir, \u015feirl\u0259rin\u0259 mahn\u0131lar b\u0259st\u0259l\u0259nib, \u00e7oxsayl\u0131 milli v\u0259 beyn\u0259lxalq poeziya \u00f6d\u00fcll\u0259rin\u0259 layiq g\u00f6r\u00fcl\u00fcb.<\/p>\n

Lakin geni\u015fmiqyasl\u0131 b\u0259dii t\u0259rc\u00fcm\u0259\u00e7ilik f\u0259aliyy\u0259tin\u0259 baxmayaraq, S.Babullao\u011flu h\u0259r \u015feyd\u0259n \u00f6nc\u0259 \u015fairdir – postmodernist z\u0259man\u0259d\u0259 modernistik \u00fcsluba sadiq \u015fair. Onun modern \u015feirl\u0259rinin \u0259n qabar\u0131q y\u00f6nl\u0259rind\u0259n biri, y\u0259qin ki, birincisi, s\u00f6zd\u0259n r\u0259ng\u0259, ya \u015f\u0259kl\u0259, verball\u0131qdan vizuall\u0131\u011fa, antropoloji dill\u0259 des\u0259m, qulaqdan g\u00f6z\u0259 el\u0259diyi ke\u00e7iddir. V\u0259 t\u0259sad\u00fcfi deyil ki, onun \u015feir kitablar\u0131ndan biri “\u0130lyas G\u00f6\u00e7m\u0259nin \u015f\u0259kil d\u0259ft\u0259ri” adlan\u0131r. S\u0259limin ist\u0259r bu kitabdak\u0131 \u015feirl\u0259ri, ist\u0259rs\u0259 d\u0259 dig\u0259r poetik n\u00fcmun\u0259l\u0259rind\u0259 s\u00f6zl\u0259 r\u0259ng aras\u0131nda orta m\u00f6vqe tutan s\u0259s\u0259 \u00e7ox az yer qal\u0131r, b\u0259lk\u0259 d\u0259 qalm\u0131r. Bu \u015feirl\u0259rin m\u00fc\u0259llifinin s\u0259ssiz d\u00fc\u015f\u00fcnc\u0259 axar\u0131nda yaz\u0131lan \u015feirl\u0259ri tribunadan s\u0259sl\u0259ndirm\u0259k, ham\u0131n\u0131n qar\u015f\u0131s\u0131nda ucadan oxumaq \u00fc\u00e7\u00fcn deyil, t\u0259klikd\u0259 oxumaq \u00fc\u00e7\u00fcnd\u00fcr, deklamasiya el\u0259m\u0259k v\u0259 ya dinl\u0259m\u0259k \u00fc\u00e7\u00fcn deyil, oxumaq v\u0259 d\u00fc\u015f\u00fcnm\u0259k \u00fc\u00e7\u00fcnd\u00fcr, bir s\u00f6zl\u0259, intellektual poeziya \u00f6rn\u0259kl\u0259ridir. T\u0259klik, t\u0259nhal\u0131q onun \u015feirl\u0259rinin \u0259sas m\u00f6vzusu, s\u0259ssizlik, s\u00fckut ba\u015fl\u0131ca “akustik” \u00f6z\u0259lliyidir.<\/p>\n

Borxes \u00f6z essel\u0259rind\u0259 t\u0259kliyi d\u00fcnya \u0259d\u0259biyyat\u0131n\u0131n d\u00f6rd ana m\u00f6vzusu s\u0131ras\u0131na daxil el\u0259m\u0259yb, amma t\u0259klik, m\u0259nc\u0259, poeziyan\u0131n, \u00fcmum\u0259n \u0259d\u0259biyyat\u0131n \u0259sas m\u00f6vzular\u0131ndan biri, virtual \u00fcnsiyy\u0259tin maksimum s\u0131n\u0131rlara varmas\u0131na baxmayaraq, haz\u0131rk\u0131 \u00e7a\u011fda insan\u0131n \u0259sas sorunlar\u0131ndan biridir. Bu m\u00f6vzu \u00e7a\u011fda\u015f \u0259d\u0259biyyatda klassikadan f\u0259rqli formada \u00fcz\u0259 \u00e7\u0131x\u0131r. “N\u0259 yanar kims\u0259 m\u0259n\u0259 at\u0259\u015fi-dild\u0259n \u00f6zg\u0259\/ N\u0259 a\u00e7ar kims\u0259 qap\u0131m badi-s\u0259badan qeyri” dey\u0259n F\u00fczulid\u0259n “G\u00f6yd\u0259 Allah da t\u0259kdi, t\u0259k” dey\u0259n Ramiz R\u00f6v\u015f\u0259n\u0259 q\u0259d\u0259r, \u015fairl\u0259rimiz bu t\u0259klikd\u0259n s\u00f6z a\u00e7\u0131blar, “ilahi, insan da bel\u0259 t\u0259k olar?” dey\u0259n iyirminci y\u00fczilin son \u015fairi Salam\u0131n timsal\u0131nda t\u0259klik haqq\u0131nda deyil\u0259si s\u00f6z sanki art\u0131q qurtar\u0131r, i\u015far\u0259 \u0259v\u0259zliyi il\u0259 \u0259v\u0259zl\u0259nir. Nec\u0259 t\u0259k olar? “Bel\u0259!” V\u0259 iyirmi birinci y\u00fczilin \u015fairi S.Babullao\u011flu t\u0259nhal\u0131q haqq\u0131nda art\u0131q dan\u0131\u015fm\u0131r, o, bu \u0259zabl\u0131, buz kimi soyuq duy\u011funu n\u0259q\u0259rata \u00e7evir\u0259r\u0259k, insan\u0131n \u0259traf\u0131nda fon yaradan b\u00fct\u00fcn \u0259\u015fyalarla birlikd\u0259 kinoekran v\u0259 ya tellekran effekti il\u0259 g\u00f6st\u0259rir:<\/p>\n

