{"id":22884,"date":"2026-06-17T10:50:57","date_gmt":"2026-06-17T06:50:57","guid":{"rendered":"https:\/\/kultur.az\/?p=22884"},"modified":"2026-06-17T10:50:57","modified_gmt":"2026-06-17T06:50:57","slug":"yeri-goyu-olmayan-ruh-vaqif-hicran","status":"publish","type":"post","link":"https:\/\/kultur.az\/?p=22884","title":{"rendered":"Yeri-G\u00f6y\u00fc olmayan Ruh – Vaqif H\u0130CRAN"},"content":{"rendered":"

\"\"<\/a>(\u0130rad\u0259 Aytelin “\u00d6l\u00fcm n\u0259di ki, a zal\u0131m” ba\u015fl\u0131ql\u0131 \u015feirind\u0259n sonra…)<\/em><\/p>\n

 <\/p>\n

\u00d6l\u00fcm n\u0259di ki, a zal\u0131m,<\/p>\n

\u00f6l\u00fcmd\u0259n d\u0259 var bet\u0259ri,<\/p>\n

Bilirs\u0259nmi n\u0259l\u0259r \u00e7\u0259kdim,<\/p>\n

…n\u0259l\u0259r<\/p>\n

s\u0259nd\u0259n\u00a0 \u00f6t\u0259ri.<\/p>\n

 <\/p>\n

el\u0259 susdum<\/p>\n

e\u015fitm\u0259din…<\/p>\n

ah\u0131m\u0131 da \u00e7\u0259kdim i\u00e7\u0259.<\/p>\n

he\u00e7mi s\u0259ni \u00fc\u015f\u00fctm\u0259di<\/p>\n

yad qoynunda ke\u00e7\u0259n gec\u0259n?<\/p>\n

 <\/p>\n

He\u00e7mi \u0259lin titr\u0259m\u0259di,<\/p>\n

He\u00e7mi dilin dola\u015fmad\u0131,<\/p>\n

He\u00e7mi \u00f6zg\u0259 bax\u0131\u015f\u0131nda<\/p>\n

B\u00fcdr\u0259m\u0259din, dola\u015fmad\u0131n?<\/p>\n

M\u0259ni saran bu s\u0259ssizlik<\/p>\n

He\u00e7mi s\u0259n\u0259 ula\u015fmad\u0131?<\/p>\n

 <\/p>\n

Soyuq ev\u0259, ota\u011f\u0131ma,<\/p>\n

Bal\u0131\u015f\u0131ma, yata\u011f\u0131ma,<\/p>\n

\u00d6zg\u0259l\u0259r\u0259, \u00f6z-\u00f6z\u00fcm\u0259<\/p>\n

S\u0259p\u0259l\u0259nib da\u011f\u0131ld\u0131qca<\/p>\n

Y\u0131\u011fma\u011fa heyim olmad\u0131,<\/p>\n

Bilirs\u0259nmi \u0259l uzad\u0131b<\/p>\n

Hay ver, hoy ver s\u00f6yl\u0259m\u0259y\u0259<\/p>\n

N\u0259 Yerim, G\u00f6y\u00fcm olmad\u0131.<\/p>\n

Bilirs\u0259nmi arzular\u0131m<\/p>\n

Sur oldu, qay\u0131m olmad\u0131,<\/p>\n

Bilirs\u0259nmi el\u0259 \u00f6ld\u00fcm,<\/p>\n

…\u00f6ld\u00fcm<\/p>\n

vay\u0131m olmad\u0131.<\/p>\n

 <\/p>\n

\u00d6l\u00fcm n\u0259di ki, a zal\u0131m,<\/p>\n

\u00f6l\u00fcmd\u0259n d\u0259 var bet\u0259ri.<\/p>\n

Bilirs\u0259nmi n\u0259l\u0259r \u00e7\u0259kdim,<\/p>\n

…n\u0259l\u0259r<\/p>\n

s\u0259nd\u0259n\u00a0 \u00f6t\u0259ri.<\/p>\n

\u0130rad\u0259 AYTEL<\/p>\n

 <\/p>\n

Bu \u015feir, insan\u0131n daxili al\u0259mind\u0259 ba\u015f ver\u0259n \u0259n a\u011f\u0131r m\u0259n\u0259vi q\u0259zan\u0131n \u2013 s\u0259ssiz v\u0259 t\u0259nha m\u0259\u011flubiyy\u0259tin poetik tablosudur. M\u00fc\u0259llif fiziki \u00f6l\u00fcm\u00fc bir son deyil, sad\u0259c\u0259 bir ke\u00e7id hesab edir v\u0259 \u0259sl faci\u0259nin insan\u0131n ruh\u0259n, h\u0259m d\u0259 tamam\u0259n unudaraq, unudularaq m\u0259hv olmas\u0131nda g\u00f6r\u00fcr.<\/p>\n

