{"id":9865,"date":"2015-11-04T17:14:10","date_gmt":"2015-11-04T13:14:10","guid":{"rendered":"http:\/\/kultur.az\/?p=9865"},"modified":"2015-11-04T17:14:10","modified_gmt":"2015-11-04T13:14:10","slug":"umit-yasar-isikhan-son-sairler","status":"publish","type":"post","link":"https:\/\/kultur.az\/?p=9865","title":{"rendered":"\u00dcmit Ya\u015far I\u015f\u0131khan – SON \u015eA\u0130RLER"},"content":{"rendered":"
\n

\"umit<\/a>\u015eiir, do\u011fan\u0131n i\u00e7inde sakl\u0131 asl\u0131nda… Onu g\u00f6rebilmek, dokunabilmek ve s\u00fcre\u00e7 i\u00e7inde hayat\u0131n atar damar\u0131na d\u00f6n\u00fc\u015ft\u00fcrerek payla\u015fmak \u00f6nemli… Burada \u015fairin alg\u0131 g\u00fcc\u00fc ve ifade yetene\u011fi \u015fiirle bulu\u015fma \u00e7izgilerini olu\u015fturuyor. Diyalektik olarak d\u00f6n\u00fc\u015f\u00fcm s\u00fcrecinde yakalayabildiklerimizin duygu ve d\u00fc\u015f\u00fcnce anaforumuzdaki sonucun yans\u0131mas\u0131d\u0131r, yapt\u0131\u011f\u0131m\u0131z. Asl\u0131nda b\u00fct\u00fcn sanatsal ve d\u00fc\u015f\u00fcnsel yarat\u0131mlar\u0131m\u0131z, var olan\u0131n yeniden ve farkl\u0131 alternanslarla ki\u015fiselle\u015ftirilmesidir. Senin yazd\u0131\u011f\u0131n \u015fiir senin de\u011fildir..<\/strong><\/em>. \u0130fade etti\u011fin duygu bin y\u0131llard\u0131r var… Simgesel s\u00f6zc\u00fckler de bizim de\u011fildir\u2026 Biz yaln\u0131zca bu \u00e7a\u011f\u0131n k\u00fclt\u00fcrel miras\u0131ndan pay\u0131m\u0131za d\u00fc\u015fen kadar, kendimizi; duygu ve d\u00fc\u015f\u00fcncelerimizi yeni de\u011fil, farkl\u0131 ifade ederek iz b\u0131rakmaya veya s\u00fcrmeye devam ediyoruz. \u0130nsano\u011flu, var oldu\u011fu g\u00fcnden beri ayn\u0131 g\u00fclmekte ve ayn\u0131 a\u011flamaktad\u0131r. H\u00fcz\u00fcn hep ayn\u0131 mimikleri yaratm\u0131\u015ft\u0131r. Mutlulukta ayn\u0131 \u015fekilde, a\u00e7l\u0131k da \u00f6yle, \u00f6zlem ve \u00f6l\u00fcm ac\u0131s\u0131 da. Yaz\u0131y\u0131 biz bulmad\u0131k. Sesin s\u00f6zc\u00fc\u011fe d\u00f6n\u00fc\u015fmesi s\u00fcrecini de biz ba\u015flatmad\u0131k. Ve bunca birikimin hep ya\u015fanm\u0131\u015f duygular\u0131n ifade \u015fekli bizden \u00f6nce de ayn\u0131yd\u0131, bizden sonrada ayn\u0131 olacakt\u0131r. \u0130\u015fte \u015fiirin ana damar\u0131n\u0131 bar\u0131nd\u0131ran, hayat\u0131n kendisidir asl\u0131nda.<\/p>\n

Hayat\u0131n kendisi, yani eylem\u2026 Ve bu s\u00fcre\u00e7 i\u00e7inde ya\u015fanan de\u011fi\u015fimlerin hayat\u0131 alg\u0131lama oran\u0131nda ifadeye, \u015fiire d\u00f6n\u00fc\u015fmesidir\u2026 Hayat varsa, eylem… Eylem varsa ifade var oldu\u011funa g\u00f6re \u015fiiri yaratan ana damar\u0131n hayat oldu\u011fu \u00e7\u0131k\u0131yor ortaya\u2026 Statik hayat\u0131n \u015fiiri yoktur. \u00c7\u00fcnk\u00fc ya\u015fama yeni bir \u015fey kat\u0131lm\u0131yorsa orda \u015fiirden s\u00f6z edilemez. Bu nedenle ya\u015fam\u0131n girdaplar\u0131nda mutlu-mutsuz \u00e7\u0131\u011fl\u0131klar\u0131n ruhsal-d\u00fc\u015f\u00fcnsel patlamalar\u0131n ses, s\u00f6z, s\u00f6zc\u00fck olarak yay\u0131lmas\u0131 ve belirli bir formasyonda sunulmas\u0131 \u00f6nemlidir. \u0130\u015fte \u015fiirin ana damar\u0131 budur… Hayat\u0131n \u0131rmak ak\u0131\u015f\u0131ndaki do\u011fal de\u011fi\u015fimler kapsam\u0131nda,\u00a0 bizi ku\u015fatan g\u00f6kku\u015fa\u011f\u0131n\u0131n-alternanslar\u0131n kendisidir.<\/p>\n