T\u0259ks\u0259n.<\/p>\n

K\u00f6nd\u0259l\u0259n bo\u015fqablar y\u0131\u011f\u0131lm\u0131\u015f \u015fkaf di\u015fini a\u011fardar<\/p>\n

masaya s\u0259rilmi\u015f \u00e7irkli s\u00fcfr\u0259y\u0259.<\/p>\n

Qarderob boyunca as\u0131lm\u0131\u015f \u015falvarlar \u015fax durar,<\/p>\n

yollar da acizdir \u00e7\u0259kdiyi \u00fct\u00fcy\u0259.<\/p>\n

 <\/p>\n

T\u0259ks\u0259n.<\/p>\n

Uzunbel k\u0259til\u0259 k\u0259nardan baxsan,<\/p>\n

\u00e7ox \u015fey\u0259 b\u0259nz\u0259d\u0259 bil\u0259rs\u0259n s\u0259n onu:<\/p>\n

a\u011fz\u0131a\u015fa\u011f\u0131 baltaya; “h”ya;<\/p>\n

yorulub otursan, g\u00fcnahkar-g\u00fcnahkar<\/p>\n

boynunu ir\u0259li uzatsan,<\/p>\n

d\u00f6n\u0259c\u0259k a\u00e7\u0131lm\u0131\u015f kitaba, “k”ya.<\/p>\n

 <\/p>\n

Bu misralar, S\u0259limin t\u0259xmin\u0259n, iyirmi il \u00f6nc\u0259 yazd\u0131\u011f\u0131, m\u0259nim Ba\u015f redaktoru oldu\u011fum “K\u00f6rp\u00fc” d\u0259rgisind\u0259 i\u015f\u0131q \u00fcz\u00fc g\u00f6r\u0259n ikivariantl\u0131 “Doqquzuncu hiss\u0259”sind\u0259ndir v\u0259 m\u0259n \u0259s\u0259rin janr\u0131n\u0131n \u00fcst\u00fcnd\u0259n t\u0259sad\u00fcf\u0259n s\u00fckutla ke\u00e7m\u0259dim. M\u0259nc\u0259, m\u00fc\u0259llif d\u0259 onun janr\u0131 bar\u0259d\u0259 t\u0259sad\u00fcf\u0259n susmur. Bu, h\u0259m poemad\u0131r, h\u0259m uzun \u015feirdir, h\u0259m d\u0259 onlar\u0131n he\u00e7 biri deyil. Bu, m\u00fc\u0259llifin \u00f6z\u00fcn\u00fcn adland\u0131rd\u0131\u011f\u0131 kimi el\u0259c\u0259 “hiss\u0259”dir. Niy\u0259 doqquzuncu? Bir insan\u0131n gec\u0259 ba\u015flay\u0131b, dan yeri s\u00f6k\u00fcl\u0259nd\u0259 bit\u0259n daxili monoloqu, yaxud \u00f6z-\u00f6z\u00fcyl\u0259 dialoqundan ibar\u0259t “Doqquzuncu hiss\u0259” azan s\u0259sl\u0259riyl\u0259 bitir v\u0259 bu final onu modern formada klassikaya qaytar\u0131r, \u00f6rk\u0259n n\u0259 q\u0259d\u0259r uzun olsa da, yen\u0259 d\u0259 g\u0259lib h\u0259r \u015feyi \u00f6z\u00fcnd\u0259n do\u011furan do\u011fanaqdan ke\u00e7ir, t\u0259klik is\u0259 kosmik, metafizik miqyas qazanaraq b\u00fct\u00fcn universumu \u00f6z\u00fcnd\u0259 \u00e7evr\u0259l\u0259y\u0259n varl\u0131q formas\u0131na \u00e7evrilir:<\/p>\n