Bu \u015feirin b\u0259dii v\u0259 f\u0259ls\u0259fi t\u0259hlilini bir ne\u00e7\u0259 \u0259sas x\u0259tt \u00fczr\u0259 qrupla\u015fd\u0131rmaq ist\u0259yir\u0259m: \u015feir “\u00f6l\u00fcm n\u0259di ki, a zal\u0131m, \u00f6l\u00fcmd\u0259n d\u0259 var bet\u0259ri” f\u0259ls\u0259fi b\u0259yanat\u0131 il\u0259 a\u00e7\u0131l\u0131r v\u0259 el\u0259 bu x\u0259tl\u0259 d\u0259 qapan\u0131r. Burada \u00f6l\u00fcm adil\u0259\u015fdirilir, \u00e7\u00fcnki \u00f6l\u00fcm fiziki b\u0259d\u0259nin sonudur. M\u00fc\u0259llif \u00fc\u00e7\u00fcn \u0259sl “bet\u0259r” olan \u015fey is\u0259 – ya\u015faya-ya\u015faya \u00f6lm\u0259k, sevgid\u0259 v\u0259 xatir\u0259l\u0259rd\u0259 yox olmaqd\u0131r. \u015eair fiziki \u00f6l\u00fcm\u00fc deyil, hissl\u0259rin q\u0259brini t\u0259svir edir. “Vay\u0131m olmad\u0131” ifad\u0259si il\u0259 insan\u0131n \u00f6z yas\u0131n\u0131 bel\u0259 t\u0259k, kims\u0259siz v\u0259 ads\u0131z-sans\u0131z saxlamas\u0131 faci\u0259nin kulminasiya n\u00f6qt\u0259sidir.<\/p>\n

M\u0259tnd\u0259 diqq\u0259t\u00e7\u0259k\u0259n \u0259n g\u00fccl\u00fc motivl\u0259rd\u0259n biri s\u0259ssizlikdir. Bu, passiv bir sakitlik deyil, daxili g\u0259rginlikl\u0259 dolu bir hayq\u0131r\u0131\u015fd\u0131r:<\/p>\n

“el\u0259 susdum e\u015fitm\u0259din… ah\u0131m\u0131 da \u00e7\u0259kdim i\u00e7\u0259.”<\/p>\n

\u0130nsan\u0131n \u00f6z ah\u0131n\u0131 i\u00e7in\u0259 \u00e7\u0259km\u0259si, \u0259trafa yay\u0131lmaq ist\u0259y\u0259n a\u011fr\u0131n\u0131 zorla bo\u011fmas\u0131 dem\u0259kdir. M\u00fc\u0259llif bu s\u0259ssizliyin bir m\u00fcdd\u0259t sonra h\u00fcdudlar\u0131 a\u015faraq qar\u015f\u0131 t\u0259r\u0259f\u0259 yeti\u015f\u0259c\u0259yin\u0259 \u00fcmid edir (“M\u0259ni saran bu s\u0259ssizlik, he\u00e7mi s\u0259n\u0259 ula\u015fmad\u0131?”), lakin bu \u00fcmid d\u0259 bo\u015fluqda qal\u0131r.<\/p>\n

\u015eeird\u0259 “yad” v\u0259 “\u00f6zg\u0259” anlay\u0131\u015flar\u0131 qar\u015f\u0131 t\u0259r\u0259fin x\u0259yan\u0259ti v\u0259 ya uzaqla\u015fmas\u0131 kontekstind\u0259 verilir. Lirik q\u0259hr\u0259man sevdiyi insan\u0131n yad qoynunda, \u00f6zg\u0259 bax\u0131\u015f\u0131nda b\u00fcdr\u0259m\u0259sini, pe\u015fman olmas\u0131n\u0131 g\u00f6zl\u0259yir. \u0130nsani bir t\u0259bi\u0259tl\u0259, qar\u015f\u0131 t\u0259r\u0259fin vicdan\u0131n\u0131n s\u0131zlay\u0131b-s\u0131zlamad\u0131\u011f\u0131n\u0131 sor\u011fulay\u0131r. “He\u00e7mi \u0259lin titr\u0259m\u0259di, He\u00e7mi dilin dola\u015fmad\u0131?” Bu suallar \u0259slind\u0259 bir qisas hissi deyil, itirilmi\u015f do\u011fmal\u0131\u011f\u0131n yaratd\u0131\u011f\u0131 d\u0259rin bir t\u0259\u0259ss\u00fcf v\u0259 heyr\u0259tdir.<\/p>\n