\u015eiir her zaman eylemcidir. \u00d6zellikle \u00e7a\u011f\u0131na tan\u0131k olmak sorumlulu\u011fuyla de\u011fi\u015fen ko\u015fullar\u0131n; sesi, yans\u0131s\u0131, rengi olmak zorundad\u0131r. \u00d6znelli\u011fi besleyen nesnelli\u011fin yolculu\u011fu tersine akan \u0131rma\u011fa d\u00f6n\u00fc\u015f\u00fcr \u015fairde… \u0130\u015fte bu s\u00fcre\u00e7te yaz\u0131lan \u015fiir vahiyle gelen s\u00f6z de\u011fildir. Bilgi ve duyarl\u0131l\u0131klar\u0131n dilin b\u00fcy\u00fcs\u00fcnde bulu\u015fmas\u0131d\u0131r. Bu nedenle; b\u00fct\u00fcn duyu organlar\u0131yla toplanan ve etkiledi\u011fi yap\u0131daki refleksle s\u00f6yleme d\u00f6n\u00fc\u015fen b\u00fcy\u00fcl\u00fc s\u00f6zc\u00fcklerin, hayat\u0131n kenar\u0131nda durma \u015fans\u0131 yoktur. Ger\u00e7ek \u015fair aktivist oldu\u011funu bilendir. Hele g\u00fcn\u00fcm\u00fczde, daralan d\u00fcnyada; h\u00fczn\u00fcn, ayr\u0131l\u0131klar\u0131n, g\u00f6\u00e7lerin, sava\u015flar\u0131n, i\u015fkencelerin ve vatans\u0131zlar\u0131n \u00e7o\u011fald\u0131\u011f\u0131 bir hayat dilimine tan\u0131k olan \u015fairin \u00e7\u0131\u011fl\u0131\u011f\u0131 ancak bu \u0131rmaklarda, sanat\u0131n hayata m\u00fcdahil olmas\u0131 gereken sayfada huzur bulabilir.<\/p>\n

\u0130\u015fte bu a\u015famada her \u015fair, kendi \u00f6znelli\u011fi i\u00e7inde farkl\u0131 bir renk ve sestir. Bu nedenle \u015fairlerin \u00e7o\u011falmas\u0131, \u015fiirlerin yayg\u0131nla\u015fmas\u0131 sanc\u0131 \u00e7eken d\u00fcnyan\u0131n a\u011fr\u0131lar\u0131n\u0131 azalt\u0131r. \u0130\u015fte burada \u015fiir; ortak umutlar\u0131m\u0131z\u0131n ger\u00e7ekle\u015fmesi i\u00e7in koro halinde okudu\u011fumuz ilahidir. Her \u015fiir; \u00e7ekilen ac\u0131lar ve insanl\u0131\u011f\u0131n ya\u015fad\u0131\u011f\u0131 travmalara ra\u011fmen, o b\u00fcy\u00fcl\u00fc ses i\u00e7inde umuda ko\u015fan ceylanlar\u0131n ayak izleridir… Birlikte yan yana y\u00fcr\u00fcy\u00fc\u015f\u00fcn, farkl\u0131 renk elbiselerimizle, bak\u0131\u015flar\u0131m\u0131zla birbirimize omuz veren yolda\u015f\u0131d\u0131r\u2026<\/p>\n