 <\/p>\n

S\u0259h\u0259rdir. M\u00fc\u0259zzin minb\u0259rd\u0259<\/p>\n

azan oxuyur, sirli ah\u0259ngl\u0259.<\/p>\n

T\u0259ks\u0259n, t\u0259kdir m\u00fc\u0259zzin, t\u0259kdir minb\u0259r d\u0259.<\/p>\n

 <\/p>\n

Dekabr\u0131n 10-u S\u0259lim Babullao\u011flunun d\u00fcnyaya g\u0259ldiyi g\u00fcn idi v\u0259 h\u0259min g\u00fcn sosial \u015f\u0259b\u0259k\u0259l\u0259rd\u0259ki says\u0131z-hesabs\u0131z t\u0259brik payla\u015f\u0131mlar\u0131 g\u00f6st\u0259rdi ki, o iyirmi il \u00f6nc\u0259 d\u0259rc olunan bu \u015feird\u0259 deyildiyind\u0259n f\u0259rqli olaraq \u0259sla t\u0259k deyil. Onu d\u0259y\u0259rl\u0259ndir\u0259n q\u0259l\u0259m dostlar\u0131 (komp\u00fcter eras\u0131nda bu s\u00f6z\u00fc i\u015fl\u0259tm\u0259k, g\u00f6r\u0259s\u0259n, n\u0259 d\u0259r\u0259c\u0259d\u0259 d\u00fczd\u00fcr?), oxucular, dostlar, tan\u0131\u015flar, i\u015f yolda\u015flar\u0131, \u0259n ba\u015fl\u0131cas\u0131, sidq-\u00fcr\u0259kd\u0259n inand\u0131\u011f\u0131, iman g\u0259tirdiyi Allah\u0131 var. Dem\u0259k, \u0259n az\u0131 bu \u015feirin yaz\u0131ld\u0131\u011f\u0131 d\u00f6vrd\u0259n ke\u00e7\u0259n 20 ild\u0259 ya\u015fananlar bo\u015funa getm\u0259yib.<\/p>\n

\u018fziz S\u0259lim, s\u0259ni d\u00fcnyaya g\u0259ldiyin g\u00fcn m\u00fcnasib\u0259til\u0259 b\u00fct\u00fcn ist\u0259y\u0259nl\u0259rin ad\u0131ndan t\u0259brik edir, arzu edir\u0259m ki, bundan sonra da u\u011furlar sadiq dostun, daimi yolda\u015f\u0131n olsun.<\/p>\n

“\u018fd\u0259biyyat q\u0259zeti”<\/p>\n

Yaz\u0131ya 36 d\u0259f\u0259 bax\u0131l\u0131b<\/p>\n","protected":false},"excerpt":{"rendered":"

S\u0259lim Babullao\u011flunu 1992-ci ild\u0259n, Bak\u0131 D\u00f6vl\u0259t Universitetind\u0259n, t\u0259l\u0259b\u0259l\u0259rin “N\u0259simi” Yarad\u0131c\u0131l\u0131q M\u0259rk\u0259zind\u0259n tan\u0131y\u0131ram. Onda m\u0259n filologiya fak\u00fclt\u0259sinin sonuncu kursunda oxuyurdum v\u0259 M\u0259rk\u0259zin x\u0259tti il\u0259 Nizami G\u0259nc\u0259vinin 850 illik yubileyin\u0259 h\u0259sr olunmu\u015f, Universitetin m\u00fcxt\u0259lif fak\u00fclt\u0259l\u0259rind\u0259n olan t\u0259l\u0259b\u0259l\u0259rin qat\u0131ld\u0131\u011f\u0131 tama\u015fa haz\u0131rlay\u0131rd\u0131m. M\u0259rk\u0259z\u0259 g\u0259lib-ged\u0259n t\u0259l\u0259b\u0259l\u0259r aras\u0131nda kitabxana\u00e7\u0131l\u0131q fak\u00fclt\u0259sinin ikinci kursunda oxuyan, qara r\u0259ngli “troyka” kostyumu, s\u0259liq\u0259 il\u0259 yana daranm\u0131\u015f […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[4,3,21],"tags":[],"_links":{"self":[{"href":"https:\/\/kultur.az\/index.php?rest_route=\/wp\/v2\/posts\/20550"}],"collection":[{"href":"https:\/\/kultur.az\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kultur.az\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kultur.az\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kultur.az\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=20550"}],"version-history":[{"count":1,"href":"https:\/\/kultur.az\/index.php?rest_route=\/wp\/v2\/posts\/20550\/revisions"}],"predecessor-version":[{"id":20551,"href":"https:\/\/kultur.az\/index.php?rest_route=\/wp\/v2\/posts\/20550\/revisions\/20551"}],"wp:attachment":[{"href":"https:\/\/kultur.az\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=20550"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kultur.az\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=20550"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kultur.az\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=20550"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}