\"\"<\/a>\u015eeirin \u0259n t\u0259sirli b\u0259ndl\u0259rind\u0259n biri lirik q\u0259hr\u0259man\u0131n daxili d\u00fcnyas\u0131n\u0131n v\u0259 m\u0259kan\u0131n\u0131n par\u00e7alanmas\u0131d\u0131r:<\/p>\n

“Soyuq ev\u0259, ota\u011f\u0131ma, bal\u0131\u015f\u0131ma, yata\u011f\u0131ma… v\u0259.s. s\u0259p\u0259l\u0259nib da\u011f\u0131ld\u0131qca” insan daxil\u0259n el\u0259 bir f\u0259lak\u0259t ya\u015fay\u0131r ki, onun m\u0259n\u0259vi varl\u0131\u011f\u0131 hiss\u0259l\u0259r\u0259 b\u00f6l\u00fcn\u0259r\u0259k \u0259\u015fyalara s\u00fcz\u00fcl\u00fcr. V\u0259 bu da\u011f\u0131n\u0131ql\u0131\u011f\u0131 toplama\u011fa fiziki v\u0259 m\u0259n\u0259vi g\u00fcc (“hey”) qalm\u0131r.<\/p>\n

Arxas\u0131nca g\u0259l\u0259n “N\u0259 Yerim, G\u00f6y\u00fcm olmad\u0131” misras\u0131 t\u0259nhal\u0131\u011f\u0131n miqyas\u0131n\u0131 kosmik s\u0259viyy\u0259y\u0259 qald\u0131r\u0131r. \u0130nsan art\u0131q n\u0259 yer\u0259 s\u0131\u011f\u0131r, n\u0259 g\u00f6y\u0259; o, varl\u0131\u011f\u0131n tam m\u0259rk\u0259zind\u0259 tamamil\u0259 k\u00f6ks\u00fcz v\u0259 s\u0131\u011f\u0131nacaqs\u0131z qal\u0131r. Eyni zamanda, m\u00fc\u0259llif burada etiraf edir ki, o, n\u0259 fanil\u0259r\u0259 \u2013 insanlara (Yer\u0259) s\u0131\u011f\u0131na, n\u0259 d\u0259 \u018fb\u0259diy\u0259 \u2013 Allaha (G\u00f6y\u0259) tap\u0131na bilir; ac\u0131s\u0131n\u0131 is\u0259 n\u0259 s\u00f6z\u0259, n\u0259 d\u0259 duaya \u00e7evir\u0259 bilir.<\/p>\n

Arzular\u0131n “sur” (y\u0259ni ke\u00e7ici, b\u0259lk\u0259 d\u0259 qiyam\u0259t \u015feypuru kimi bitirici bir s\u0259s) olmas\u0131, lakin “qay\u0131m” (m\u00f6hk\u0259m, dayan\u0131ql\u0131) ola bilm\u0259m\u0259si \u00fcmidl\u0259rin bird\u0259f\u0259lik d\u0259fnidir.<\/p>\n

Forma v\u0259 ah\u0259ng bax\u0131m\u0131ndan \u015feir s\u0259rb\u0259st v\u0259 klassik xalq poeziyas\u0131 elementl\u0259rinin (bayat\u0131 v\u0259 qo\u015fma ruhunun) sintezind\u0259n do\u011fub. Format f\u0259rqli olsa da, misralar\u0131n daxili ritmi v\u0259 qafiy\u0259 sistemi (ota\u011f\u0131ma, yata\u011f\u0131ma, olmad\u0131, qald\u0131 ruhunda) ona klassik bir ax\u0131c\u0131l\u0131q verir.<\/p>\n

M\u00fc\u0259llif t\u0259rzinin b\u0259dii g\u00fcc\u00fc misralar\u0131n pill\u0259li d\u00fcz\u00fcl\u00fc\u015f\u00fc (“…n\u0259l\u0259r,s\u0259nd\u0259n \u00f6t\u0259ri”,”…\u00f6ld\u00fcm, vay\u0131m olmad\u0131”) oxucunun n\u0259f\u0259sini t\u0259nziml\u0259yir, sanki \u015fairin dan\u0131\u015fark\u0259n h\u0131\u00e7q\u0131rd\u0131\u011f\u0131, dayand\u0131\u011f\u0131, d\u0259rind\u0259n ah \u00e7\u0259kdiyi anlar\u0131 vizualla\u015fd\u0131r\u0131r. Biz burada \u015fairin i\u00e7 s\u0259si il\u0259 yana\u015f\u0131, misralar\u0131n da h\u0131\u00e7q\u0131r\u0131\u011f\u0131n\u0131 e\u015fidirik. Diqq\u0259t yetirs\u0259k g\u00f6r\u0259rik ki, \u0259sas\u0259n g\u0259ray\u0131l\u0131 v\u0259znind\u0259, s\u0259kkiz heca \u00fcz\u0259rind\u0259 qurulan misralar b\u0259zi b\u0259ndl\u0259rd\u0259 q\u0131r\u0131laraq yeddi hecaya enir. Sanki \u015feirin \u00f6z\u00fc d\u0259 s\u0259sini i\u00e7in\u0259 \u00e7\u0259kib s\u00fckuta m\u0259\u011flub olur, yaxud hayq\u0131rt\u0131s\u0131n\u0131 s\u00fckuta t\u0259slim edir\u2026<\/p>\n