Ger\u00e7ek \u015fiir bir \u015fey \u00f6\u011fretmez, \u00e7ok \u015fey bar\u0131nd\u0131r\u0131r ve \u0131\u015f\u0131\u011f\u0131 karanl\u0131\u011f\u0131n i\u00e7inde yola \u00e7eviren bir fenerin kendisidir. Yolculukta su, anne kuca\u011f\u0131nda s\u00fct, sevgilide dokunman\u0131n hazz\u0131d\u0131r. \u015eairin g\u00f6revi bilgi\u00e7lik taslamak de\u011fil, yaln\u0131zca durdu\u011fu zaman dilimindeki foto\u011fraf\u0131n kendisidir. Bu nedenle; yurt i\u00e7inde ve yurt d\u0131\u015f\u0131nda kat\u0131ld\u0131\u011f\u0131m b\u00fct\u00fcn etkinliklerde kucakla\u015ft\u0131\u011f\u0131m gen\u00e7 \u015fairlere \u00e7ok \u015fey s\u00f6ylemedim, s\u00f6ylemem de\u2026 Hele bu \u00e7a\u011fda, gerekte yok… Teknolojinin hayat\u0131m\u0131z\u0131 i\u015fgal etti\u011fi bir zaman dilimde sanal d\u00fcnyadan s\u0131yr\u0131l\u0131p yaln\u0131zca hayata ve olaylara bakmalar\u0131n\u0131 ve vicdanlar\u0131 oran\u0131nda bunu sese ve s\u00f6zc\u00fc\u011fe d\u00f6n\u00fc\u015ft\u00fcrmelerini \u00f6nermi\u015fimdir. Ve tabi, \u00f6ncelikle; sanat kuramlar\u0131 \u0131\u015f\u0131\u011f\u0131nda \u015fiir tarihinin iyi bilinmesi ko\u015fuluyla insan, do\u011fa ve hayat \u00fc\u00e7lemindeki s\u0131rr\u0131 ke\u015ffetmelerini, yani ku\u015fun dilini \u00f6\u011frenmelerini \u00f6nermi\u015fimdir\u2026<\/p>\n

Her d\u00f6nem, kendi \u015fairini do\u011furur. Ve her \u015fair kendi zaman dilimindeki duyarl\u0131l\u0131klar\u0131n, sesi ve rengi olmas\u0131 halinde kal\u0131c\u0131l\u0131\u011f\u0131n raflar\u0131nda yer al\u0131r. \u00c7\u00fcnk\u00fc her \u015fiir, \u00fcretildi\u011fi d\u00f6nemin sosyolojik tarihini de bar\u0131nd\u0131rmaktad\u0131r.<\/p>\n

Cumhuriyet d\u00f6neminin cici \u015fiiri, balolarda meyhane k\u00f6\u015felerinde okunan ve payla\u015f\u0131lan \u015fiir devri fazla iz b\u0131rakmadan bitti.\u00a0 \u015eiirimizin en uzun yolculu\u011fu birka\u00e7 ku\u015fakt\u0131r s\u00fcrmektedir. \u201cAc\u0131l\u0131 Ku\u015fak<\/strong>\u201d denen 1940\u2019lar\u0131n ku\u015fa\u011f\u0131 de\u011fi\u015fik eklentilerle 60-70-80 y\u0131llar\u0131n\u0131 kapsayan ve k\u00f6kenini McCarthy d\u00f6neminin ulusal renklerinden alan d\u00f6nemdir. Bedel \u00f6deyen \u015fairler d\u00f6nemi… \u0130\u015fkencelerden ge\u00e7en, i\u015fsiz kalan, s\u00fcr\u00fclen, a\u00e7 kalan, s\u00fcr\u00fcnen, evi ve ailesi olmayan ve faili me\u00e7hullere giden \u015fairlerin, yazarlar\u0131n devri…12 Eyl\u00fcl askeri darbesinden sonra uygulanan fa\u015fist bask\u0131larla o havarilerin devri de bitti… Biz 78 ku\u015fa\u011f\u0131n\u0131n son temsilcileri olarak yaralar\u0131m\u0131zla ya\u015famay\u0131 \u00f6\u011frenen son kelaynaklar\u0131z\u2026 Benim ku\u015fa\u011f\u0131n kelaynaklar\u0131, ac\u0131lara, direni\u015fe, de\u011fi\u015fime tan\u0131k olan ve bedel \u00f6denen bir tarihin i\u00e7inden gelen ve bu anlamda tan\u0131kl\u0131\u011f\u0131n\u0131 yapan son \u015fairlerdir.<\/p>\n

\u015eimdi ve sonras\u0131nda kitleselle\u015fen \u015fiir, ancak toplumcu-ger\u00e7ek\u00e7i \u015fiir olabilir. \u0130\u00e7sel ve d\u0131\u015fsal g\u00fcr\u00fclt\u00fcler i\u00e7inde bo\u011fulan insanlar\u0131n sesini ancak orda \u00e7o\u011faltabilirsiniz… Ve \u015fiirinizi ancak orda besleyebilirsiniz. \u015eimdi ve sonras\u0131nda \u015fairin ruhunu ve huzurunu ancak bu \u0131rmaklarda serinletebilirsiniz… Naz\u0131m\u2019\u0131n b\u00fcy\u00fckl\u00fc\u011f\u00fc, Lorca, Aragon, Neruda, Mayakovski, Mahmut Dervi\u015f ve Nizar Kabbani\u2019nin beslendi\u011fi ve ya\u015fatt\u0131\u011f\u0131 ses budur.<\/p>\n

Toplumcu bir \u015fair asla kayg\u0131lardan beslenmez. Hayat\u0131n kanamalar\u0131n\u0131 y\u00fcre\u011finde hisseden ve \u00e7\u0131\u011fl\u0131\u011f\u0131nda, \u015fiirinde b\u00fct\u00fcn renkleri ve umutlar\u0131 besleyendir. Elbette hayat\u0131n h\u0131zl\u0131 de\u011fi\u015fimi kar\u015f\u0131s\u0131nda herkes gibi \u015fair de kayg\u0131lan\u0131r ama kayg\u0131lar\u0131n s\u0131n\u0131fsal formasyonunu iyi bilirse, umuda d\u00f6n\u00fc\u015ft\u00fcrendir.<\/p>\n

Peki, \u015fiir yaz\u0131ld\u0131\u011f\u0131 dilin d\u0131\u015f\u0131na \u00e7\u0131kabilir mi, ayn\u0131 duyarl\u0131l\u0131\u011f\u0131 ba\u015fka dilde verilebilir mi?<\/p>\n

Elbette hay\u0131r\u2026 Veya \u00e7evrilen \u015fiirin yaz\u0131ld\u0131\u011f\u0131 dildeki derinli\u011fine g\u00f6re de\u011fi\u015fir. \u0130mgenin k\u0131y\u0131s\u0131ndan ge\u00e7memi\u015f, d\u00fcz, rahat ve kolay anla\u015f\u0131l\u0131r \u015fiirlerin \u00e7evirisi daha ba\u015far\u0131l\u0131 olabilir. Ama b\u0131rakt\u0131\u011f\u0131 iz, yine kendi sadeli\u011fi kadard\u0131r. \u015eiir \u00e7evirisini denemi\u015f bir \u015fair olarak, \u015fiirin yaz\u0131ld\u0131\u011f\u0131 dildeki imgesel-estetiksel derinli\u011fi vermenin m\u00fcmk\u00fcn olmad\u0131\u011f\u0131na inan\u0131yorum. \u00c7evirmenin anl\u0131k psikolojisinin bile etkili oldu\u011fu bir \u00e7evirinin ne kadar do\u011fru ve \u00e7evrilen \u015fiire sad\u0131k kald\u0131\u011f\u0131 bile tart\u0131\u015f\u0131l\u0131r. \u015eiirin \u00e7evirisi de\u011fil, ancak \u015fiirin \u201cmeali\u201d<\/strong>\u00a0denebilir.<\/p>\n

Hayat\u0131n kanamal\u0131 h\u00fczn\u00fcn\u00fc y\u00fcre\u011finde umudun g\u00f6kku\u015fa\u011f\u0131na \u00e7eviren \u015fairlere selam olsun.<\/p>\n<\/div>\n

<\/div>\n

Yaz\u0131ya 911 d\u0259f\u0259 bax\u0131l\u0131b<\/p>\n","protected":false},"excerpt":{"rendered":"

\u015eiir, do\u011fan\u0131n i\u00e7inde sakl\u0131 asl\u0131nda… Onu g\u00f6rebilmek, dokunabilmek ve s\u00fcre\u00e7 i\u00e7inde hayat\u0131n atar damar\u0131na d\u00f6n\u00fc\u015ft\u00fcrerek payla\u015fmak \u00f6nemli… Burada \u015fairin alg\u0131 g\u00fcc\u00fc ve ifade yetene\u011fi \u015fiirle bulu\u015fma \u00e7izgilerini olu\u015fturuyor. Diyalektik olarak d\u00f6n\u00fc\u015f\u00fcm s\u00fcrecinde yakalayabildiklerimizin duygu ve d\u00fc\u015f\u00fcnce anaforumuzdaki sonucun yans\u0131mas\u0131d\u0131r, yapt\u0131\u011f\u0131m\u0131z. Asl\u0131nda b\u00fct\u00fcn sanatsal ve d\u00fc\u015f\u00fcnsel yarat\u0131mlar\u0131m\u0131z, var olan\u0131n yeniden ve farkl\u0131 alternanslarla ki\u015fiselle\u015ftirilmesidir. Senin yazd\u0131\u011f\u0131n […]<\/p>\n","protected":false},"author":1,"featured_media":1082,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[6],"tags":[],"_links":{"self":[{"href":"https:\/\/kultur.az\/index.php?rest_route=\/wp\/v2\/posts\/9865"}],"collection":[{"href":"https:\/\/kultur.az\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kultur.az\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kultur.az\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kultur.az\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=9865"}],"version-history":[{"count":1,"href":"https:\/\/kultur.az\/index.php?rest_route=\/wp\/v2\/posts\/9865\/revisions"}],"predecessor-version":[{"id":9866,"href":"https:\/\/kultur.az\/index.php?rest_route=\/wp\/v2\/posts\/9865\/revisions\/9866"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kultur.az\/index.php?rest_route=\/wp\/v2\/media\/1082"}],"wp:attachment":[{"href":"https:\/\/kultur.az\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=9865"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kultur.az\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=9865"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kultur.az\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=9865"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}