Xalq dialektin\u0259 v\u0259 mifologiyaya uyumlar\u0131yla “Hay ver, hoy ver”, “vay\u0131m olmad\u0131”, “sur”, “qay\u0131m” kimi ifad\u0259l\u0259r \u015feirin b\u0259dii dilini a\u011f\u0131rla\u015fd\u0131rm\u0131r, \u0259ksin\u0259, a\u011fr\u0131n\u0131n genetik hafiz\u0259d\u0259n g\u0259l\u0259n k\u00f6kl\u0259rini \u00fcz\u0259 \u00e7\u0131xar\u0131r.<\/p>\n

Bu \u015feir sad\u0259c\u0259 bir ayr\u0131l\u0131q m\u0259tni deyil. Bu, m\u0259n\u0259vi olaraq tamamil\u0259 talan edilmi\u015f, lakin buna baxmayaraq \u00f6z d\u0259rdini l\u0259yaq\u0259tl\u0259, s\u0259ssizc\u0259 v\u0259 b\u00f6y\u00fck bir poeziya g\u00fcc\u00fc il\u0259 da\u015f\u0131yan insan\u0131n daxili monoloqudur.<\/p>\n

Sonda, alq\u0131\u015flay\u0131ram, duy\u011fusal hissil\u0259rini b\u0259dii tablonun teatr\u0131nda \u00e7ox ustal\u0131qla dramatikl\u0259\u015fdir\u0259n m\u00fc\u0259llifi\u2026<\/p>\n

 <\/p>\n

D\u0259rin h\u00f6rm\u0259t v\u0259 izz\u0259tl\u0259;<\/p>\n

VAQ\u0130F H\u0130CRAN<\/p>\n

Yaz\u0131ya 23 d\u0259f\u0259 bax\u0131l\u0131b<\/p>\n","protected":false},"excerpt":{"rendered":"

(\u0130rad\u0259 Aytelin “\u00d6l\u00fcm n\u0259di ki, a zal\u0131m” ba\u015fl\u0131ql\u0131 \u015feirind\u0259n sonra…)   \u00d6l\u00fcm n\u0259di ki, a zal\u0131m, \u00f6l\u00fcmd\u0259n d\u0259 var bet\u0259ri, Bilirs\u0259nmi n\u0259l\u0259r \u00e7\u0259kdim, …n\u0259l\u0259r s\u0259nd\u0259n\u00a0 \u00f6t\u0259ri.   el\u0259 susdum e\u015fitm\u0259din… ah\u0131m\u0131 da \u00e7\u0259kdim i\u00e7\u0259. he\u00e7mi s\u0259ni \u00fc\u015f\u00fctm\u0259di yad qoynunda ke\u00e7\u0259n gec\u0259n?   He\u00e7mi \u0259lin titr\u0259m\u0259di, He\u00e7mi dilin dola\u015fmad\u0131, He\u00e7mi \u00f6zg\u0259 bax\u0131\u015f\u0131nda B\u00fcdr\u0259m\u0259din, dola\u015fmad\u0131n? M\u0259ni saran […]<\/p>\n","protected":false},"author":1,"featured_media":22886,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[17,3],"tags":[],"_links":{"self":[{"href":"https:\/\/kultur.az\/index.php?rest_route=\/wp\/v2\/posts\/22884"}],"collection":[{"href":"https:\/\/kultur.az\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kultur.az\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kultur.az\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kultur.az\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=22884"}],"version-history":[{"count":1,"href":"https:\/\/kultur.az\/index.php?rest_route=\/wp\/v2\/posts\/22884\/revisions"}],"predecessor-version":[{"id":22887,"href":"https:\/\/kultur.az\/index.php?rest_route=\/wp\/v2\/posts\/22884\/revisions\/22887"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kultur.az\/index.php?rest_route=\/wp\/v2\/media\/22886"}],"wp:attachment":[{"href":"https:\/\/kultur.az\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=22884"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kultur.az\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=22884"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kultur.az\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=22884"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}